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It’s a very exciting day for Slow Flowers and this episode is devoted to some BIG NEWS. I’m thrilled to tell you all about it! I’ve invited Robin Avni, past guest of this podcast, to join me as together we tell you all about our new collaboration — the formation of a boutique book publishing project called BLOOM Imprint.

BLOOM Imprint emerges from our 15-year professional relationship and friendship. A decade ago, Robin and I collaborated with a talented group of women on a multi-year content and lifestyle consulting project, “Real Women, Real Life.” During that time, we also teamed up to give a presentation on The Female Gardener: Mommy to Maven for the Independent Garden Center Show and co-authored white papers and trend reports about female consumers. 

Fast-forward to 2019-2020, when Robin and I produced Slow Flowers Journal – Volume One, a compendium of the “best of” editorial stories and imagery featured in the “Slow Flowers Journal” section of Florists’ Review magazine. That’s where I previously served as contributing editor and Robin served as managing editor of books, producing 10 book titles related to the floral industry.

We’re announcing the launch of BLOOM Imprint today, with me serving as editorial director and Robin serving as creative director. This venture is committed to developing books that express visual and verbal storytelling in equal measures. By pairing my love of the written word and editorial narrative and Robin’s visually strong creative direction talent, we are pretty jazzed about what we have in store for sharing the people, places, flowers and art of our Slow Flowers Community through a new lineup of books.

Read our Press Announcement Here:

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Where We Bloom: Our first title

We believe that “setting” is an important facet to making art — and nothing could be truer for floral designers and floral artists. This book profiles the people, art and creative work spaces of designers and makers.

The subtitle is: Thirty-Six Intimate, Inventive and Artistic Studio Spaces Where Floral Passions Find a Place to Blossom

Step inside the personal environments where flowers come to life. “Where We Bloom” showcases beautiful plant- and flower-filled settings of Slow Flowers designers, farmer-florists and growers. Each setting reflects the personality and aesthetic style of its owner, offering great ideas to inspire the design, decor, organization, and of course, functionality of your creative space.

Publication Date: April 2021
Pre-ordering information will be shared soon!

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Between us, Robin and I have produced and published more than 20 lifestyle, design, architecture, floral and gardening titles. We formed BLOOM Imprint as a boutique publishing company with the mission of identifying creative entrepreneurial book ideas and growing them — from the seed of an initial concept to a finished product. As we publish new authors and consult with aspiring ones, we believe that producing a book is ultimately one of the most affordable marketing endeavors available to creatives.

Let me tell you a little more about Robin Avni and then we’ll jump right in and get started:

A creative veteran in the media + high-tech industries, Robin’s experience includes 15+ years in the publishing industry and eight years at Microsoft in design and creative management. She has successfully managed innovative, award-winning design teams and high-profile projects as well as receiving numerous national design and photography editing awards for her own work. Robin has produced 10 books, including collaborating with Debra on the Slow Flowers Journal. 

In 2004, following Microsoft, she founded bricolage*, a consultancy specializing in creative strategy, content development, and arts advocacy. She has worked with Fortune 500 companies, national advertising agencies and award-winning media properties, applying timely actionable insights to their businesses.  ​Robin received a BA in journalism from Indiana University, Bloomington and a Knight-Wallace Journalism Fellowship at the University of Michigan; she holds a Master of Communication in Digital Media from the University of Washington. 

Listen to my December 2018 Slow Flowers Podcast Episode with Robin — a segment called “How creatives can be authentic in a digital age.”

Thanks so much for joining Robin Avni and me as we shared a conversation about BLOOM Imprint.

Follow BLOOM Imprint at these social places:

BLOOM Imprint on Instagram

BLOOM Imprint on Facebook

BLOOM Imprint on Pinterest

Listen to our fun Floral-Inspired Playlist, created to commemorate the launch of BLOOM Imprint.

And remember, you can join us at the Fleurvana Virtual Summit March 5-7, focusing on Sustainability and Regeneration, where Robin and I will present an original new course, From Blog to Book Proposal. The course is designed for every creative person we’ve met dreams of sharing their art, craftsmanship and aesthetic in a book. As a tangible “artifact,” there is amazing social validation that comes with having a book about your work. A book can narrate your story, teach your concepts and document your work. We believe successful books are driven by a Passion that answers the following: What are you compelled to share? What do you have to offer that will make the world a better place? What is your unique point of view?

