Debra Prinzing

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SLOW FLOWERS Podcast: News from Texas’s Flower Farmers (Episode 130)

Wednesday, February 26th, 2014

Welcome back to the Slow Flowers Podcast with Debra Prinzing.

To start off this week’s episode, I have a personal announcement to make. Last week, on February 19th, I concluded a 45-day funding campaign to generate financial contributions for my new Slowflowers.com project.

With just 32 hours left of the campaign, we'd already reached $18,000!

With just 32 hours left of the campaign, we’d already reached $18,000!

For listeners unfamiliar with it, Slowflowers.com will be a free online directory to florists, studios, designers and farmers who supply American-grown flowers to the consumer. Thanks to the fantastic crowd-sourcing site Indiegogo, which was the perfect environment to share my passion, more than 220 Slowflowers.com “believers” contributed $18,450 to fund the launch. I owe a special thanks to the California Cut Flower Commission (Premiere Sponsor), the San Franciso Flower Mart (Presenting Sponsor) and Mellano & Co. (Presenting Sponsor), for their major support! 

In the next several weeks, we’ll be finishing up the necessary database and web development, populating the site with details about member florists, designers and farms, and planning the pre-Mother’s Day marketing & promotions launch. Stay tuned for more details!

An interviewer recently asked me: “What do you hope to accomplish with this site?”

My answer? “That every time someone wants to give or send or purchase flowers, they stop and ask: Can I buy American Grown? And the Slowflowers.com site will help them navigate that search.” 

The Arnoskys have always labeled their flowers to promote their Texas origins.

The Arnoskys have always labeled their flowers to promote their Texas origins.

Now, let’s talk about Texas. I have three guests today and you’ll love their larger-than-life personalities.

First, please meet Frank and Pamela Arnosky of Texas Specialty Cut Flowers.

Frank is the new board president of the Association of Specialty Cut Flower Growers, but these two are longtime leaders in the organization. Both Pamela and Frank have served in ASCFG board positions in the past.

I first learned about them in Lynn Byczynski’s wonderul reference book The Flower Farmer, originally published in 1997 and reissued with new bonus content in 2008.  Lynn profiled the Arnosky family’s beginnings as growers of bedding plants and poinsettias in Blanco, Texas, before they added cut flowers in the early 1990s.

The flowers were intended for a farmers’ market that never materialized, so Pam and Frank filled their truck with blooms; drove it to Austin and started knocking on the doors of flower retailers. “People were falling all over when they saw the stuff,” Frank said in the interview with Lynn. “That took us by surprise; we really hadn’t known what to expect.”

Pamela and Frank Arnosky of Texas Specialty Cut Flowers.

Pamela and Frank Arnosky of Texas Specialty Cut Flowers.

Here we are, nearly 25 years later, and the Arnoskys are still viewed by many in the specialty cut flower world as the model family farm. You will enjoy hearing from them both in our conversation today, which touches on how to manage so many acres with little or no additional labor – and how to plan for the future by diversifying. 

Here is a link to their book, Local Color: Growing Specialty Cut Flowers. It’s a compilation of 10 years of their columns for Growing for Market, a periodical published by Lynn Byczynski. 

Pam and Frank will be featured speakers at the upcoming Cut Flower Growers’ School, hosted by the Association of Specialty Cut Flower Growers in Ft. Worth, Texas, on March 3-4, 2014.

Rita Anders of Cuts of Color, in Weimar, Texas.

Rita Anders of Cuts of Color, in Weimar, Texas.

Rita Anders of Cuts of Color in Weimar, Texas, is another fabulous Texas flower farmer who will be presenting at the upcoming Growers’ School.

In January 2013, I visited Rita and spent a wonderful day at her farm – which is located halfway between Austin and Houston. Later, I wrote a story about that visit, which you can read here on Cuts of Color’s web site.

When I was in Austin, Rita joined me in the studio of Central Texas Gardener, a wonderful, long-running show on KLRU, the Austin PBS station.

Producer Linda Lehmusvirta and host Tom Spencer couldn’t have been more welcoming – and our TV segment on locally grown flowers appeared last summer, after the filming crew visited and shot footage at Cuts of Color’s fields and greenhouses.

Rita is the regional VP for ASCFG and is planning next week’s Growers’ School along with cohorts Cynthia Alexander of The Quarry Flower Farm (Frisco, Texas) and Paula Rice of BeeHaven Farm (Bonners Ferry, Idaho).

After I chatted with Frank and Pam Arnosky, I tracked down Rita for more details about the Growers’ School, just in case I could entice any listeners to attend at the last minute. From our conversation, it sounds like walk-ins and last minute registrants are welcome. So consider participating!

In addition to the Arnoskys and Rita Anders, you can hear past Slow Flowers Podcast interviews with several other speakers, including Cynthia Alexander and Gretel and Steve Adams. Anyone who has yet to appear on this show is slated for a future episode — I promise!

texasimageThe Growers’ School promises to be a fantastic educational experience where flower farmers both new and established will hear from some very gifted folks. Here is the schedule and topics:

Monday, March 3

Marketing Session One

1:00 p.m. 
Selling to Florists
Cynthia Alexander, Quarry Flower Farm, Celina, Texas
Cynthia will explain her process of preparing flowers for her florist route, and how to best develop relationships with, and sell to florists.
Floral demonstration: flowers bunched for florist delivery.

