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The countdown for American Flowers Week and the Slow Flowers Summit has begun — we’re only five weeks away from the June 28th kickoff of American Flowers Week 2017 and just shy of six weeks from the Slow Flowers Summit, which will take place on Sunday, July 2nd in Seattle.

You’re invited to participate in both — and you can find all the details and links here in this post.

I’ll be previewing as many of our Slow Flowers Summit speakers as possible over the coming weeks. First of all, please meet James Baggett, science and horticulture writer, garden editor at Better Homes & Gardens and a true pioneer in garden media.

I’ve written and produced stories for this incredibly generous and talented man for years and I count him as a friend. In fact, as I mention often, if given a choice, I’d rather be his friend for life than ever write a single story for him in the future.

James is definitely demonstrating his friendship and support for my passion by agreeing to be our master of ceremonies during the Slow Flowers Summit.

He’s flying to Seattle from his home town, Des Moines, Iowa, where BH&G and its parent company Meredith Corp. are based. As luck would have it, my travels took me to Des Moines last month when Meredith sponsored my lecture at the Wonder of Words festival on Earth Day. While there, I grabbed a short interview with James to share with you.

James A. Baggett has been a garden editor and writer for more than 20 years. In addition to his new role as BH&G’s garden editor, he shaped content at Country Gardens® magazine as its editor in chief for nine years after serving previously as editor of Perennials^TM and as the founding editor of Nature’s Garden^TM magazines, both Better Homes and Gardens Special Interest Publications.

James also is the former executive editor of Country Living Gardener and Rebecca’s Garden magazines. He is the author of Flower Arranging, a Best of Martha Stewart Living Book (Oxmoor House) and the former garden editor of American Homestyle & Gardening.

James formerly gardened in New York City — where he tended a 10-x-20-foot garden behind an 1850 brownstone — and he now gardens in Des Moines, where all the available land surrounding his Arts & Crafts bungalow has been given over to flowerbeds, specimen trees and shrubs, and containers.

James has a Bachelor of Journalism degree, from the University of Missouri-Columbia’s famed School of Journalism. In 2015, the American Horticultural Society honored James with the B. Y. Morrison Communication Award, which recognizes effective and inspirational communication – through print, radio, television, and/or online media — advancing public interest and participation in horticulture.

“Garden writing is science writing with Jazz Hands” — James Baggett

Click here to download the James Baggett Profile, “Charming, Disarming and Engaging,” written by Maryann Newcomer for to the GWA Association of Garden Communicators newsletter. His curiosity and passion about everything in the natural world comes through in all aspects of his work and his life, and I’m thrilled that he’ll be joining us as the emcee for the Summit.

Next up, past guest of this podcast, Emily Ellen Anderson of Seattle-based Lola Creative. If you missed my interview with Emily (episode 168) you’ll want to go back and hear her entire journey of arriving at a floral career drawing from a background in landscape architecture.

It’s inspiring and it’s one of the reasons I asked Emily to speak at the Slow Flowers Summit on the topic of “Reinvention: Professionally, Artistically + Sustainably.” She will share her story and talk about how creatives are morphing with the changing cultural scene, changing aesthetic tastes and changing values.

And a huge bonus of having Emily involved in the Summit will be her “live” demonstration of building a foam-free floral wall.

It was during our recent walk-through of the Surf Incubator Event Space where our Summit will be held, that I recorded our short audio conversation. Our mutual friend Liz Browning of Laughing Girl Flowers was with us and we were all so excited to see the environment that will house the Summit gathering. We also discussed logistics of building a mini version of the massive floral wall that Emily and her team created for the 2016 Seattle Art Fair.

Her business, Lola Creative, is comprised of a team of art-minded, world-wandering, endlessly curious event and visual art professionals and ready to get obsessed with their clients’ projects. They specialize in design and production of bold events with a focus on brand enhancement and generating a meaningful connection between guests and a host organization, styled photoshoots and creative direction for online content and marketing campaigns, exceptional weddings for excellent couples. Lola Creative includes craftspeople, architects, project managers, marketers, writers, painters, organizational master-minds, and bold thinkers. Lola operates out of a light- filled studio in Edmonds, Washington, serving the entire state and Northwest region.