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Thank you to our Sponsors

This podcast is brought to you by Slowflowers.com, the free, online directory to more than 830 florists, shops, and studios who design with local, seasonal and sustainable flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

And thank you to our lead sponsor for 2021, Farmgirl Flowers. Farmgirl Flowers delivers iconic burlap-wrapped bouquets and lush, abundant arrangements to customers across the U.S., supporting more than 20 U.S. flower farms by purchasing more than $9 million dollars of U.S.-grown fresh and seasonal flowers and foliage annually, and providing competitive salaries and benefits to 240 team members based in Watsonville, California and Miami, Florida. Discover more at farmgirlflowers.com.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

The Gardener’s Workshop, which offers a full curriculum of online education for flower farmers and farmer-florists. Online education is more important this year than ever, and you’ll want to check out the course offerings at thegardenersworkshop.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

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Thanks so much for joining us today! The Slow Flowers Podcast has been downloaded more than 683,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of our domestic cut flower industry, the momentum is contagious. I know you feel it, too.

I value your support and invite you to show your thanks to support Slow Flowers’ ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right here at debraprinzing.com

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more Slow Flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com. 

Music Credits:

Heartland Flyer; Turning On the Lights; Gaenaby Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

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Last week, Holly Heider Chapple welcomed designers and flower lovers from near and far to Flowerstock at HOPE Flower Farm.

Floral professionals and members of the floral community gathered for two days of demonstrations and talks by renowned floral designers, including Holly, Steve Moore of Sinclair & Moore, Nancy Teasley of Oak & the Owl and Alicia and Adam Rico of Bows & Arrows.

It was an honor to join Holly at Flowerstock for the second time as a a teacher.

I led a number of creative writing exercises for attendees, guiding floral creatives through various modules of describing flowers, color and memories in a new way.

The personal floral narrative is powerful.

We heard this idea many times from my fellow presenters and the timing was perfect for those who brought pens, paper, their open minds and a little vulnerability to the process.

We gathered upstairs in one of the barns, where there was a creative space for writing, photography and floral design. Thank you to all who participated.

I’m eager to read more of your writing!

Before I departed Flowerstock to return to Seattle, I asked Holly if we could sit down for the Slow Flowers Podcast to record an update from her and she agreed.

It was nice to sneak away to the Tenant House, where many of the speakers stayed, and sit in a comfy corner to speak uninterrupted.

We didn’t watch the clock, so this is a longish episode. We’ll forgive you if you listen in smaller units of time.

The first half of this episode focuses on Flowerstock and you can feel our emotions and joy while listening to Holly and I share highlights with one another.

Then, during the second half of this episode, I ask Holly to update me on all that’s has happened in the past year with her new product line created in partnership with Syndicate Sales.

If you’ve missed the news, you’ll enjoy hearing the “backstory” of the Holly Egg and the Holly Pillow, new mechanics that allow efficiency, eliminate the use of foam, and (in Holly’s opinion) lend themselves to higher productivity during the design and production of weddings and events. Click here to learn more about this new product line, called the Holly Heider Chapple Collection by Syndicate Sales.

What a whirlwind of topics and stories ~ thanks for joining us. You can hear my original interview on the Slow Flowers Podcast with Holly, which we mentioned while reminiscing. It was Episode 123, which aired Jan 9, 2014. Wow, has so much happened for both Holly and me in the ensuing years as we’ve both promoting progressive practices in floral design and flower farming — in our own ways.

I want to encourage you to visit the Slow Flowers Summit site to learn more about the amazing program, people and flowers you’ll engage with next summer.

It’s not too early to save the date and secure your seat!

Slow Flowers members receive special discount pricing and everyone receives $100 off with the Early Bird rate, on sale now!

Please come back next week where you’ll hear another amazing episode featuring the leading voices in our Slow Flowers Community.

We have a vital and vibrant community of flower farmers and floral designers who together define the Slow Flowers Movement.

As our cause gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious.

I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities.