1:30 p.m. 
Selling at Farmers’ Markets
Rita Anders, Cuts of Color, Weimar, Texas
Stand out at your farmers’ market! Increase sales with tips from a longtime grower.
Floral demonstration: farmers’ market wrapped bouquet.

2:00 p.m. 
Selling to Supermarkets
Pamela Arnosky, Texas Specialty Cut Flowers, Blanco, Texas
Learn how to streamline your bouquet-making process while increasing productivity.
Floral demonstration: sleeved bouquets for supermarket sales.

2:30 p.m.
Workshop One
Create your own wrapped or sleeved bouquet for farmers’ market or grocery outlet.   
Experienced grower/designers will provide personal assistance.

Marketing Session Two

3:00 p.m.
Increase Your Bottom Line with Top Wedding Sales
Rita Anders, Cuts of Color, Weimar, Texas
Rita will share her methods of contacting and engaging brides.
Floral demonstration: hand-tied wedding bouquet.

3:30 p.m. 
Tapping into Wedding Sales
Gretel Adams, Sunny Meadows Flower Farm, Columbus, Ohio
Sunny Meadows’ wedding business has grown exponentially in the last few years. 
How does this fit into the rest of their farm business?
Floral demonstration: hand-tied wedding bouquet.

4:00 p.m. 
Workshop Two
Reassemble your original bouquet into a hand-tied bridal bouquet. 
Experienced grower/designers will provide personal assistance.

4:30 p.m. 
Closing
      
6:30 p.m. 
Join the speakers and other attendees for dinner at Joe T. Garcia’s Mexican Restaurant, a Fort Worth tradition since 1935. 
Not included in registration.

Tuesday, March 4 

8:00 a.m. 

Office to Field Business Planning and Record Keeping    
Paula Rice, Beehaven Flower Farm, Bonners Ferry, Idaho
Plan for an organized and smooth growing year with useful record-keeping strategies. Learn to set up an efficient flower grower’s office using QuickBooks to create charts of accounts. Use Paula’s groundworks to plan seeding and field planting schedules, while keeping track of basic cost accounting.

9:00 a.m. 
What to Grow and Why       
Steve and Gretel Adams, Sunny Meadows Flower Farm, Columbus, Ohio
How do you choose which perennials to grow? Which annual varieties are the best producers? Steve and Gretel grow a wide variety of both, as well as woodies and bulbs, and will explain their selection process.

10:15 a.m. 
Break

10:30 a.m.
Seeds or Plugs? Both?       
Frank Arnosky, Texas Specialty Cut Flowers, Blanco
Frank will cover all factors of growing cut flowers, including variety selection, seed types, germination  for plugs, and environmental controls. He’ll discuss tricks of the trade, as well as what to grow yourself and what to buy in as plugs.

11:30 a.m. 
Lunch (included with registration)

12:30 a.m. 
Making the Most of Every Square Foot on a Small Farm  
Lisa Ziegler, Gardener’s Workshop Farm, Newport News, Virginia
Make the most of the high-demand season by providing your buyers a steady stream of flowers. Even better, learn how to get it all done by 5:00 by using the best practices and equipment.

1:30 p.m. 
Harvest and Postharvest     
Pamela Arnosky
Pamela will cover all the steps of handling cut flowers, beginning in the field and going through to the final customer. Topics will include harvest practices, preservatives and hydrators, coolers and storage, packing, shipping and extending vase life for the customer. She’ll show you the tools, sleeves, and equipment she uses, and provide sources for materials.

2:30 p.m. 
Creating and Finding Markets for Your Flowers
Steve and Gretel Adams, Sunny Meadows Flower Farm, Columbus, Ohio 
Are you crazy to offer wedding flowers? What’s the best way to approach local florists? Are flower subscriptions profitable? Learn from these dynamic growers what to do – and what not to do.

3:00 p.m. 
Breaking into Business: Getting Florists and Supermarkets on Board  
Lisa Ziegler, Gardener’s Workshop Farm, Newport News, Virginia
You may not be too small! Lisa gave up her farmers’ markets to turn her attention to florists and supermarkets. Learn how to build your business to get those dreamy orders and keep happy customers.

3:30 p.m. 
Break
 
3:45 p.m. 
Season Extension       
Mimo Davis, Urban Buds, St. Louis, Missouri   
Don’t limit your production to a “typical” growing season! Hoophouses, tunnels, and succession planting can stretch your cut flower offerings on both ends of the season.

4:30 p.m. 
Closing

It has been my pleasure to share with you today’s podcast conversations. 

Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 7,000 times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net.  

 

Flower Lessons from the Color Wheel – My Video & a Sunset Magazine Story

Saturday, February 22nd, 2014

Last summer I created a fun video with my awesome AV expert Hannah Holtgeerts of HHCreates. When I found out she had planned a visit to Seattle and would be staying with us for a few days, I asked if I could commission her to film and edit a floral how-to video. Lucky for me, Hannah said “yes.” 

We came up with the idea of a Floral Color Wheel and created this fun piece below. The inspiration for this video originated with Nicole Cordier Walquist of Cordier Botanical Art, an award-winning floral designer and artist whose color-themed bouquets appear in Slow Flowers. You can see her primary- and secondary-inspired bouquets in the video’s cute animated color wheel.

