Debra Prinzing

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The Slow Flowers Podcast is the award-winning show known as the “Voice of the Slow Flowers Movement.” Launched in 2013 as the original flower podcast, we’ve devoted more than 10 years to covering the business of flower farming, floral design, and the Slow Flowers sustainability ethos. Listen to a new episode each Wednesday, available for free download here at slowflowerspodcast.com or on iTunes, Spotify, and other podcast platforms.

The Flower House Virtual Tour Part 5 with New York floral artists Denise Fasanello and Anne Kilcullen (Episode 234)

February 24th, 2016

A Floral Whirlwind, created by Denise Fasanello and Anne Kilcullen, NYC-based floral designers, for The Flower House.

A Floral Whirlwind, created by Denise Fasanello and Anne Kilcullen, NYC-based floral designers, for The Flower House.

Today’s podcast guests conjured up the most amazing room installation at Lisa Waud’s Flower House last October. It was thoroughly mesmerizing and masterful in so many ways, and while I had a chance to meet and share time with Denise Fasanello and Anne Kilcullen during the days leading up to the Flower House opening on October 16th, we never had enough minutes to record a podcast interview. However, when I was in NYC a few weeks ago, the three of us got together to record today’s episode to share with you.

I love this image that I photographed from an adjacent room, looking toward A Floral Whirlwind.

I love this image that I photographed from an adjacent room, looking toward A Floral Whirlwind.

Denise and Anne are the co-creators of “A Floral Whirlwind,” which occupied the upstairs dining room space at The Flower House. Sculpted of foliage, vines and a few botanical surprises, the kinetic whoosh of a gravity-defying, tornado-like experience in the center of the room was pretty darned incredible for everyone who viewed it.

IMG_0541

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Branding A Slow Flowers Philosophy with Gloria Battista Collins of New York’s GBC Style (Episode 233)

February 17th, 2016

A garden-fresh bouquet design by Gloria Battista-Collins of gbc style (c) Karen Hill Photography

A garden-fresh bouquet design by Gloria Battista-Collins of gbc style (c) Karen Hill Photography

Today's Slow Flowers Podcast guest, Gloria Battista-Collins

Today’s Slow Flowers Podcast guest, Gloria Battista-Collins

I’m so pleased to introduce you today to Gloria Battista-Collins, owner of gbc style, a design studio based in Montebello, New York.

I first met Gloria in 2014 when Holly Heider Chapple invited me to make a presentation about the Slow Flowers/American Grown Movement to the Chapel Designers Conference in New York.

At least 75 florists from around the country were gathered and I was grateful to have the platform for introducing them to American Grown values and the Slow Flowers approach.

To be truthful, I worried a little that my message would be received as something novel or just a “fringe” concept.

However, I was so pleased that Holly’s instincts were right – many wedding and event florists who make up the Chapel Designers’ membership were interested in learning how to rebrand themselves with a local and seasonal story.

I reunited with Gloria (left) and flower farmer Ellen Lee of Butternut Gardens (center), a Connecticut-based Slow Flowers member, at the Field to Vase Dinner held last September in Brooklyn.

I reunited with Gloria (left) and flower farmer Ellen Lee of Butternut Gardens (center), a Connecticut-based Slow Flowers member, at the Field to Vase Dinner held last September in Brooklyn. (c) Linda Blue Photograph

Gloria was one of those in the room with whom I felt an instant connection. And in the two subsequent years, we’ve had some meaningful conversations about how she has successfully repositioned her studio, GBC Style, with a local sensibility.

A gorgeous, all-local wedding bouquet by Gloria Battista-Collins

A gorgeous, all-local wedding bouquet by Gloria Battista-Collins

Having trained with some of floristry’s top instructors, Gloria received all the technical and mechanical essentials as she developed her craft. But when it comes to sourcing botanicals, she has had to re-imagine the New York traditions of “just shopping in the 28th Street Flower District” especially when that does not align with her commitment to using only local flowers.

Certainly that’s easier said than done. And for a designer whose garden is located in USDA Zone 6b (with average minimum temperatures from zero to minus 5 degrees), winter months are challenges.

