Debra Prinzing

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Episode 278: Slow Flowers’ 2017 Floral Insights & Industry Forecast

Wednesday, January 4th, 2017

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Happy New Year and Welcome to the third annual Slow Flowers’ Floral Insights and Industry Forecast.

Unlike most TREND reports, this compilation tracks changing shifts, emerging ideas and new concepts that are taking hold in the American floral world.  Think of it as your Next, New and Now Report. These topics are gleaned from my conversations and interviews that took place with many of you during 2016– Slow Flowers members, including farmers, florists and creatives.  I know some of you have already experienced these emerging developments and your influence has inspired this list.

If you would like a copy of this report, please click here: 2017-floral-insights [PDF download]

I look forward to your reaction, thoughts, and input on the Slow Flowers’ Floral Insights and Industry Forecast, including the ideas and themes I may have overlooked! I invite you to share yours in the comment section below.

Let’s get started:

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#1 WHOLESALERS ARE DISCOVERING AMERICA
. In the midst of global floriculture, with trade in cut flowers estimated at more than $100 billion per year, $13 billion of which takes place in the U.S., we’ve been seduced by the notion that the world is our oyster (or flower field).

Mellano & Co. is a Certified American Grown flower farm.

Mellano & Co. is a Certified American Grown flower farm.

In many markets around the country, the wholesale florist is the only commercial cut flowers and foliage source for floral designers, flower shops and studios to purchase product.Yet after branding themselves as the only way to access a world of floral options, some wholesale florists are returning to their roots, at least in part. They are proactively sourcing from American flower farms large and small to stock their coolers and shelves. And beyond this step, many are also using signage and labeling to inform buyers of the origin of that product.

I believe the explosion of farmer-florists and the growth of small-scale floral agriculture in markets across North America has occurred in part because of frustration with the lack of or limited local sourcing by conventional wholesalers. Let me say that again: Farmer-Florists and small-scale floral agriculture have stepped into the gaping void created when wholesalers turned their backs on local flower farmers. And now they’re waking up to the missed opportunity.

The success of the Seattle Wholesale Growers Market, well-documented by me and on this podcast over the past several years, as well as the continued growth of the farmer-owned Oregon Flower Growers Association market in Portland underscore that demand for local flowers is already in place.

Now we are witnessing a shift among some conventional wholesalers to align their brand with American Grown and Locally-grown flowers. Mayesh Wholesale Florist is the most active in this arena, with active support for Slowflowers.com, American Flowers Week, Lisa Waud’s Flower House Detroit, and other sponsorships.

When Mayesh opened its renovated Portland, Oregon, branch in early November, the company asked me to make a design presentation. The team there was very supportive of my request for all locally-grown product — hat’s off to Mayesh and I certainly expect that their success at the cash register will motivate other conventional wholesale florists to get onboard.

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I’ve previously singled out Santa Barbara-based Florabundance, led by Joost Bongaerts, for making the effort to label all California-grown floral and foliage offerings on his online wholesale site. It is an effective tool — one I hope others will emulate. It is certainly a step that demonstrates excellent customer service and an awareness that Florabundance shoppers want to know the origin of the flowers they purchase.

This past fall, I surveyed Slowflowers.com members for their take on a number of topics and trends. When I asked, “If you shop with Conventional Florists, are you finding more American grown and locally-grown product than in the past?” 70 percent of respondents said yes.

Here are a few of the specific comments to elaborate:

  • I request American grown from my Rep, and I think there are more boutique, seasonal items that are coming from smaller farmers
  • I have been asking my conventional wholesalers to bring in more American grown product and I think it is helping. The “American Grown” branding really helps us to know that is happening.
  • It’s definitely taking place and some people at the conventional wholesalers are proud to share that their products are American grown.

This last comment reflects that the industry still has far to go. One member noted:

  • It’s a toss up. They say they want to add more but I’m not sure if they are working really hard at. And they don’t do a very good job at advertising what is local and what is not. My Rep knows that I want American grown but still have to ask every time

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#2 MORE FARMS SELLING DIRECT
. This insight is closely connected with item number one.