So we created the video last summer and then I asked Lola Honeybone of Media Workshop Nashville (the world’s best publicist) to help me promote the video.

sunset-cover-mar14-mLola and her colleague Marla  spread the word and many media outlets picked it up and posted it on their web sites.

One of the publications that noticed was Sunset magazine, where garden editor Kathleen Brenzel and associate garden editor Johanna Silver were inspired to pursue the floral color wheel as a potential article.

By November, Johanna emailed to say: “Flower wheel got bumped into its OWN story (rather than just a blurb) for March. I might need to interview you for some more tidbits!”

I’m so grateful that they gave me the credit for the idea and featured me as the “floral pro” in the new article – out today in Sunset’s March 2014 issue. Sunset’s garden design assistant Lauren Dunec did a great job styling the floral elements for the story you see below.

 gld0314c_Bouquets-page-001

gld0314c_Bouquets-page-002

 

ALL ABOUT THE (FLORAL) COLOR WHEEL (adapted from Slow Flowers)

 circle_sample (1)-page-001
R-O-Y-G-B-I-V. Almost everyone remembers learning about rainbows and prisms in elementary school, right? Red-Orange-Yellow-Green-Blue-Indigo-Violet: the seven bands of the rainbow; the result of rain + sun in the sky.
These hues are represented by both the artist’s color wheel and the diversity of nature’s flora. There is an endless variety of flowers and foliage available to the gardener and the floral designer alike. But sometimes, when you’re at the flower stand or even walking through the garden, those beautiful choices can be overwhelming.
The Floral Color Wheel helps simplify and organize your design process, guiding you to create harmonious, eye-pleasing arrangements, centerpieces and bouquets, using a fun, paint-by-number approach (or shall we say “paint-by-petal”)?
 
Let’s call it the Floral Color Wheel 
I use all parts of a plant to guide my color choices: Flowers and buds, of course. But also the stems, leaves, pods and berries. And then there’s the selection of vase color, another important variable.
When I teach floral students, I tell them that the color wheel is often the most essential tool in a designer’s toolbox. Knowing the basics: Primary and Secondary colors, and how they relate to each other, is a good starting point. Tertiary colors are the connectors that bring together otherwise disharmonious colors. See the glossary of terms at the end of this post for specifics about each term. 
Yellow & Purple - a perfect complement.

Yellow & Purple – a perfect complement.

Thank You For the Complement (above)

There are so many ways to create visual poetry with flowers. You want to express dramatic or intense emotions? Go for high contrast with complementary colors. Red and Green are across each other on the color wheel, and that’s why they’re called complementary. In the floral world, that might be reinterpreted as maroon with lime – imagine how gorgeous that combo could look! Orange and blue might morph into peach and teal (a very popular wedding palette these days). Yellow and purple can be a zinger in the vase. One of my all-time favorite summer bouquets pairs fresh-cut French lavender with field-grown sunflowers – a purple and yellow bouquet that is the perfect example of complementary design.
Analogous color palette of pinks, mauves and purples!

Analogous color palette of pinks, mauves and purples!

Let’s Be Friends: Analogous (above)
Neighboring colors on the wheel share many common pigments, which gives the floral designer clues as to how well they might look together in a vase. In landscape design, you often hear the term “cool” garden or “warm” garden – and essentially these terms describe the two sides of a color wheel. Cool colors with blue undertones include blues, greens, purples and pinks. Warm colors have red undertones ranging from yellow and orange to red and those yummy coral/peach hues. The mood created by analogous floral palettes can be anything from soothing and serene to high-voltage excitement. 
 
Three types of coral flowers - a Monochromatic bouquet.

Three types of coral flowers – a Monochromatic bouquet.

Monochromatic is anything but boring
Out of flowers? Short on funds? That’s when a monochromatic bouquet of all foliage comes to the rescue. Gardeners and florists use the term “greenery” all the time – it’s nature’s neutral shade. But thanks to so many amazing textures, shapes and sizes of foliage, you can pull together a monochromatic foliage bouquet with ease — your clippers and a walk through the backyard make it easy. The result? A totally unexpected, thoroughly contemporary look. You can try this technique with any color foliage or flowers – or a combination of both. I created a small but sweet arrangement using a dark-burgundy aeonium (a succulent) and dark purple potato vine. Two completely different plants; same color. Eye-catching design.
Another way to express a singular color.

Another way to express a singular color.

I recently designed a fun, monochromatic project involving three yellow tumblers, each of which holds different varieties of black-eyed Susan flowers (Rudbeckia sp.) and textural foliage. This type of design allows you to clip bits of this and that from the garden and end up with a cohesive design – thanks to the unifying color theme.
 
A Botanical Rainbow
Nature’s stems, buds, petals and leaves make up the floral color wheel. It’s easy to incorporate these elements in your centerpieces and bouquets using complementary, analogous and monochromatic pairings. Be inspired by this timeless approach to color. But don’t feel restricted by color “rules.”They are only guidelines, worth breaking. Harold Piercy, principal of the Constance Spry Flower School in England, wrote in 1983: “…in flower arrangement, I have always found it advisable to discard any preconceptions about colours.” He added: “Keep an open mind and do not be ruled by the colour wheel. You may hit upon unexpected satisfactory results during your experiments.”
 