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Design Lessons from Former White House Florist Laura Dowling

February 13th, 2016

Students at FlowerSchool New York were enthralled by the chance to work directly with Laura Dowling at an early February 2016 workshop.

Students at FlowerSchool New York were inspired by the chance to work directly with Laura Dowling at an early February 2016 workshop.

I’ve been eager to meet Laura Dowling ever since I first read about her appointment as White House Florist in 2009. I remember being so enthralled with the New York Times story about Laura’s choices for decorating her first State Dinner (it was the Obama’s first State Dinner, too), for India’s Prime Minister in November of that year.

whiteHouseStateDinner2009

(c) New York Times

Here’s an excerpt of that report:

New York Times (November 25, 2009): “Old Standards with Modern Flourishes as Obamas Host First State Dinner,” by Rachel L. Swarns

” . . . at their first state dinner on Tuesday night, President Obama and his wife, Michelle, made sure to infuse the glittering gala with distinctive touches.

“They hired a new florist, Laura Dowling, who bedecked the tented outdoor dining room with locally grown, sustainably harvested magnolias and ivy.”

Of course, I seized on the language: “locally grown, sustainably harvested,” and ever since I’ve watched closely for signs of Ms. Dowling’s preferences toward the flowers grown near her in Virginia, Maryland, New Jersey, Pennsylvania, and those that may be further away but still from domestic U.S. Farms.

(c) Washington Post image of California irises and Florida tropical foliage.

(c) Washington Post image of California irises and Florida tropical foliage.

The Slow Flowers Movement enjoyed a subsequent “win” for the cause in February 2014, when the State Dinner for French President Francois Holland yielded the White House’s most public acknowlegement to date about using all-American blooms. There was so much enthusiasm for that public support of American grown flowers that when USDA Deputy Secretary Krysta Harden blogged about the news, it generated more than 150 comments.

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The Flower House Virtual Tour Part 4 with David Beahm and Daevid Reed (Episode 232)

February 10th, 2016

Daevid Reed (l), Lisa Waud (c) and David Beahm (r), captured in a moment of sheer joy by photographer Heather Saunders at the Field to Vase Dinner, The Flower House, Detroit.

Daevid Reed (l), Lisa Waud (c) and David Beahm (r), captured in a moment of sheer joy by photographer Heather Saunders at the Field to Vase Dinner, The Flower House, Detroit.

Another view of the hanging pieces

The Seattle floral design community’s reimagined, Flower House-inspired botanical art installation

I have two cool Flower House-related segments to share with you today.

First, I want to share a short conversation with photographer Andrew Buchanan of Subtle Light Photography as we discuss his innovative idea to document the sculptural floral art installation at the Seattle Wholesale Growers Market, which was led by Lisa Waud of The Flower House for the Seattle design community on January 19th. I featured highlights of the January 19th installation day in an earlier episode here.

Enjoy my quick interview that I recorded with Andrew and then view the amazing time-lapse movie that he filmed and edited – shown below. I’m amazed by the power of visual storytelling through this medium and applaud Andrew’s artistry and generosity. I’m honored and grateful that he volunteered his talents for everyone to enjoy!

Based in Seattle, Andrew Buchanan specializes in architectural photography, interiors photography, helicopter aerial photography, land design photography, and hotel and resort photography in Seattle and throughout the Pacific Northwest. Andrew offers photography of architecture, interiors, commercial and public spaces, and other built environments to design and marketing professionals, hotels and resorts, developers, magazines, and advertisers needing compelling, graphic photos of The Spaces Where We Live, Work, and Play. Please start on a Gallery page to see some of Andrew’s work or download his PDF portfolio to keep with youRead more about Andrew here.

ENJOY THIS FABULOUS VIDEO, COURTESY OF ANDREW BUCHANAN:

SeattleWholesaleGrowersMarket-LisaWaud-16Jan from Andrew Buchanan on Vimeo.

You can find the video and all of Andrew’s “motion” work at his online gallery here.

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Verde & Co.: Meridith Isaacson’s Journey from Floral Studio to Retail Flower Shop (Episode 231)

February 3rd, 2016

Meridith Isaacson of Seattle's Verde & Co.