In general, the conventional wholesale model is changing, as traditional channels of floral distribution are disrupted. I predict that more flower farms will seek and establish new ways to bypass the conventional wholesale pipeline and market direct to florists and consumers. This is a hot topic and certainly one that’s hard to find anyone willing to go on record to discuss.
Our Slow Flowers survey revealed numerous sales channels among flower farmers. Granted, the majority of Slow Flowers farm-members are small-scale producers, but I believe they are the ones modeling how diversification and direct-to-florist commerce can succeed. When asked about their distribution channels, our respondents cited the following top three outlets:

  • Seventy percent are growing flowers for their own weddings and event clients;
  • This is followed closely by farms selling direct to other florists and wedding designers, at around 67 percent
  • With 53 percent of flower farms reporting they sell to local flower shops
    After this top tier, the percentages drop down to one third of respondents who sell flowers via farmers’ markets and CSA subscribers (basically consumer-direct) and about one-quarter who sell to local wholesalers and grocery/supermarket buyers.There is another farm-direct model, and here’s where I think the disruption is most revealing. A number of large farms are experimenting with direct-to-florist and direct-to-consumer models.

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There is another farm-direct model and here’s where I think the disruption is most revealing. A number of large farms are experimenting with direct-to-florist and direct-to-consumer models. A few successful single-crop models have been in place, such as Danielle Hahn’s Rose Story Farm, which in the past few years has shifted almost completely away from selling through wholesalers to florist-direct fulfillment, and many of the Alaska peony growers who sell direct to florists and consumers.

Now, diversified, large-scale growers are beginning to spin off consumer-focused web shops, such as Sun Valley’s Stargazer Barn or Resendiz Brothers’ Protea Store. In the scheme of things, these new ventures are moving only a small fraction of their parent farms’ floral inventory.

But I predict that as large farms bend to demand for farm-direct sourcing of flowers (by consumers and florists alike), the path from field to bouquet will speed up and perhaps take fewer detours through brokers and wholesalers. That means fresher, more seasonal and better value for all floral customers.

READ MORE…

Garden Writers Design Bouquets with California-Grown Botanicals

Friday, September 25th, 2015

CA Grown Logo CardCertifiedAmericanGrownLogoCard

Garden Writers get to play with California Flowers at their annual symposium in Pasadena last week.

Garden Writers get to play with California Flowers at their annual symposium in Pasadena last week.

Last weekend, more than 300 members of the Garden Writers Association attended the annual symposium in Pasadena. As the past president, I was there. Two people asked whether I could involve the California Cut Flower Commission in the conference and it worked out beautifully to combine those opportunities.

Vice President and Program Chair Kirk Brown asked me to lead a floral design workshop at the Table Topics session on Saturday afternoon. That’s where hundreds of attendees move through 30 tables, speed-dating-like to engage with various experts and explore subjects of interest to the horticulture, communications, and media professions.

Local Arrangements Chair Lydia Plunk asked me to procure California-grown flowers to adorn the banquet tables at the Media Awards Ceremony Monday. Both requests were doable, made even easier because of the help of these incredibly generous companies:

Syndicate Sales donated USA-made hurricane-style vases for the centerpieces.

Syndicate Sales donated USA-made hurricane-style vases for the centerpieces.

Syndicate Sales

Eufloria donated more than 200 stems of gorgeous hybrid tea roses and spray roses.

Eufloria Roses of Nipomo, California, donated more than 200 stems of gorgeous hybrid tea roses and spray roses.

Eufloria Roses

Kitayama Brothers of Watsonville, California, donated gorgeous miniature gerberas, snapdragons and lilies.

Kitayama Brothers of Watsonville, California, donated lovely, fresh miniature gerberas, snapdragons and lilies.

Kitayama Brothers Farms

Resendiz Brothers of Fallbrook, California, donated exquisite pincushion proteas, textured grevillea foliage and mixed greenery.

Resendiz Brothers of Fallbrook, California, donated exquisite pincushion proteas, textured grevillea foliage and mixed greenery.