Lola promotes sustainable flower growing, low waste events, and low-impact practices of all kinds, including composting plant waste, reusing materials, and sourcing locally and responsibly. Lola Creative has ceased the use of floral foam for its toxicity and non-biodegradability. A portion of profits benefit scientific research, creatures, and kids’ education in entrepreneurship, art, and technology.

Check out Curious Lola, Emily’s blog where she shares tips, stories and videos about building, running and designing an event design and floral business.

Find/follow Emily at these social places:

Lola Creative on Facebook

Lola Creative on Instagram

Lola Creative on Pinterest

Thanks for joining us today. The Slow Flowers Podcast has been downloaded more than 191,000 times by listeners like you. THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

It’s time to sign up for the Summit and you can find the registration link and more details right here.

The information you will gain in a single day at the Summit is an incredible value for just $175 — and members of Slow Flowers receive a great thank-you rate  of $135/ Your registration includes all lectures and coffee/light breakfast, lunch and a cocktail reception with speakers — plus a flower lovers’ swag bag and chance to network with the doers and thinkers in our botanical universe.

I can’t wait for you to join us in Seattle on July 2 in the heart of American Flowers Week!

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to family of sponsors:

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

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Valentine’s Day is over — are you ready to relax and celebrate your success?!

I hope so! If you’re looking  for a great way to invest in yourself and feed your creativity in a new way, please join Anne Bradfield and Jason Miller and me at the upcoming Slow Flowers Creative Workshop. It will take place in Seattle on March 6th and 7th and you can find a link to more details here. This intimate 2-day event is designed for creatives to boost their powers of language, narrative and storytelling — on the page and on video. We’re excite to share our expertise and help you develop your business and your brand – so check it out.

Before we get started with today’s interview featuring a fantastic guest, I want to share a big announcement with you.

Please put Sunday, July 2nd on your calendar and save the date to join me in Seattle at the first SLOW FLOWERS SUMMIT, a one-day conference that I’m calling a “TED talk for flower lovers.”

For years, I’ve been talking with a few of you about producing a “slow flowers summit,” essentially devoting time and space to gather thought leaders and change agents to discuss the momentum of the Slow Flowers Movement.

Now, the timing is right to hold such a forum. The 2017 Slow Flowers Summit achieves and recognizes many things.

First, it coincides with American Flowers Week, our third annual campaign to promote domestic flowers, farms and florists, scheduled again to take place June 28 through July 4th. Holding the Summit during American Flowers Week allows us to celebrate and recognize the mission of Slow Flowers.

Second, it allows people attending AIFD, the American Institute of Floral Designers annual conference in Seattle that week, to access high-quality, substantial American-grown educational programming that they will not obtain at their conference.

And third, this year’s timing allows us to bring in keynote speaker Amy Stewart to commemorate the 10th anniversary of her influential book, Flower Confidential. So many of you were inspired to change your own relationship with flowers after Amy published Flower Confidential in 2007 and we’re thrilled to bring her to the Summit.

Our other speakers are pretty amazing, too. We have Teresa Sabankaya of Bonny Doon Garden Co., a past guest of this podcast and the florist originally profiled by Amy in her book. We’re honored to welcome award-winning garden blogger and author Chantal Aida Gordon of The Horticult blog, who will moderate a panel on Diversity in the Floral and Horticulture industries. She’ll be joined by some great friends of Slowflowers.com, Leslie Bennett, principal of Pine House Edible Gardens in Oakland, Riz Reyes of RHR Horticulture in Seattle, also a past guest of this podcast, and floral artist Nicole Cordier Wahlquist of Grace Flowers Hawaii.

Emily Ellen Anderson of Seattle’s Lola Creative will speak about “reinvention,” sharing her transition from landscape architect to floral and event designer, and our favorite flower rebel Lisa Waud of pot & box will bring the insights from her experience with The Flower House and Detroit Flower Week to lead a conversation on nurturing creativity. Emily and Lisa are both past guests of this podast.

All of these important voices will be shepherded through the day by our very charming and charismatic master of ceremonies, James Baggett. He’s a top editor at Country Gardens and Better Homes & Gardens and is one of the most devoted to publishing my stories about flower farming across the U.S. We’re delighted he’ll be joining us as emcee and media sponsor.

In the coming weeks we’ll host many of these speakers as guests, so expect to hear more as we build momentum for American Flowers Week and the Summit. Tickets are $175 for the day and we have a special rate for Slow Flowers members, so check it out.