Glossary of color terms
Primary: These pure colors include Red, Yellow and Blue
 
Secondary: Combinations of two primary colors, including Orange (Red + Yellow), Green (Blue + Yellow) and Purple (Red + Blue)
 
Tertiary: A combination of one primary color and one secondary color
 
Complementary/Contrasting: Color “pairs” that reside opposite each other on the color wheel
 
Analogous: Adjacent colors on the color wheel, related to a dominant primary hue
 
Monochromatic: A single hue, or variations of one color, including tints, shades and tones

 

SLOW FLOWERS Podcast: Reclaiming our Floral Heritage . . . Lessons from #Britishflowers (Episode 129)

Tuesday, February 18th, 2014
How do you like that? English Grown SLOW FLOWERS, by Cook & Carlsson

How do you like that? English Grown SLOW FLOWERS, by Cook & Carlsson

Today’s podcast is actually NOT about American flowers, but about our gifted and inspiring kindred spirits across the Atlantic. They are a few of the many flower farmers and designers who are part of their own local flower movement in Britain.

During the past several months, I often noticed the hashtag #britishflowers pop upon Twitter. It was fun to read comments and re-tweets and click through to view beautiful photos of British designers, farmers, gardens and flowers.

cook & carlsson logoOne of the Twitter names that I started interacting with was Cook & Carlsson, and I soon learned that Lizzie Cook and Moa Carlsson are the two women behind that venture.

With the alluring tagline: “English Grown Flowers,” Cook & Carlsson is a London-based design studio combining the talents of Lizzie Cook, a photographer and artist, and Moa Carlsson, an architect who has worked most recently worked in landscape architecture.

Lizzie Cook (left) and Moa Carlsson (right), partners in the design studio Cook & Carlsson

They describe Cook & Carlsson as an “independent flower monger,” and you’ll hear in our conversation the charming explanation for their use of that term. Lizzie, who has the British accent, and Moa, whose accent reveals her Swedish heritage, have joined their mutual love of nature with a desire to create beauty using flowers they grow or forage, as well as flowers they source from other UK flower farmers. 

For an art commission, Cook & Carlsson supplied a large arrangement made entirely of scented herbs, wildflowers and flower – all local, seasonal and sustainable, of course!

For an art commission, Cook & Carlsson supplied a large arrangement made entirely of scented herbs, wildflowers and flower – all local, seasonal and sustainable, of course!

Here’s more about Moa Carlsson, in her own words:

I grew up in the most northern part of Sweden, amongst aconitum, arctic bramble and Norwegian spruce, and in a family with a long tradition of growing food and flowers. My sister and both my mother and my grandparents kept large grounds living in tune with the seasons, which in their part of Sweden is rather harsh. (for example, you can’t grow apples there).

I studied and worked as an architect in Sweden, Austria, England and America. Right now I live in London, but I am a PhD student at MIT in Boston, where I am studying computational technologies to design and simulate the changing of landscapes.

In my free time I dig in my friends gardens and in the urban plots where we do guerilla gardening; I do hiking and mountaineering; I am a painter and I have a hunting license (mostly forest/mountain birds and hare).  

A seasonally-inspired autumn bouquet - natures gifts in a vase.

A seasonally-inspired autumn bouquet – nature’s gifts in a vase.

Here’s more about Lizzie Cook, in her own words:

I grew up in the Caribbean amongst the audacious vibrancy of hibiscus, frangipanis and flowers from the Flamboyant tree, all of which fired my senses as a child.  The fragrance and colours of the frangipani flower at the right time of day is pretty intoxicating!  When I went to Falmouth College of Arts in Cornwall to study photography, I fell in love with all of the tropical gardens, which reminded me of the flora and fauna of warmer climes.  I had a very free childhood, outside, rarely wearing shoes and in nature, noticing the changing seasons, being free to take it all in.  I love being near the water and I currently live on a narrowboat on a river in East London, still trying to hold onto that freedom and proximity to nature, especially in the City of London.  I like seeking out the quieter natural areas, but enjoy the diversity and pace of London.  It is a privileged thing to cycle home from the hectic city back to a peaceful boat on a river surrounded by nature reserves, and I feel very lucky! 

Cook & Carlsson's stall at the Chatsworth Road Market in East London.

Cook & Carlsson’s stall at the Chatsworth Road Market in East London.

Cook & Carlsson on their philosophy: 

We live really close to one another, just on the outskirts of London, which means there are lots of small natural refuges where you can feel like you are still connected with the wider countryside.  It was in these places where our imaginations were fired and it’s really where we had the idea of using flowers and foliages that we saw around us, but which had been forgotten about or blocked out by the increasing urbanization.  We began looking and learning about the species that were around us and rediscovering their simple beauty; we began mixing them with other things, falling in love with the results. Doing so and by growing our own flowers, we try to bring back varieties that London shoppers rarely get a chance to buy.

For us, it’s about the lifestyle that comes along with the business. We are very lucky to visit lots of local gardens, growing sites, nurseries, meeting local growers and hanging out with people who are on the same page as far as our ethos is concerned. Then we collect all of our material and put it together, which we relish as it appeals to our strong creative sides, the combination of which seems to be magic! Many laughs and good biscuits make good arrangements, we have found. 