Resendiz Brothers Protea Growers

Stargazer Barn of Arcata, California, donated vivid tulips, irises and cotinus foliage.

Stargazer Barn of Arcata, California, donated vivid tulips, irises and cotinus foliage.

Stargazer Barn

Chris Sabbarese of Corona Tools tweeted out this photo.

Chris Sabbarese of Corona Tools tweeted out this photo.

I loved sharing these California blooms as a tangible example of the Slow Flowers movement.

We brought to life the conversation about local, American grown flowers and engaged my fellow garden communicators (writers, photographers, bloggers and educators) by getting them up close and personal to these fresh, beautiful botanicals.

After the workshop, the flowers were used to adorn the banquet tables at the Media Awards Banquet, held at the Pasadena Convention Center this past Monday evening.

My Slow Flowers project won a Silver Award, so it was indeed fitting to have local flowers on the tables that night. As a bonus, one lucky guest at each table “won” a bouquet to take home.

These are some of the photos that showed up on social media, which gives the local, American-grown story a very long shelf life!

Facebook, Instagram, Twitter photos from the Garden Writers event.

Facebook, Instagram, Twitter photos from the Garden Writers event.

As a bonus, Stargazer Barn provided guests with a 15%-off coupon on a future order. If you missed it, feel free to use this one here:

StargazerBarn_Coupon-page-001

 

 

Week 38 // Slow Flowers Challenge

Thursday, September 24th, 2015
Lush, early autumn colors  of corals, peaches, ivories and celadon green.

Lush, early autumn colors of corals, peaches, ivories and celadon green.

Dahlia season continues here in the Pacific Northwest, where local flower farms in Washington and Oregon have produced bumper crops for 2015.

I’ve been traveling so much this summer in order to co-host and promote the Field to Vase Dinner Tour, that the last four weeks have been a blur. I haven’t posted a Slow Flowers Challenge bouquet since August 27th when I shared Week 34. Yikes! Please forgive me!

The finished bouquet, shown at its finest in my vintage cast-iron planter

The finished bouquet, shown at its finest in my vintage cast-iron planter

As if that wasn’t enough, we moved in July. Moving into an apartment after selling our home (and its beautiful garden) has been an exhausting transition. We’re getting settled in a place located quite close to downtown (I can see the Space Needle from our apartment!), but I now realize what an effort it takes to procure flowers when one doesn’t grow them oneself.

This move has provided me with a valuable lesson and an important insight about how hard it is to enjoy seasonal flowers in one’s home. It’s so much easier when you can just step outside and clip to your heart’s content.

Thankfully, where I live, I’m able to enjoy outdoor space and fresh air. We have a small balcony attached to our unit and upstairs, there is a massive rooftop deck. These are daily luxuries. Access to flowers is a little more challenging.

Have you ever seen a celosia this gigantic?

Have you ever seen a celosia this gigantic?

Yesterday, I attended a board meeting at the Seattle Wholesale Growers Market. In exchange for several hours sitting around the table with my fellow board members, I was rewarded with a chance to shop the Market floor afterwards.

Step One: Start with a few branches of Liquidambar - a sure sign of fall! Place them off-centered to exaggerate the width of the urn.

Step One: Start with a few branches of Liquidambar – a sure sign of fall! Place them off-centered to exaggerate the width of the urn.

You will LOVE the goodies I came home with! This arrangement is constructed using chicken wire inserted into the vintage cast-iron planter.

Dahlia ‘Pam Howden’, a peach-gold waterlily dahlia, grown by Jello Mold Farm

Dahlia ‘Peach Fuzz’, a pale peach novelty dahlia true to its fuzzy moniker, grown by Dan’s Dahlas

Dahlia ‘Narrows Erica’, a peach-orange ball dahlia, grown by Dan’s Dahlias

Sweetgum foliage (Liquidambar styraciflua), foraged by Tosh’s Farm

Pale green Celosia, grown by Peterkort

‘Michael Dodge’ viburnum, with pale yellow fruit, grown by Jello Mold Farm

Step two: Insert one enormous pale-green celosia to give weight to the arrangement.