Okay, let’s turn to the inspiring Aimée Newlander.

I first met Aimée in March 2015 while visiting Santa Cruz to spend time with Teresa Sabankaya. Teresa put together a little brunch and invited some of the area’s kindred spirits, people involved in the Slow Coast sustainable business community located along the fifty mile stretch of mountains & ocean in the midst of California’s famed coastline.

One of those attending was Aimée, a wedding coordinator with whom Teresa collaborates, when couples who work with Weddings by Aimée order locally-grown flowers for their ceremonies.

Aimée told me she was using “the mindful planner” as a hash-tag and that she planned to soon launch a Slow Weddings forum.

The two of us stayed in touch and continued to exchange ideas as her project took off and last August. When we held a Slow Flowers meet-up in Santa Cruz, Aimee joined us to share more details about the coming launch of the Slow Weddings Network.

Fast forward to last fall and what began as a Facebook Group with 100 members has evolved into the nonprofit Slow Weddings Network.

Here is the description — I think the mission will resonate with many of you in the Slow Flowers community.

We seek to shake up the status quo of the wedding industry, to reclaim the sacred space for couples who are seeking authentic and “present” weddings. But, more than that we are the nexus for a movement that is long overdue. It’s about educating from the inside out.  Own what you are passionate about.  We are about having high standards, education and building and bringing awareness to the masses.  You don’t have to have a fast wedding…. you can be well, enjoy the process and end with a wedding celebration you are present for, participate in, enjoy and will remember for the rest of your life.

“Slow Weddings Network” is a not-for-profit membership organization made up of wedding vendors around the world. Its directory of vendors includes wedding professionals, artisans, musicians and Mom & Pop shops and other small businesses.  Wellness, adventure and other ‘experience’ vendors that will enhance destination weddings are also included.

As founder and executive director of the Slow Weddings Network, Aimée Newlander wears many hats. Here is a bit more about Aimée:

She left a very successful career in and around the health and wellness corporate world to pursue a long-standing passion for organizing and managing events. That led to the founding of Weddings by Aimée in 2009 and her ‘mindful planning’ approach.  She knows that educating couples on how to feel prepared and organized for their ceremony and how to prioritize choices is so important.  Her business quickly grew, thanks to creativity and possessing a true artistic flair that has helped organize all types of individualized weddings — from intimate and organic affairs to glamorous and opulent occasions.

Aimée’s professionalism, warm personality and superb eye for detail means that couples and their families are able to truly relax and enjoy the planning process without having to worry about a thing on wedding day. Aimée considers herself a “Destination wedding planner”, specializing in areas such as Lake Tahoe, Big Sur, Carmel, California coastline as well as International locations (Italy, France, Mexico).

“Team” is a big part of who Aimée is, from her time playing international Soccer, to her passion for collaborating with other vendors at her events. She has managed budgets in the hundreds of thousands of dollars, cultivated stakeholder relationships for large scale events, and offers expertise in venue sourcing and procurement.

One of Aimée’s passions is developing venues from a raw space, molding a larger vision from scratch. She’s applied her passion, vision, and skills to founding the Slow Weddings Network, and hopes to see the global movement grow into a well known organization.

Follow and find Weddings by Aimée and the Slow Weddings Network at these social places:

Slow Weddings on Facebook

Slow Weddings on Instagram

Weddings by Aimee on Facebook

Weddings by Aimee on Instagram

The Slow Flowers Podcast has been downloaded more than 158,500 times by listeners like you.
THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to our lead sponsor for 2017: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

We’re also grateful for support from Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

And welcome to our newest sponsor, the Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens has returned as a 2017 sponsor, and we couldn’t be happier to share their resources with you. Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

More sponsor thanks goes to Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

And finally, thank you Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at shellandtree.com.

In the December 2013 issue of Better Homes & Gardens, on newsstands this week, you’ll find a Winter Greenery-inspired story that I produced with photographer Laurie Black. We created this story nearly 3 years ago, and while often there’s no rhyme or reason as to why a piece takes so long to see the light of day, I’m thrilled you can see it now!

This story features four “regionally-inspired” centerpiece designs with flowers, foliage and branches that you might find in Southern California, the Midwest, the South and the Northeast. The fifth idea, a Northwest-style centerpiece, didn’t make it to the pages – but I’ll share those images (mine, not Laurie’s) below.