Meridith Isaacson of Seattle’s Verde & Co.

This week’s guest is Meridith Isaacson of Seattle-based Verde & Co., and I know you’ll find her story inspiring.

What’s particularly intriguing to me is learning that Meridith will be opening her retail flower shop very soon. In a world that has witnessed the rapid decline of brick-and-mortar floral retail, here’s a woman who is bucking the system.

You’ll learn why having a retail presence is important to Meridith’s business plan and gain insights from her fascinating journey from one creative medium to another. Those personal experiences have shaped her own aesthetic and her business philosophy.

Meridith and I got together last week to record this pre-Valentine’s Day interview. You’ll want to follow along on her crazy, whirlwind schedule as she races to open the doors of Verde & Co. less than a week before February 14th and the peak of American floral gift-giving holiday.

The architect's rendering of the new Verde & Co. retail shop in Seattle.

The architect’s rendering of the new Verde & Co. retail shop in Seattle.

The new Verde & Co. retail space is designed by Strata Architects of Seattle. You can find the store at 400 Fairview Avenue in Seattle’s South Lake Union neighborhood.

Here’s a little more about Meridith:

Meridith posed in front of her new shop for me last week.

Meridith posed in front of her new shop for me last week.

Originally from New York, Meridith moved to Seattle in 2007 and dove head first into her floral design career working for one of Seattle’s premier floral studios.

Verde & Co., is a labor of love for Meridith as she grew up in a family business that was founded in 1913 by her great-grandfather. Growing up she gravitated towards helping her Mom set the holiday dinner table, going to work with her Dad and collecting unicorns. She thinks of designing as a dance. Executing each floral with great technique, infused with a true sense of artistry, she lets the arch of the branch or direction of the bloom dictate where the floral may take her.

As an avid collector of unique and vintage vessels, she is always on the hunt for ways to create a personal experience for her clients.

When not in her studio, Meridith enjoys cooking, spending time with her husband and their two dogs Toby & Stella. They often find themselves cuddled up on the couch with a good movie or out and about for a long walk around town.

A romantic Verde & Co. arrangement

A romantic Verde & Co. arrangement

Verde & Co. in a vase~ beautiful!

Verde & Co. in a vase~ beautiful!

Verde & Co.'s take on calla lilies ~ lovely!

Verde & Co.’s take on calla lilies ~ lovely!

original (1)And check out the innovative campaign that Verde & Co. has just launched on Seattle’s Community Sourced Capital.This is not a crowd-funding effort but instead a sustainable business financing model that uses a community of supporters to make interest-free loans to socially-minded entrepreneurs.

Meridith also shared these vendor links:

Photographer
http://www.hariskenjar.com
Contractor
http://www.metisconstructioninc.com
Architect
http://www.strataarchitects.com
Developer-SKANSKA
http://verdeseattle.com/blog/brick-mortar/
One more stunning piece by Meridith!

One more stunning piece by Meridith!

I have two announcements before we conclude:

First, two weeks ago our Podcast guest was Anne Graves, marketing director of Syndicate Sales, who discussed American manufacturing and the American made collection of vases from Syndicate’s Kokomo, Indiana, factory.

Syndicate graciously donated a $100 shopping spree to one listener and we have drawn a name from those of you who took the time to comment at the show notes page of Debraprinzing.com . . . the prize goes to Cara Gilmartin of Cross Street Flower Farm of Norwell, Massachusetts, located on the South Shore, south of Boston.

Here’s what Cara wrote in an email after I notified her of her win:

Get out of town!!  I never win anything and I was just filling in my business partner, Nikki Bartley on Syndicate’s products just yesterday.  Anne, I look forward to talking to you!  

We are obviously HUGE fans of Slow Flowers.  Cross Street shares the same mission and vision to be able to provide really awesome flowers for our community and educate about the importance of local agriculture.   We look forward to joining the Slow Flowers family! 

Thank you so much for this amazing gift!!

Cara Gilmartin
Cross Street Flower Farm

Congratulations Cara and Nikki! I, too, look forward to Cross Street Flower Farm joining the SlowFlowers.com community very very soon!