 

Flowers from the Farm, the UK's nationwide network of cut flower growers

Flowers from the Farm, the UK’s nationwide network of cut flower growers

Through our exchanges, I learned that Cook & Carlsson is the first London-based member of the “Flowers from the Farm” organization, which was founded by Gillian Hodgson. Lizzie and Moa were sweet enough to connect Gill and me.

Part two of this interview is with a true kindred spirit. Gill is the Mother of the British Flowers movement. She grows flowers at her own farm, Fieldhouse Flowers in Yorkshore. Here is how Gill describes her flower endeavor: 

Field House Farm in Yorkshire, where Gillian Hodgson grows her beautiful British flowers.

Field House Farm in Yorkshire, where Gillian Hodgson grows her beautiful British flowers.

“Fieldhouse lies in the Vale of York at the foot of the Yorkshire Wolds and we have 200 acres of light sandy land.  We farm wheat, barley and carrots and I have my flowers on just one acre. My father, grandfather and great-grandfather were here before us – and my great-great-grandfather farmed at the next-door farm.  John, my husband, and I have been here 25 years now.  The house was built around 1780; it’s draughty and takes a lot of upkeep – but it’s a great family house and we love it.” 

Gillian Hodgson of Fieldhouse Flowers and Flowers from the Farm, the #britishflowers organization.

Gillian Hodgson of Fieldhouse Flowers and Flowers from the Farm, the #britishflowers organization.

As you will hear in our interview, Gill has been putting much of her energy into promoting British flowers through Flowers from the Farm. She and others came together in 2011 to launch this network of cut flower growers. Read more about the group’s origins here. 

“Our aim is to create a brand for British flowers as a World class product,” reads the organization’s web site. And the tag-line: “Putting British flowers back into every vase in the country,” sounds comfortably familiar with the way I conclude each of my podcasts.

I invite you to join all three of them on a Twitter chat any Monday. The #Britishflowers chat takes place at Noon Pacific/3 p.m. Eastern every Monday (and that means 8 p.m. GMT/Greenwich Mean Time). Please look for these inspiring leaders of the #britishgrown flower movement on Twitter and more. 

To follow up on Gill’s story about the “fake” British Valentine’s bouquet and how the UK flower farmers used social media, especially Twitter, to highlight the inaccuracies, follow this link to Flowers from the Farm’s media report. 

Farm gate sales of British flowers.

Farm gate sales of British flowers. 

 

A hands-on Flowers From the Farm workshop for new and established UK flower farmers, which took place in Harrogate.

A hands-on Flowers From the Farm workshop for new and established UK flower farmers, which took place in Harrogate. 

 

At the height of summer, Gill Hodgson's flower farm explodes with a beautiful array of blooms.

At the height of summer, Gill Hodgson’s flower farm explodes with a beautiful array of blooms. 

So many connections to make as together we promote our domestic cut flower farming industry and the floral designers who care about the origins of their design work.

Special thanks to Lizzie and Moa for permission to use the photographs they provided; and to Gill for permission to photos of her farm and the Flowers from the Farm participants.

My friend Kasey Cronquist started the hash-tag #originmatters. In the UK, Gill Hodgson calls the same idea #knownprovenance. Similar in their intent, both phrases highlight what is going on in both the U.S. and the U.K. Consumers want to know the sources of their flowers. And flower farmers are fully engaged in providing that information!

It has been my pleasure to share with you today’s podcast conversations. Apologies for the uneven audio quality in some places, which was subject to the idiosyncracies of doing interviews via Skype. In the second interview, my voice was quite garbled, while Gillian Hodgson’s came through very clear. So we had to re-record many of my questions and patch together the interview. I’m sure you’ll really enjoy these interviews, despite the minor tech problems. 

Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 6,500 times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net.  

 

 

SLOW FLOWERS Podcast: Rose Story Farm’s Danielle Hahn, a World-Class Rosarian and Cut Flower Farmer (Episode 127)

Wednesday, February 5th, 2014

Hello again and thank you for listening to the newest episode of the Slow Flowers Podcast with Debra Prinzing

Breathtakingly beautiful roses from Rose Story Farm. American Grown and more beautiful than anything imported.

Breathtakingly beautiful roses from Rose Story Farm. American Grown and more fragrant and lovely than anything imported.

It’s February and that means Valentine’s Day is just around the corner. So I am devoting the next two weeks to talking about American-grown roses. Most people do not realize that of the 233 million rose stems sold during the Valentine’s season, only 3 to 6 percent are domestic. There is something truly wrong with this picture. American roses are being grown in Oregon and California! Next week I will introduce you to Peterkort Roses, located outside Portland . . . a fabulous source for domestic Valentine’s Day roses.

Great Rosarian of the World, and American cut rose grower, Danielle Hahn.

Great Rosarian of the World, and American cut rose grower, Danielle Hahn.

Today, though, we are celebrating Danielle Hahn, owner of Rose Story Farm in Carpinteria, California. Located just south of Santa Barbara, where truly magical growing conditions for all types of flowers seem to exist, Rose Story Farm is a family endeavor specializing in old English, heirloom and garden roses for the specialty cut flower trade.

These roses are field-grown and you’ll notice that many of the varieties listed on the farm’s web site are types of roses found in the home garden. Because of this, they do not bloom all that prolifically in February. That’s okay with Dani and her crew. Their core business serves wedding parties that take place between May and October. 