I owe a huge thanks to editor-in-chief Gayle Goodson Butler for deciding to share my beautiful wintry bouquets with BH&G’s readers in time for their own holiday design projects. I’m also grateful to the magazine’s garden and outdoor living team, including deputy editor Eric Liskey (who originally commissioned the story) and senior associate editor Jane McKeon (who shephered it through the editing process). It takes a village to bring a great idea to the pages of a magazine! 

Due to space constraints, like many BH&G articles, there isn’t much real estate on those pages for text – photography rules! So here is the original article as I wrote it – and a few bonus photographs!

Filled with holiday cheer

Wintry centerpieces inspired by what grows in your own backyard

Decorating with cedar sprays and pine boughs is a cherished holiday tradition for many of us. But this year, why not branch out? Use familiar greenery that reflects your part of the country — the forests, fields, mountains or beaches — to create uniquely local and lush holiday centerpieces. Choose a regionally-inspired vessel and add seasonal foliage, branches and berries paired with blooming plants or forced bulbs. The holiday arrangement will last for a few weeks on your dining table or fireplace mantle. Naturally beautiful, of course.

California Cool

The turquoise glaze of a made-in-California Bauer Pottery vase enhances a blue-green and yellow bouquet. The floral ingredients, all native to Australia and South African but grown in California, are thoroughly adapted to Southwest gardens and bloom from October through May. Seeded eucalyptus and velvety sprays of silver tree (Leucadendron argenteum) serve as foliage, while the arrangement’s drama comes from Banksia and pincushion flowers (Leucospermum sp.).

 

Northeast Accent

A painted sap bucket seems fitting for this New England-themed winter arrangement, its weathered patina contrasting with the gold berries of the English holly. Long-needled pine boughs cascade over the bucket’s rim while lichen-covered twigs, cut from a deciduous tree, lend height to the design. This elegant arrangement shows how easy it is to combine just three ingredients for impact. 

Midwest Spin

Reminiscent of winter at a woodland lodge, a woven pine needle basket is deep enough to hold a nest of fir branches. For texture and color, we chose pussy willows and huckleberry branches, plants typically found growing along streambeds in Minnesota or Montana. 

Southern Charms

A classical urn may typically be found outside in the garden, but it has come indoors for the holidays. The vessel contains a thoroughly Southern-themed arrangement. Common boxwood branches create the soft foundation for shiny magnolia boughs.

We added several lovely amaryllis stems (cut from a potted plant). The buds should look fresh and continue to open for more than a week.

Design tips:

1. Take a walk outdoors: Observe nature and your own backyard to find unexpected ingredients for holiday decorating. When removing branches from the landscape, cut from the back side of a tree or shrub, or take random cuts, so as not to denude your plants. Use sharp, clean pruners. Store branches in a bucket of tepid water until you are ready to arrange them.

2. Choose plants for their design attributes. To create a balanced holiday arrangement, include at least one ingredient that cascades or drapes. Select at least one tall, upright ingredient. And choose at least one dramatic element that gives the design its focal point.

3. Convert interesting vessels a watertight vase. Line containers that have a drainage hole with a slightly smaller plastic bowl. For wood planter boxes, make a waterproof liner with a double layer of thick, plastic sheeting, secured  to the inner edge with staples. Double-check for leaks before placing on furniture or a counter.

4. Stabilize woody stems. Place a pin- or cage-style flower frog inside the container to hold branch stems. Or, form a 12-inch length of chicken wire into a loose ball. Insert it inside a container to hold stems in place as your arrangement takes shape.

5. Keep water fresh. Your arrangement will last up to three weeks if it doesn’t dry out. Refresh water every few days. An easy trick is to place the arrangement in your kitchen sink, positioning the faucet or spray nozzle inside the edge. Turn on the water and allow it to gently fill the vase. As it begins to overflow, fresh water will displace the older water. Make sure to dry off the exterior of your vase before displaying it again.

Here’s what you missed! I took these photos while we were producing this story at the home of photographer Laurie Black and her husband Mark King. My friend Nancy Finnerty styled the tabletop for us. It’s such a pretty scene that I had to share.