ES 2016 cover (1)Second, for those of you who love beautiful and inspiring magazines, I want to introduce you to GARDEN DESIGN.

I’ve written for Garden Design for many years, including serving as Contributing Editor in 2009-2010 when I was based in Los Angeles.

Many people feared that the best magazine for horticulture, plants and landscape design was about to disappear when former owner Bonnier Corp. folded the title in 2013.

Not much later, though, a white knight arrived with Jim Peterson.

Jim is a green industry entrepreneur and the creator of two online membership communities very similar (and much, much larger) to Slowflowers.com. One is called Concrete Network and the other is called Landscape Network.

So Jim and his team acquired the Garden Design brand and have published six gorgeous editions of Garden Design magazine since 2014.

These plump bookazines  are ones that you’ll have on your shelf forever.

What’s notable is that Garden Design is now ad-free, with 148 pages of vivid, high-quality photography printed on excellent paper stock. Not only am I a big supporter of Garden Design, the magazine’s staff has been super supportive of Slow Flowers and our mission.

In fact, publisher Jim Peterson and I have just cemented an agreement that allows us to showcase the design work of Slow Flowers members on the magazine’s web site and its well-read newsletter four times throughout the coming year.

As a special thank you to Slow Flowers members and listeners of this Podcast, Garden Design has a subscription gift for you. Follow this link to receive one free issue when you subscribe to one year of the magazine.

And if you subscribe now, you’ll receive the early spring issue which contains a feature story written by me! Photographed by Claire Takas, my story is titled: “GEOMETRIC IMPACT” — it’s all about a Brandon Tyson-designed Bay Area landscape. The tagline reads: Wild yet tame, old yet new, a Mediterranean landscape uses lush, colorful, and geometric-inspired plantings to entice an active Bay Area family outdoors.

And I have to add a fun note, a comment from Jim Peterson. He recently wrote: “Debra, taking a cue from you, maybe we should be the ‘slow magazine’? We’re American made, printed in the US, and offer high quality for those that appreciate and relish the tactile experience” of holding a beautiful magazine in their hands.” I couldn’t agree more!

Subscribe to Garden Design here. Preview the next issue here.

The Slow Flowers Podcast has been downloaded more than 81,000 times by listeners like you and we wrapped up January 2016 as the 2nd highest month of listenership in this Podcast’s 2-1/2 year history, with 4,600 downloads — a great start to the New Year. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Floral Spectacle in Seattle, inspired by The Flower House (Episode 230)

January 27th, 2016

“We can imagine it and we can do it,” Diane Szukovathy, Jello Mold Farm & Seattle Wholesale Growers Market

Lisa Waud, artist, innovator, entrpreneur, floral designer and creator of The Flower House (Detroit). She's standing in front of the base of the tree-inspired sculpture installed by her students at the Seattle Wholesale Growers Market.

Lisa Waud, artist, innovator, entrpreneur, floral designer and creator of The Flower House (Detroit). She’s standing in front of the base of the tree-inspired sculpture installed by her students at the Seattle Wholesale Growers Market.

A botanical tree grows up the walls and across the ceiling of the Seattle Wholesale Growers Market

A botanical tree grows up the walls and across the ceiling of the Seattle Wholesale Growers Market

Last week I told you about a series of Flower House activities taking place in Seattle with creator Lisa Waud. As I noted, Lisa has been on a West Coast tour which began on January 19th in Seattle, took her to Olympia and Portland, and continues until early next week in California.

As it turns out, I had a scheduled interview be postponed, so today, I’m bringing you a series of clips, short takes and conversations from the various events held at the Seattle Wholesale Growers Market when Lisa was here. Please enjoy these sound-bites, beginning with remarks from flower farmer Diane Szukovathy of Jello Mold Farm, board chair at the Growers’ Market, as she introduced Lisa Waud’s Wednesday morning lecture.

Diane is followed by Lisa’s introductory remarks; then we’ll jump to several short interviews with designers who took part in a Master Design Class led by Lisa. Thirteen designers teamed up to experience a mini-version of the Flower House installation, creating a massive botanical sculpture within the Market’s walls in just under 4 hours on January 19th.