Situated on a former avocado and lemon farm, this visually enticing venue offers many useful lessons in the viability of old-fashioned farming practices in today’s modern agri-business world (the kind of practices that were natural to our great-grandparents, for example.). Yes, this is an organic flower farm where hundreds of varieties of old garden and English roses thrive. It’s also a beautiful agritourism destination that attracts rose lovers from around the world as it educates and inspires everyone who visits to grow and enjoy roses in their own environment.

The setting in this little valley near the Pacific Ocean is quite benign - and so perfect for roses.

The setting in this little valley near the Pacific Ocean is quite benign – and so perfect for roses.

There are no fussy hybrid teas here, although there are varieties bred with ancient parentage for cherished traits like their long-lasting perfume. You will find row upon beautiful row of floribundas and climbers, chosen for bloom color, petal arrangement, and most of all — FRAGRANCE (scents like anise, clove, spice, honey, baby powder, a juicy peach, citrus…fill one’s nostrils).

The rose shrubs are planted on gently sloping hills, arranged like a technicolor vineyard. Organic mulch from a nearby mushroom farm cushions and nourishes the soil over their roots.

Tens of thousands of luscious roses are lovingly cared for by a small crew of farmers who know exactly when to harvest them. Can you imagine an east coast bride who simply MUST have a romantic, voluptuous rose bouquet of say ‘Fair Bianca’? It’s possible for her floral designer to order armloads of this vintage rose from Rose Story Farm.

Stunning. Nothing more to say. Drink it in and imagine the awesome fragrance!

Stunning. Nothing more to say. Drink it in and imagine the awesome fragrance!  Rosa ‘Singin’ in the Rain’

Say her wedding is on a Saturday. On Thursday, the roses are picked, hydrated and conditioned, de-thorned and carefully gathered into bundles of 10 stems. The cut ends are packed in wet moss to keep the roses hydrated; the flower heads are gently nestled in tissue paper; each bunch is packed in an ice-filled box and shipped overnight (Fed-Ex; next morning delivery) to wedding and event florists coast to coast. Around the country, on Friday mornings, the boxes of these Carpinteria-grown roses show up at floral studios and flower shops, serving as an enduring gift of romance, nostalgia and sensory delight.

This is the famed 'Julia Child' rose, which Dani's family friend Julia Child selected from plant trials at Rose Story Farm.

This is the famed ‘Julia Child’ rose, which Dani’s family friend Julia Child selected from plant trials at Rose Story Farm.

Last weekend, on February 1st, Dani was honored with the coveted “Great Rosarians of the World” award in a ceremony at the Huntington Botanical Garden in San Marino, near Pasadena.

This award recognizes major figures in the world of roses and honors their work in creating and promoting the flower. In the past 11 years, the Great Rosarians program has become a famous event in the world of rose growing, breeding, education and beyond. Dani is in excellent company, with past recipients including David Austin himself, Stephen Scanniello, Wilhelm Kordes III, Roger Phillips and Martyn Rix, and many others. The GROW award will also bring Dani to New York City in June, where she will be hosted by the Manhattan Rose Society for a series of events and lectures. 

Click here to learn more about the American Garden Rose Selections, the organization of trial gardens and experts who evaluate new plant introductions for their superior qualities. 

httpv://www.youtube.com/watch?v=0npPBezQOBg

Here is Dani’s full bio as it appeared in the Great Rosarians of the World’s press material:

The old horse stables at Rose Story Farm are now the headquarters for this thriving specialty cut flower business.

The old horse stables at Rose Story Farm are now the headquarters for this thriving specialty cut flower business.

Danielle Hahn is the owner of Rose Story Farms in Carpinteria, California, a boutique rose farm for cut roses. Because of her skills and dedication to the rose, she has been able to develop a business model that combines growing roses and education. 

Danielle has maintained a hands-on approach to satisfy her market and has given this segment of the rose industry a successful working model, which encompasses the small boutique rose nursery and small organic farmer, for others to follow.  Her farm is a prime model for the future of small family farms to specialize into niche areas and succeed.  She has expanded her business to include the valuable component of educational tours which help inform and inspire her audience with the knowledge to grow healthy roses successfully. 

Growing from a lifelong love of flowers and gardening, Rose Story Farm has become the focal point of a wonderful mixture of business and life.  From the first day the mission was to produce beautiful, fragrant, romantic garden roses in exquisite shapes and colors. Now more than 120 varieties are scattered over the 15-acre farm. 

A gathering of blooms during one of the personalized rose farm tours.

A gathering of blooms during one of the personalized rose farm tours.

Tours are led by Danielle twice weekly, and a variety of seminars focused on garden design, rose cultivation and flower arranging are given throughout the year.  A major theme of the educational effort is to demystify the process of growing and caring for roses.  “Roses are magical and forgiving–they repay any effort on their behalf ten-fold,” says Dani. “We named the farm ‘Rose Story Farm’ because the roses are central to some of our most enchanting and memorable experiences. We encourage clients, visitors, and friends to exchange their rose stories with us, and in this way to share what we find romantic, passionate, joyful and sustaining.”  