You can find the donate button in the column to the right.

The Slow Flowers Podcast has been downloaded more than 372,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

Thank you to our Podcast Sponsors, including our lead sponsor for 2018, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market.

Arctic Alaska Peonies, a cooperative of passionate family farms in the heart of Alaska providing bigger, better peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

And the Team Flower Conference – a professional floral event where flower lovers from all over the world gather for networking, learning, and celebration. It’s a special time for the floral industry to come together and whether you’re a farmer, designer, wholesaler, or just love flowers, you’re invited to attend as Team Flowers dreams big for the industry’s future. Head to teamflower.org/slowflowers to learn more about the 2019 conference in Waco, Texas!

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast.
Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com. 

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We all have our flower crushes and those we admire from afar, never expecting to actually meet. So the chance to not only meet and spend time with Robbie Honey, world floral traveler, proud son of Zimbabwe, curious accidental botanist and amazing designer . . . well, it was a certainly a highlight of 2017!

Robbie and I met at Holly Chapple’s Flowerstock, the two-day design and creativity fest held for the second year at Hope Flower Farm, the historic compound she owns with husband Evan Chapple – in Waterford, Virginia, not to far from the nation’s capitol.

Holly and Robbie have collaborated on many occasions as instructors, but this was my first experience seeing Robbie up close and personal. Prior to this, my knowledge of him has been mostly by watching his Instagram feed.

Robbie is the creative director at the design company bearing his name Robbie Honey, based in London.

Robbie Honey has been immersed in botanical pursuits since he was a young boy roaming the wild grasslands of Zimbabwe. These adventures developed his already keen visual and olfactory senses and instilled in him a lifelong fascination with flowers and their scents.

By the age of seventeen, he was studying horticulture and went on to work in the floriculture trade in Holland and Kenya. Honing his creative sensibilities further, he studied interior design and photography at art school in Cape Town. Moving to London he trained with floral designer Ming Veevers Carter and gained a thorough grounding in event floristry. Incidentally, we posted a story about Ming’s RHS Chelsea Flower Show’s Gold Medal design for New Covent Garden Flower Market earlier this year. Check it out here.

Setting out on his own at twenty-five, Hermès was his first fashion client, followed by Dior and Armani, establishing Robbie Honey as an in-demand florist within the fashion industry.

With this rare combination of expertise: in botany, floristry and the visual arts, he started lecturing around the world on floristry and writing for the Wall Street Journal.

Robbie Honey’s first range of scented candles is inspired by individual white flowers, the scents of which have long beguiled him.

It was a delight to not only learn more about what inspires and motivates this talented human as an artist, but a joy to watch him design with American-grown flowers, including many grown at Hope Farm and donated by others, including Harmony Harvest Farm, both Slowflowers.com members — as well as to play with branches and blooms that Robbie foraged with fellow instructors Ariella Chezar and Holly herself.

READ MORE…

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Last month I spent 24 glorious hours at Philadelphia-based Love ‘N Fresh Flower Farm, owned by Jennie Love.

I’ve known Jennie for a few years, in fact, she was a previous guest of this podcast.

But the occasion was my first-ever visit to her beautiful farm, to work with the very talented Rob Cardillo to photograph a feature story about Jennie, her urban flower farm and her design work in a 2015 issue of Country Gardens magazine.

When we were planning the shoot, Jennie mentioned that Lindsey Myra, a flower farmer from Australia, would be spending a month at Love ‘N Fresh on a “fellowship” — and she asked whether I’d like to record a conversation with them? Umm . . .  YES – that wasn’t a hard decision to make!

Before I introduce you to Jennie and Lindsey, though, here’s a bonus update about a recent conversation I had with Holly Heider Chapple.

Holly and I met early in 2014 and since then we have had an ongoing conversation about the American Grown flower movement and how the members of Chapel Designers, her group of wedding and event florists, can get more involved in the Slow Flowers project.

As it turns out, several Chapel Designers are members of Slowflowers.com, and we just added Holly Heider Chapple Flowers, Holly and her husband Evan’s design studio, to the site.

After discussing the All-American concepts with Holly, I began to understand that some designers feel I’ve made it a black-and-white issue. Either you use 100% percent seasonal or local flowers, or you use 100% imports. However, the reality for many is somewhere between.