 

Adorn your table with local greenery

Bring the bounty of nature indoors to create winter-themed centerpieces for your holiday table. The evergreens that decorate this Sunday brunch repeat the majestic trees seen outside, making a visual connection with the landscape.

From the Northwest

Convert a rustic wood planter box into a low, conversation-friendly centerpiece. First, arrange conifer branches, such as Western red cedar (used here), or sprays of juniper or hemlock, positioning them to drape over the box’s edge. For a creamy-white touch, we added flowers from the winter-blooming lily-of-the-valley shrub (Pieris japonica); red-twig dogwood branches, arranged in irregular clusters, provide a graphic accent. 

It was fun to visit the newsstand yesterday and pick up three new magazines with my articles.

When you see them in one place, it might feel like I’ve been super productive. But there is a back-story about each, and I have to be honest with you. Sometimes it takes YEARS for a story to see the light of day.

Case in point: The Southern California garden owned by Cheryl Bode and Robin Colman, featured in the July-August issue of Horticulture, was photographed in 2009. Since then, it has often seemed to Cheryl, Robin and me that the story would never appear in print. When I finally saw the issue, just out on newsstands, I understood why. The photos are incredibly disappointing. I have so many wonderful photos of their garden and the magical feeling one experiences when visiting there was simply not expressed in the Horticulture magazine. Click over to my articles page to read the story and see my photos rather than the ones printed below. Theirs is an inspiring story of two homeowners who yearned to bring an old house back to life, along with its garden. To physically walk through it is truly special.

 

 

 

 

 

 

 

 

 

 

READ MORE…

March 20th is just around the corner – thankfully! And blooms are everywhere – under our noses, poking through the soil, erupting from branches, and filling our vases. Hurrah!

Here are some of the hints of spring that have come my way:

1. A DIY designer gets inspired by her own garden’s bounty. Earlier this week, an email with this charming photo appeared in my in-box from Kay Christie, who attended one of my demonstrations at the Northwest Flower & Garden Show last month. Thanks so much for sharing, Kay! And for the kind words. Keep designing!

I wanted to show you an arrangement I just made with cuttings from my garden. I really loved your demo at the flower and garden show. It gave me the idea for this. I also used chicken wire inside to hold the stems. Thanks do much for the inspirational talk.

2. A talented gardener clips goodies from her backyard for a special arrangement. Like Kay, Woodinville, Wash., gardener Peggy Shelley harvests beautiful floral ingredients from her landscape. I visited Peggy and her husband Al Shelley (also a gifted gardener) earlier this month to interview them for an upcoming Better Homes & Gardens article about their garden (the feature will appear in the August 2012 edition). There was a gorgeous bouquet on the kitchen counter and of course, I couldn’t take my eyes off of it. It included pink-flowering Japanese pieris, bi-colored pink-and-green euphorbia stems, golden thread branch cypress sprigs and lemon-yellow privet foliage. Peggy told me something quite inspiring – and I’m going to remind myself of her passion every time I head into my own garden:

The biggest satisfaction of my garden comes from making a bouquet and giving it to a friend.

3. Local flowers arrive just in time for a Chicago designer. Last Sunday, I was in Chicago to speak at the Chicago Flower & Garden Show (thanks, Bill Aldrich, for inviting me!). I called Lynn Fosbender, who owns Pollen, a sweet, ec0-conscious floral studio, and asked if she could bring a bouquet to my talk and also pass out her business cards. I wanted to showcase Lynn as a home-town resource for Chicago area floral customers, and let them know about her intentional design philosophy of using local flowers whenever possible. “I’d love to come,” she said. “But March 11th is still pretty early. I probably won’t be able to find local flowers from my sources.”

Then, to my delight, Lynn showed up with a vase of the most stunning vibrant orange-and-green parrot tulips I’d ever seen! “Spring has been mild here – and one of my local growers called me on Friday to let me know his tulips were ready to harvest,” Lynn said. What a wonderful treat. I wrote a post about Lynn when I first met her in 2012. Here’s a link to that story. I was so impressed with her vision for her business:

For several years I thought I would like to own a full-service flower shop that was eco-friendly. I knew if anyone should do it, it should be me.