Born in Santa Barbara, California, Dani attended local schools until she entered Stanford University.  She graduated three years later with honors with a BA in psychology and a minor in Italian.  Having played on the Stanford Tennis Team for three years, and being a ranked national junior tennis player, her first job out of college was managing an exclusive tennis club in Manhattan.  Returning to Santa Barbara in 1978, she opened a series of retail stores over the next 10 years in Southern California.  At the same time she was the founder and managing partner of an innovative gift business that designed, manufactured, packaged and ultimately delivered gifts for entertainment corporations.  With the birth of Geoffrey, her second son, in 1993, she backed away from the majority of her business responsibilities to focus on her family.       

Here's a glimpse of the larger setting at Rose Story Farm. I took this photo last July when attending an industry luncheon in the garden.

Here’s a glimpse of the larger setting at Rose Story Farm. I took this photo last July when attending an industry luncheon in the garden.

Her extensive experiences proved invaluable in 1998 when Danielle and her husband, Bill decided to expand the family avocado farm into a boutique rose business with the addition of 1,000 bushes, all of them garden roses. 

The farm now has over 25,000 bushes and since that time Danielle has overseen the steady growth and development to the point where thousands of roses are cut each day and shipped throughout the United States. 

Currently she manages all employees and makes the day-to-day decisions for the business, markets the products, selects the roses for production, designs rose gardens for clients worldwide, designs and maintains the farm’s gardens used for weddings and special events, oversees the rose boutique and leads the way on product development–a rose based perfume and body care line are currently in the works. 

The display in front of the rose boutique. . . what can I say? It's so enticing!

The display in front of the rose boutique. . . what can I say? It’s so enticing!

Dani is an active member of the Santa Barbara Rose Society, the American Rose Society, and the Garden Club of America in Santa Barbara. She is the founder and sustaining patron of the Carpinteria Community Service Toy Fund, a non-profit organization that raises money each year for the families of disadvantaged field workers in the Carpinteria Valley. 

The excitement and beauty of this enterprise and of Danielle herself has been featured in Santa Barbara Magazine, Wine Country Living, Sunset, Victoria Magazine, Oprah Magazine, Martha Stewart Living, Veranda, and the Wall Street Journal

She has had articles published in the 2012 American Rose Society Annual on both flower arranging and garden design.  Television coverage of Rose Story Farm has been presented on “California Heartland,” a PBS special, and on NBC’s Today show.  Most recently,  Martha Stewart Living media filmed a segment on the farm for their online American Made series (see above).  In addition to her weekly tours at the farm, Danielle is a frequent featured speaker at events that are focused on the beauty of the garden, and the special role of roses in our daily lives. 

The lemon rose cake. It is quite delicious!

The lemon rose cake. It is quite delicious!

Rose lovers are invited to visit to Rose Story Farm on a Wednesday or Saturday and spend $38-$45 for a small group tour, which is followed by a delicious garden luncheon.

A gift shop filled with rose-themed and garden-inspired ware from Europe and beyond (including a few antiques) is worth a visit.

To satisfy my current made-in-the-USA obsession, I picked up a cast-aluminum, rose-bloom-shaped bundt pan so I could bake the Rose Story Farm lemon cake. 

Rose_Story_Farm_8_IMG_7763

A small vignette of just-picked roses, spotted on my tour of the flower fields.

 

Rose_Story_Farm_7_IMG_7754

This rose caught my eye, dazzling against the blue Carpinteria sky.

 

Rose_Story_2_IMG_7712

Another beautiful floral arrangement at our summer luncheon.

It has been my pleasure to share my podcast conversation with Dani Hahn with you. All photos are (c) Debra Prinzing, except for the portrait of Dani Hahn, courtesy of Rose Story Farm.

Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 6,000 times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

 The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net.  

SLOW FLOWERS Podcast: Floral design with living plants & Baylor Chapman of Lila B. Design (Episode 125)

Wednesday, January 22nd, 2014

 

(c) Paige Green

(c) Paige Green

I’m so pleased to introduce listeners to Baylor Chapman, creator and owner of Lila B. Design, a San Francisco-based floral and plant studio. Baylor’s story is well documented in The 50 Mile Bouquet and in many newspaper, magazine and blog articles.

I first met Baylor in the fall of 2010, on a trip to SF where I was scheduled to give a lecture for the Garden Conservancy.

Serendipitously, Susan Morrison, a friend who I’d known through the Garden Writers Association, learned I was coming to her backyard and called to say, “You need to meet my friend Baylor when you’re in town. She’s into locally-grown flowers just like you are.”

That led to a wonderful visit to tour Baylor’s former “loading dock” studio in San Francisco’s Mission District. Susan and Rebecca Sweet, another fellow garden designer and blogger, met me at Baylor’s. The three of us had lots of fun drooling over Baylor’s floral creations and learning more about her design philosophy based on seasonal and locally-grown floral elements. Here’s a blog post about that adventure. 

How cool is this? Coffee, brunch or lunch at Stable Cafe, amidst the lovely living garden created by Lila B. Design.

How cool is this? Coffee, brunch or lunch at Stable Cafe, amidst the lovely living garden created by Lila B. Design. (c) Sophie de Lignerolles photo

Today you can find Baylor and her team working in the welcoming open-air courtyard that’s part of Stable Cafe, the community-minded restaurant owned by her friend Thomas Lackey.

Thomas and Baylor have both been operating businesses on Folsom Street, and when Baylor lost her loading-dock studio this past June, it was Thomas who said: “Move over to our courtyard.”

He “gets” the idea of creating connections with neighbors, artists, fellow small-business owners and others who want to keep jobs and culture alive and well in San Francisco’s vibrant neighborhoods.