The impetus behind today’s conversation began last week when Holly posted a beautiful arrangement on her instagram feed and I made a comment saying: Holly, those look American Grown. She responded that it was mostly all domestic flowers, but she didn’t want to make the #americangrown claim just in case one or two stems were not.

I love what Holly wrote in one of our text exchanges:

“If we add the percentage of how much is American grown, I think it will really get people – designers and brides – thinking and causing us all to learn. I like this (idea) because it pushes us to think about it and (to) really understand where things are coming from. It would also allow us to post designs that are barely American grown – and people will see how the looks vary, depending on how much local product there is. I also think it will be very interesting to have a documented board of images that show the differences of the designs between those that are heavily American grown flowers and those that are sourced from other countries.”

So if you follow this percentage concept, post photos of your designs and use this hashtag: #americangrown50% or #americangrown100%. Please remember to add #slowflowers and #fieldtovase and other relevant hashtags, too!

Over time, I bet this approach will engage even more floral designers in thinking about the origins of the stems they use. I love where Holly is going with this. The natural beauty and inherent character of domestic flowers will go far to demonstrate the value of staying close to home when you source. That’s exactly what Slowflowers.com is all about.

Holly on Instagram

Holly on Twitter

Holly on Facebook

NEXT, our MAIN FEATURE: A lovely story of how Jennie and Lindsey met through social media and how they cooked up an international flower farmer exchange.

Since it was winter at Lindsey’s flower farm in Australia, the chance to spend the month of August on a U.S. flower farm was enticing. Similarly, in the future, perhaps even this coming winter, Jennie hopes to visit Lindsey during her peak season – when Philadelphia flower fields are under snow.

These nontraditional ways of doing business fascinate me to no end. I love the way creative flower farmers and florists are circumnavigating conventional methods of commerce and proving that one plus one equals way more than two.

Let me tell you briefly about Lindsey Myra. She is an artist, a florist, a writer and a flower grower. She writes on her web site: ” I am stumbling upon wonder every day. Enchantment and fascination in the natural world infuses my work and stimulates my enthusiasm for botanical culture.”

In 2012, motivated by a desire to provide a positive alternative in the cut flower industry, Lindsey started The Little Flower Farm, her own small-scale, organic flower farm, planting flowers on a borrowed backyard in Melbourne’s northern suburbs.

The Little Flower Farm is the first of its kind in Victoria. According to Lindsey, the farm is motivated by three key ambitions: to offer a more environmentally sustainable product, to encourage others to embrace the living world within their own lives and lastly, a personal desire to create beauty and lots of it! The Little Flower Farm produces organic, true to type, heirloom blooms. Founded on the principles of permaculture and rooted in a true passion for flora,  she provides a positive and sustainable approach to cut flowers.

2014 has seen The Little Flower Farm move to a larger, rural plot in the Macedon Ranges, an hour north of the city. Last season Lindsey’s flowers were consistently retailed by Cecilia Fox and North St Botanical, floral studios in Melbourne. This year she plans to also offer a Community Share Agriculture (CSA) subscription to deliver  seasonal, farm fresh, organic flowers direct to floral customers. All flowers are grown out in the open air and as such are truly seasonal, September to June.

Jennie Love had her first flower patch at age four in her mother’s huge kitchen garden on a 5th generation family farm in central Pennsylvania — growing straw flowers and nasturtiums. She writes: “My soul has ever since been connected to the shifting of the seasons and the nurturing of unfurling petals and leaves.”

Ironically, Jennie says she needed to run away to the big city to realize just how much farming meant to her. She couldn’t resist the pull of the land.

By the time Jennie could no longer deny her need to nurture nature, she had already put down serious roots in Philadelphia. And so, Love ‘n Fresh Flowers was born as one of the first and few urban flower farms located within a big city’s limits. Urban flower farming has proven to be just about the best thing she could have ever dreamed up. Jennie finds it even more gratifying to be the stewardess of two acres of dwindling urban green space than it would be to own a vast expanse in a more rural locale. It means the world to her to be able to create and sustain a healthy ecosystem within this concrete jungle.