4. See what my own garden yielded this week. I’ve been making a local and seasonally-inspired floral arrangement every single week for the past 20 weeks (since the first week of November). It’s part of my plan to create a book or blog called 52-Weeks-of-Local-Flowers. It’s been fun, creative, and very educational to discover what I can source from local growers, local farmers’ markets, and of course, my own backyard.

Yellow and green are the theme of this week! I used two types of euphorbia (dipping the cut stems in boiling water helped “seal” the ends so the milky white sap didn’t drain into the vase); two types of daffodils that the prior owners of our home planted on the parking strip along the street; lots of bright-yellow-flowering forsythia; and some lovely variegated foliage from the scented geranium plant I’ve been babysitting in my garage under the shop lights. Everything came together nicely in a small green-glazed vase and a vintage flower frog held the stems in place.

Today, strangely, it’s snowing in Seattle. I soaked my sweet pea seeds in water last night and I plan to plant them in flats in the garage today. I had wanted to weed and prep the beds, but really? I think I’ll wait and see if it warms up a bit! Happy Almost-Spring!

As some of you may know, I’ve been working on a book about local and seasonal floral design for several years, since 2007 to be precise. My collaborator, photographer David Perry, and I have been using the working title, A Fresh Bouquet.

But that’s all changing now, with a new title from our new publisher, St. Lynn’s Press. The words evoke just the right idea we want to communicate: The 50 Mile Bouquet: Discovering the World of Local, Seasonal, Sustainable Flowers.

Nice, huh? Our publication date is April 2012 and I’ll be writing lots more news about it soon.

Since all I’m doing these days is interviewing flower farmers, eco-couture floral designers and gardeners who grow their own cut flowers, my head is swimming with beautiful blooms.

And somehow in all this flurry of work, I’ve failed to post the out-takes from my floral design story that ran a few months ago in Better Homes & Gardens. So today, I’m taking a moment to get to it.

How great that 7.3 million readers of the July 2011 issue were introduced to the timeless notion of gathering flowers from the garden, a local farmer or a market stand – IN SEASON – and creating a simple, yet sumptuous arrangement that’s of the moment!

I have my editors Eric, Doug and Gayle to thank, because they believed in the idea and created the perfect opportunity for me to fly to Iowa and design a series of bouquets literally out in the field at Howell’s Family Farm.

I shared some of my on-the-scenes location photos last year, but here, finally, are my photos and recipes of the actual arrangements.

Project One features a rectangular galvanized container, measuring about 5-by-8 inches and about 5 inches tall. This small vessel was perfect for a compact bouquet with two simple ingredients. First, I filled the opening with four or five luscious heads of ‘Limelight’ hydrangea, the stems cut fairly short, say 3 inches long. To fill the spaces between the hydrangea heads and to add contrasting color and texture, I made miniature bunches of ‘Strawberry Fields’ gomphrena by wiring five slender stems with wire so that each bunch could be inserted as if it were a single flower. This is the perfect arrangement to enjoy while it’s fresh and then let it slowly air dry as an everlasting bouquet.

Project Two features a tall, square, modern green glass vase with a neck opening that’s smaller than the base. So of course, to make it look abundant and full, I had to create volume and height. The starting flowers here are sultry-looking zinnias from a new seed mix called ‘Queen Red Lime’ – I love the terra cotta, mauve, and reddish blooms with a lime-green center. Once I had those in place, I thought: We need dark foliage. And lucky for me, the folks at Howell’s, like many cut flower growers, have discovered how well basil performs as a cut ingredient – especially purple basil! Think about it: when you harvest basil from your garden and bring it indoors to keep in a jar on your windowsill, have you ever noticed how long those cut stems last? Of course basil is a great cut floral ingredient! The third element here is one of those happy coincidences – common foxtail grass, which some consider a ditch weed, that perfectly echoes the green vase, and catches the late summer sunlight just beautifully. Three simple ingredients in perfect harmony.

Project Three is one of my very favorites, because of the mix of colors and textures. Contained in a vintage pitcher, I absolutely love the playful combo of velvety cockscomb (the crested form of Celosia ) with all the lime green contrasting forms. Here’s how I made this bouquet. First, I filled the pitcher with soft greenery, a white mugwort (Artemisia lactiflora) that fills the opening and becomes the supporting structure for all the subsequent stems. Second, I stripped foliage off of 10 maroon and coral-hued cockscomb flowers; then I cut the stems pretty short and inserted each into the fluffy base, making sure that you can’t see the stems showing at all. Third, I added some ‘Green Envy’ zinnias, which echo the pitcher’s green quite nicely. For a sense of movement, as a final touch, I inserted taller stems of quaking grass (Brizia maxima), so they seem to hover above the bouquet. Casual and the epitome of summer!