Step Two: Insert one enormous pale-green celosia to give weight to the arrangement.

Muir Ranch

Dining al fresco at Muir Ranch, an urban school’s food and flower farm in Pasadena.

American flower farmer Mel Resendiz

American flower farmer Mel Resendiz

There are also two wonderful “bonus” elements in this bouquet, both California-grown. On Sunday morning, I flew back to Seattle from Burbank with generous bunches of grevillea foliage and Serruria florida ‘Blushing Bride’ in my carry-on bag (of course).

They were gifts from Resendiz Brothers Protea Growers and flower farmer Mel Resendiz. We met up last Saturday night at a special farm dinner held at Muir Ranch in Pasadena, which hosted more than 100 guests who learned all about urban agriculture (see above).

Many of the guests were fellow members of the Garden Writers Association, who were in Pasadena for an annual symposium. They came for dinner and met some very talented high school students who are producing food and flowers for the CSA at John Muir H.S.

Our host Mud Baron, urban-ag activist and creator of “Flowers on Your Head,” invited Mel Resendiz and Diana and Bob Roy of Resendiz Brothers Protea Growers to join the fun. Mel cranked out some beautiful bouquets for the tables and somehow I ended up with the very special ‘Blushing Bride’ to bring home. It is in the proteaceae family and Diana tells me the flowers dry beautifully.

Step Three: Add three types of dahlias, blending colors for depth and interest.

Step Three: Add three types of dahlias, blending colors for depth and interest.

Enhance with a few more stems of Liquidambar and celosia

Step Four: Enhance with a few more stems of Liquidambar and celosia

Step Five: Tuck in clusters of 'Blushing Bride' and notice how much the ivory-cream petals echo the celadon green celosia.

Step Five: Tuck in clusters of ‘Blushing Bride’ and notice how much the ivory-cream petals echo the celadon green celosia.

Step Six: Incorporate 'Michael Dodge' viburnum berries to add sparkle and texture.

Step Six: Incorporate ‘Michael Dodge’ viburnum berries to add sparkle and texture.

I *think* I can get back on schedule for the Slow Flowers Challenge. It has been rewarding to see what everyone else has produced while I’ve been away from my clippers and vases.

 

Today’s LA Times: SoCal entwined in holiday swags with Blossom Alliance’s Lori Eschler Frystak

Saturday, December 20th, 2014

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Slow Flowers: American Grown Wreaths for the Holidays

Saturday, November 29th, 2014
A California-Grown Holiday Wreath.

A California-Grown Holiday Wreath.

Detail of an edible/herbal-themed holiday wreath.

Detail of an edible/herbal-themed holiday wreath.

Thanks to some wonderful attention for Slowflowers.com in the media, I’ve been designing and writing and talking about American Grown Wreaths for the Holidays quite a bit lately.

Tonight, one of my friends asked: Isn’t that wreath-making how-to on a video?

And I said, “Not this time, but I’ll post the steps on my blog.” She’s getting ready for tomorrow’s Advent wreath-making party so I thought I’d get the instructions up quickly.

Here, you’ll find two of the DIY wreath how-to’s. I created the first for Chris Ross, Home & Garden editor for the San Diego Union-Tribune daily. “From Harvest to Holiday” appears in today’s newspaper and features ingredients grown near San Diego by Resendiz Brothers Protea FarmsThanks to Diana Roy and Mel Resendiz for sending me the flowers and foliage to play with!!!

Getting Started

Do-it-yourself wreath-making is as easy as placing flowers in a vase. Start with a walk through your neighborhood to gather “gifts” from nature, especially downed branches, autumn leaves, conifers and dried flowers (note: always wild-gather or forage with permission and never on public land).

Get your supplies in order: Wreath forms, bindwire or twine, clippers, snips, floral wire and ribbon.

Get your supplies in order: Wreath forms, bindwire or twine, clippers, snips, floral wire and ribbon.