The flowers that Jennie grows inspire every single element of her little flower business. She says: “It’s an amazing gift to be able to walk the fields, cut what is at the peak of perfection, and take it into the design studio to create a piece of living art. Somehow that never gets old for me, even after thousands of bouquets. While flower farming and event design is exhausting, all-consuming work, I never ever tire of the flowers and their charms.”

Jennie is a leader in the American Grown floral community, much sought out for her flower farming knowledge and her exquisitely natural design aesthetic.

At the end of our conversation, I asked Jennie to discuss the upcoming ASCFG national conference, which takes place October 19-22, 2014 in Wilmington, Delaware.

Jennie is a co-chair of the conference, with the theme “Growing Growers.” Slow Flowers is a media sponsor of this conference and I’m very much looking forward to joining Jennie and so many other flower farmers and farmer-florists around the country at that event.

Jennie/Love ‘N Fresh on Instagram

Jennie/Love ‘N Fresh on Facebook

Jennie/Love ‘N Fresh on Pinterest

Lindsey/The Little Flower Farm on Instagram

Lindsey/The Little Flower Farm on Facebook

Finally, I’m thrilled to announce that the Slow Flowers Podcast has reached yet another milestone. This week we hit our 20,000th downloaded episode.

That’s cause for celebration and I thank listeners like you for your support. If you like what you hear, please consider logging onto Itunes and posting a listener review.

My personal goal is to put more American grown flowers on the table, one vase at a time. I promise that when you tune in next week, you’ll hear another insightful and educational episode of the Slow Flowers Podcast.

And speaking of this podcast, here’s a huge thanks to my engineering and editing team, Hannah Holtgeerts and Andrew Wheatley. Learn more about their work at hhcreates.net

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We’re getting the New Year off to a fabulous start with today’s guest, floral designer, social media maven, educator and mentor to studio and wedding florists around the globe, Holly Heider Chapple.  Based in Leesburg, Virginia, she is active in the wedding and event industry serving customers in the Washington, D.C., Virginia and Maryland areas. 

Like many people who know and follow this talented and engaging woman, I met Holly “virtually” through Facebook or some other social media channel. As soon as she “friended” me, I wrote to Holly and said: let’s have a phone date. We realized our mutual connection is Alicia Schwede of Flirty Fleurs and Bella Fiore, a past guest on this podcast and a new transplant to the Pacific Northwest.  

Well that phone date with Holly morphed into today’s podcast – a whirlwind conversation that follows Holly’s life from a childhood helping her parents grow, tend to and sell plants to an amazing family of her own. 

 

We all need a jolt of optimism for the seasons ahead. Whether you’re a floral designer seeking inspiration or an American flower farmer who wonders if the floral industry really cares about all the attention you give to the botanicals you produce . . . I think you’ll find it here. 

Holly has a totally fresh take on the world of flowers and I think that’s why she is so successful with some of her new ventures, including the Chapel Designers conference and forum, now in its 4th year. Plus, by her own admission, she is a sharer. She is one of those people who isn’t afraid that sharing her expertise and knowledge with YOU will somehow diminish HER. I subscribe to this approach to my own life and work, which made it so easy to converse, long-distance, with Holly.

 

Here is her bio:

A dedicated mother, wife and entrepreneur, Holly is the creative visionary behind Holly Heider Chapple Flowers. A longtime resident of Loudoun County Virginia, Holly is a highly recognized and sought after floral designer who’s work has been published in a number of prestigious publications and can regularly be found in top industry blogs. With 21 years of successful business experience behind her, Holly now serves as a teacher, speaker and mentor for other professionals in the wedding industry. Having raised 7 children, and recognizing her most important life role as a mother, Holly appreciates also being known as “Flower Mamma” among her network of industry professionals. Additionally, based on her incredible and unique sense of style, the term “Hollyish” emerged in 2011 as a way of describing designs that possess the elegance, beauty and creativity of those that leave Holly’s studio.

Armed with a strong desire to help other floral designers and event professionals be successful, Holly established the Chapel Designers (a division of Holly Heider Chapple Flowers) in 2011, as an international network of florists and event designers who gather together every year in New York City to collaborate, learn, and create.