Two other projects fell on the cutting room floor, so to speak, so you get to see them here! Actually Project Four showed up in the iPad edition, along with a video interview filled with my eco-savvy design tips. You actually have to download the July edition to see the entire interview (filmed by David Perry) on an iPad.

Here’s a rough-cut edit of the video:

httpv://www.youtube.com/watch?v=ZLKacMtjJUY

Anyone can replicate Project Four, a fun trio of mini-arrangements, which are displayed in a row or grouped together on the table as a centerpiece. We used three yellow tumblers that art director Scott Johnson brought from his kitchen cupboard. The simple idea was to showcase several varieties of black-eyed Susan flowers (Rudbeckia sp.) with a mix-and-match of foliage choices. The daisy-like Rudbeckia varieties include, from left: ‘Indian Summer’ and ‘Denver Daisy’ with zebra grass (Miscanthus sinensis ‘Zebrinus’); ‘Irish Spring’ with lamb’s ears; and ‘Prairie Sun’ with goldenrod (Solidago). This type of design works well when you only have one or two of anything in bloom at a given time – voila!

For Project Five, the last arrangement, I had to rise to the challenge of creating flowers that wouldn’t fall out of the wide, saucer-like bowl. Similar to cutting the hydrangea stems short in the first design, I cut lots of Sedum ‘Autumn Joy’ in their unopened stage. A this point, they still look pretty green because the buds are tight. When you cut the stems short, say at 2-3 inches, you can really cram a lot inside an opening. To me, they almost look like heads of broccoli! But the tightly-packed sedums create a foundation through which other stems can be inserted. And in this case, I inserted old-fashioned love-lies-bleeding (Amaranthus caudatus) and Queen Anne’s lace. The tassels cascade over the edge of the shallow bowl, and while it’s kind of quirky, I really love the effect of textures and colors.

Together, these five designs demonstrate the diversity of the cut flower world – and ways to arrange blooms without using florist foam to stabilize the stems. Have fun playing around with these ideas using your own vases and garden flowers.

The October issue of Better Homes & Gardens features a container design story that I created with my talented BFF Jean Zaputil of Seattle-based Jean Zaputil Garden Design.

This story began when I pitched the idea of a feature about using ornamental and dwarf conifers as the focal point of a fall container . . . that will then transition nicely through the winter months. My editor in the garden department, Eric Liskey, and his art director Scott Johnson liked the idea. But then they asked me to find a good location for photographing the fall story.

I immediately thought of Jean’s intimate Seattle garden, which is planted for all-season interest and has beautiful seating areas both in the front yard and back garden.

Once Scott and Eric signed off on the location, our challenge continued. Scott thought that a purple palette was both uncommon and a great foil for the evergreen needled foliage. So, needless to say, much of my energy producing this story was spent scouring the greater Seattle marketplace for plum, lavender, aubergine and purple containers. We ended up with a grand total of three pot styles – a small lavender ridged pot; an egg-shaped pot (in 2 sizes) and a classic olive jar shape (also in 2 sizes).

Thank goodness for some wonderful importers here in Western Washington who came to the rescue, including Washington Pottery and Aw Pottery! Our friend Gillian Mathews of Ravenna Gardens was extremely helpful in making those connections for me.

Jean used many of her favorite wholesale and retail nursery sources to come up with the conifer “stars” for each pot, as well as their companion plants.

The idea was to use only two or three accent plants in the container so as to show off the Hinoki false cypress, juniper and other conifers in their full glory.

We hope that this piece inspires readers who never before viewed a conifer as a container plant to do something fun and different this fall. I quoted Jean in the story saying:

“Use the golden glow or silver shimmer of an

ornamental conifer to catch the fall light.”

Here are some of the tips we outlined:

1. Use a large pot, if possible.

A 12-inch diameter pot is a good minimum size.

2. Start with a small juniper, cypress, or other conifer.

Then combine it with two or three complementary or contrasting cool-season annuals and perennials.