1. Get your supplies in order. I bought the wreath forms at Michael’s, but you can also find metal and grapevine wreath bases at most floral and craft supply outlets. Choose your wreath base. For this design, I worked with a 15-inch round frame.

The floral elements and accents.

The floral elements and accents, including from left: Pink Protea, Brunia albiflora, Leucadendron and Creamy White Protea

The foliage elements

The foliage elements, including from left: Banksia, Eucalyptus, Acadia, Grevillea, and more.

2. Gather flowers and foliage: As you gather branches, foliage and other elements, clean away debris and trim away broken parts. Lay out pieces on sheets of newspaper and allow them to partially dry (this helps reduce mildew). Plan for twice as much as you think you’ll need. You want your wreath to look rounded and dense rather than thin and flat so make sure you have plenty of material.

READ MORE…

SLOW FLOWERS Podcast: All about Protea – a South African native that flourishes on California Flower Farms (Episode 119)

Wednesday, December 11th, 2013
Protea is a dazzling native South African flower that has adapted to California's benign growing climate - thus, perfect for the American-grown cut flower industry.

Protea is a dazzling native South African flower that has adapted to California’s benign growing climate – thus, perfect for the American-grown cut flower industry.

Today’s guests are two of the most influential US growers of Protea.

Mel Resendiz, an expert grower of Protea and other South African and Australian ornamental plants.

Mel Resendiz, an expert grower of Protea and other South African and Australian ornamental plants.

Owner of Resendiz Brothers Protea Growers, based in Fallbrook, California (in northern San Diego County), Mel Resendiz has been growing protea for 35 years. He’s joined by colleague Diana Roy, an equally passionate protea fan who handles marketing and promotion for Resendiz Proteas. 

You’ll hear us refer to this lovely flower a few ways. It’s spelled P-R-O-T-E-A, but pronounced:

Pro-tee-ay-AH . . . Pro-tee-Ah . . . or . . . pro-Tay_AH 

Whichever way you pronounce it, Protea is a luscious native South African flower, said to have been named after the Greek God Proteus, who was able to change into many different forms.

The Proteaceae family of plants is comprised of more than 1,400 species. Ranging from 2 to 12 inches in size, Proteas typically blooms in fall, winter and spring, although the folks at Resendiz are able to harvest and ship the flower year-round to customers in the U.S., Canada & Japan, due to their growing practices and attention to detail. 

Diana Roy, a board member of the California Cut Flower Industry and active protea promoter.

Diana Roy, a board member of the California Cut Flower Commission and active protea promoter. She was captured here at an industry event in a gerbera greenhouse.

 

A Resendiz bouquet in which Protea is paired with Pincushion flower (Leucospermum).

A Resendiz bouquet in which Protea is paired with Pincushion flower (Leucospermum).

Why are these South African plants now considered a valuable California flower crop? It’s because coastal California is one of five Mediterranean regions of the globe, similar to South Africa, Australia/New Zealand, Chile and Greece. Full sun, well-drained soil, good air circulation, mild winters and acid soil ensure that proteas thrive as if they were in their native environment.  

Established in 1999 and today one of California’s largest supplier of South African and Australian floral products and plants, Resendiz produces more than 200 varieties of these unique native plants.  Known for their exceptional value and long vase life, the protea and other blooms like PincushionsBanksiaKangaroo Paws and  Leucadendroncreate dramatic impact when incorporated in arrangements and bouquets. Many varieties are hybrids – grown only by Resendiz Brothers.

A wedding bouquet pairing protea with roses!~

A wedding bouquet pairing protea with roses!~

Rich in color, texture and form, the protea is both dramatic and exotic. The spectrum ranges from warm to cool colored blooms — Rich reds, deep pinks, and fresh greens. Together, these blooms make stunning arrangements – and they are long-lasting – a huge bonus for the florist and DIY designer alike.

If  you want an American-grown flower that will dazzle in the bouquet or the vase, look no further than the Protea.

Thank you  for joining me in this episode of the SLOW FLOWERS Podcast with Debra Prinzing. Because of your support as a listener, there have been nearly 4,000 downloads since July – and I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net.