Early in the class, a team started building the "bones" of the sculptural installation, while other designers worked on the floral pieces, called "amoebas"

Early in the class, a team started building the “bones” of the sculptural installation, while other designers worked on the floral pieces, called “amoebas”

The team of amazing designers who were led through a 4-hour session with Lisa Waud (lisa is front, far left)

The team of amazing designers who were led through a 4-hour session with Lisa Waud (lisa is front, far left)

Love this hot, orange-red amoeba palette!

Love this hot, orange-red amoeba palette!

Led by Lisa, the designers went through the entire process that a Flower House designer probably experienced — from visioning, brainstorming, creative problem-solving and execution. Having watched the process first-hand, I have to say it was nothing less than Spectacular!

One of the fun things Lisa threw into the mix was a series of surprises that added pressure and tested the mettle of the designers, much like the Flower House team endured during the 3 days when they installed the Flower House.

So I played along as a member of the press, who showed up unannounced expecting people to stop what they were doing while I conducted an interview. That was just one of the crazy twists Lisa threw at her students. Another of her surprises was to add a “last minute” delivery of flowering branches — and challenging the designers to figure out how to incorporate those elements into an almost-finished composition.

In the end, well, all I can say is, these designers rose to the challenge and proved that the sum of their parts was far greater than anyone could have individually achieved.

The final installation is gloriously wild and magical.

The final installation is gloriously wild and magical.

The Seattle Wholesale Growers Market's 18-foot-high ceilings are perfect for the installation -- check out the I-beams.

The Seattle Wholesale Growers Market’s 18-foot-high ceilings are perfect for the installation — check out the I-beams.

Each of the five "amoebas" were woven with foliage, branches and flowers, with a specific color emphasis.

Each of the five “amoebas” were woven with foliage, branches and flowers, with a specific color emphasis.

Another view of the hanging pieces

Another view of the hanging pieces

Details of the pink and fuchsia amoeba

Details of the pink and fuchsia amoeba, fashioned with flowers and foliage from the farms that supply the Seattle Wholesale Growers Market

As you hear a series of clips, I will ask each person to introduce herself and her business, followed by a brief series of questions; and then we move onto another group of designers. This patchwork quilt of a podcast episode concludes with a 10-minute wrap-up session, a debrief with Lisa and the 13 designers, as they compare notes about the challenges and results of their time together.

Here is a list all the participants and their social media links — these are women you will want to follow if you haven’t yet discovered them!

Floressence, owned by Anne Bradfield

Terra Bella Flowers, owned by Melissa Feveyear

Splash Floral and Interiors, owned by Lisa Behringer

Columbia City Bouquet, owned by Emily Kopca

Gather, owned by Amy Kunkel-Patterson

Bash and Bloom, owned by Eleanor Blackford

Lola Creative, owned by Emily Ellen Anderson

Camas Design, owned by Erin Shackelford

First & Bloom, owned by Tammy Myers

Smashing Petals, owned by Keita Horn

Melanie Benson Floral, owned by Melanie Benson

Vases Wild, owned by Tobey Nelson

Casablanca Floral, owned by Maura Whalen

Finally, I have to state publicly, that this entire week of events could not have happened so successfully without the leadership and talents of the three staff of the Seattle Wholesale Growers Market: Molly Sadowsky, Danielle Bennett, and Agnes Cwalina. They are amazing!

NEWS TO SHARE

This happened and it came as a total surprise!

This happened and it came as a total surprise!

I want to thank the flower farmers of the Seattle Wholesale Growers Market for surprising me with a huge honor. Here is a link to the Market’s press release.

On January 19th, Slow Flowers hosted a dinner to honor Lisa Waud and to showcase the floral art installation she and her team had installed earlier that afternoon.

At the dinner, Diane Szukovathy took the mic and announced that the farmers had created a new award, called the Growers Choice Award, and that I was the first recipient. Later she told me it was the most fun scheming she’d had in a long time, which puts a huge smile on my face. I truly was astonished to receive this recognition–and the language is most meaningful because it recognizes “outstanding contributions to revitalize the local floral community.”

80K

The Slow Flowers Podcast has been downloaded more than 80,000 times by listeners like you. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Music provided by: Audio Nautix