3. Flowering plants might fade after the first frost.

You can replace them with foliage perennials that will last through fall, even well into winter.

Here is the best of the best – from our photo shoot a year ago this month! Kudos to the very talented Laurie Black, who took the magazine photos, such as the one above. The photo of Jean and Pots 1, 2, 3 & 4 are my photos.

POT 1: Sadly, this gorgeous purple egg-shaped pot was left on the cutting room floor! But here is the recipe:

• Juniperus horizontalis ‘Limeglow’
• Japanese blood grass (Imperata cylindrical ‘Red Baron’)
• Wintergreen (Gaultheria procumbens)
• Chrysanthemum ‘Dazzling Stacy Orange’

 

 

 

 

 

POT 2: A miniature garden in a pot – perfect for a side table or the front porch:

• Hinoki false cypress (Chamaecyparis obtuse ‘Verdoni’)
• Japanese sweet flag (Acorus gramineus ‘Minimus Aureus’)
• Bluestar creeper (Pratia pendunculata ‘Little Star’)

 

 

 

 

 

 

POT 3: This might be my favorite! We photographed it on Jean’s front porch, against her beautiful green screen door:

• Hinoki false cypress (Chamaecyparis obtuse ‘Gold Fern’)
• Tiarella ‘Sugar and Spice’
• Vinca minor ‘Illumination’
• Gazania Gazoo Mix

 

POT 4: This copper red “turnip” pot is one of two Jean already owned and we thought the color and shape looked autumnal, while also complementing the purple pot tones:

• Juniperus horizontalis “Limeglow’
• Moss (Schleranthus biflorus)
• Sedum hakonense ‘Chocolate Ball’
• Chrysanthemum ‘Dazzling Stacy Orange’

A few more tips, from the story:

When, and whether, you leave containers out all winter depends on where you live. In Zones 8-10, most conifers and cool-season annuals will survive outdoors in pots. In Zones 7 and lower, few annuals will overwinter in pots, and some evergreens won’t either, depending on hardiness. So before the ground freezes, transplant them to the garden or move the pot into a shed or unheated garage. Water pots as needed to keep soil moist throughout the winter. For outdoor winter use, pots should be glazed, hard-fired clay. Terra-cotta and soft-fired clay do not withstand freezing.

Last summer, I wrote a little piece about using orbs in the garden. Better Homes & Gardens illustrated the words with a photo depicting a trio of concrete spheres that looked like they were stained a denim blue color. Really pretty.

I posted two photo galleries of spherical ideas, emphasizing design principles for using circular and round elements in the landscape, but people still wanted to know how to make those concrete balls!

Fortunately, I found the instructions, posted by Fairegardens, a blog based in Tennessee. Francis of Fairegardens is heading to Seattle this summer to attend the Garden Bloggers Fling, an event that I’m organizing with three other writers, so it will be fun to meet in person!

Frances not only explains how to make these balls (which she first saw done on an HGTV program), she also goes into great detail on the steps, shares a supply list and many photos of the progress.

She calls these Hypertufa balls, but  explains that quikcrete mix can also be used. I hope this gets you motivated to make a big mess for satisfying results!

As you’re tidying up the spring garden with pruning, trimming and other projects, inevitably you will end up with a pile of twigs. Yes, they can go into the chipper or the compost bin, but these pliable, young branches can also be pressed into service in the garden.

I wrote about “saving twigs” for my Debra’s Garden column in the upcoming May issue of Better Homes & Gardens (you can already find it on newsstands). All you need is a clean, sharp pair of secateurs (pruners) or loppers and a pair of gloves to protect your hands while working.

Spring pruning projects usually produce armloads of branches and twigs. Give those cuttings a new purpose and build simple, natural-looking plant supports. Use twigs to stake young seedlings — just poke sticks into the soil a few inches to anchor them. Lash three or more branches together at the top to form a tee-pee trellis for sweet peas or edible peas. I also curve thin branches into a half-circle shape — stick both ends into the soil and overlap several of them to create scalloped edging for veggie and herb beds.

Here are some photos to inspire your next pruning project:

P.S., someone asked about my reference to “lashing together” on my Facebook page. I do not know exactly how the teepee was lashed together, but having made similar structures in the past, I can say that I’ve used anything handy – twine, garden twistie ties, wire and even rubber bands. Use your ingenuity!