Plus, Stable Cafe’s kitchen makes delicious, healthy, seasonal & organic food! Now if you’re in SF, you can visit Lila B. Design, shop for flowers, plants and beautiful garden products, while also eating scrumptious food at the Stable Cafe! What’s not to love?

Baylor graciously shared these photos of her recent work for you to enjoy. Please notice the specific photo credit with each.

The new Lila B. Design studio at Stable Cafe, a plant-centric place for garden and flower lovers alike.

The new Lila B. Design studio at Stable Cafe, a plant-centric place for garden and flower lovers alike. (c) Sophie de Lignerolles photo 

 

One of the event, classroom and workshop spaces at Stable Cafe, featuring a wood-burning pizza oven, a massive trestle table, and Lila B.'s garland of local flowers.

One of the event, classroom and workshop spaces at Stable Cafe, featuring a wood-burning pizza oven, a massive trestle table, and Lila B.’s garland of local flowers. (c) Sophie de Lignerolles photo

 

Pitcher plants (Sarracenia sp.) in a glass vessel.

Pitcher plants (Sarracenia sp.) in a glass vessel.  (c) Holly Stewart photo 

 

A Lila B. Design tablescape, featuring living plants.

A Lila B. Design tablescape, featuring living plants. (c) Milou + Olin photo 

 

One of Baylor's lovely arrangements that combines locally-grown flowers with the foliage from houseplants.

One of Baylor’s lovely arrangements that combines locally-grown flowers, including Cafe au Lait dahlias, from Lila B.’s garden. (c) Page Bertelson photo 

 

Another arrangement with begonia foliage, clipped from a living plant.

Another arrangement with begonia foliage, clipped from a living plant. (c) Page Bertelson photo 

 

Stunning!

Stunning! (c) Page Bertelson photo 

 

Lila B. Design's new plant hanger - a SF-designed and fabricated product.

Lila B. Design’s new plant hanger – a SF-designed and fabricated product. (c) Sophie de Lignerolles photo 

 

Details, details. . . boutonnieres in the making.

Details, details. . . a garland in the making. (c) Sophie de Lignerolles photo 

 

A stunning centerpiece featuring living plants, created by Lila B. Design

A stunning centerpiece featuring living plants in a date palm frond, created by Lila B. Design. (c) Milou + Olin photo 

 

The Plant Recipe Book, out in April 2014.

The Plant Recipe Book, out in April 2014.

 Baylor has so many good things going on in her career, but the newest is The Plant Recipe Book: 100 Living Arrangements for Any Home in Any Season (Artisan Books, 2014), which will be published on April 8, 2014. This idea-filled book was photographed by Paige Green

It contains detailed planting instructions for centerpieces and arrangements that give living plants a “starring role” in all sorts of creative vessels. A follow up to last year’s title by Jill Rizzo and Alethea Harampolis, “The Flower Recpie Book,” this new inspiring book offers more than 100 projects will blow your mind and prompt you to bring more living plants into your own design work. 

If you live in or will be visiting the Bay Area, you can get a sneak peek and first dibs on a signed copy of this lovely tome. Come and hear Baylor speak at the San Francisco Flower & Garden Show, where she will demonstrate some of the book’s fun projects using living plants as floral design elements. Details here.

As I mentioned above, as soon as we met, I knew that Baylor needed to be featured in The 50 Mile Bouquet. Please enjoy the entire story:

The Accidental Flower Farmer
A patch of urban asphalt surrounded by chain link fencing and loops of barbed wire may seem unwelcoming. That is, until you peer inside to discover a designer’s bountiful cutting garden in San Francisco’s Dog Patch District.
 
Increasingly, there are designers who, by necessity, harvest floral ingredients from their own gardens. As well, there are growers who assume the role of floral designer, satisfying a bridal customer’s request for unique, straight-from-the-farm bouquets. That these two worlds are happily intersecting is due to curiosity, innovation and experimentation on the part of designer and grower alike. 
 
San Francisco-based Baylor Chapman, owner of Lila B. Design, is both designer and flower farmer. She is 
also a Certified San Francisco Green Business owner who bases her studio philosophy on local and sustainable design practices. 
Baylor’s fashionable, 500-square-foot workshop occupies a loading dock in San Francisco’s Mission District, where she and her 
assistants turn out dazzling, flower-filled vases, bowls and urns. Local and seasonal blooms are used here with abandon. How did 
all of this come to be?
 
 
 
 
 
 
 
Early on, Baylor saw that many of her botanical design ideas couldn’t be realized because it wasn’t always easy to source ingredients locally. For her, the obvious answer was: “Why not grow those blooms myself?”
 
Urban Farm Scene
She first tried raising flowers on the roof of the warehouse where her street-level studio is housed. The plants took root in soil-filled milk crates lined with screening. “We had to walk up 75 steps to tend to the flowers,” Baylor recalls. Stair-climbing wasn’t the worst of it, though. All the soil and water had to be hand-carried to the roof just to keep the flowers alive.
 
It didn’t take long for Baylor and her staff to yearn for a ground-level gardening space. “We found an old parking lot about 1½ miles away in a neighborhood called ‘Dog Patch’ and arranged to rent part of it.” Today, the blacktop setting has a thriving crop of city-grown flowers. Perennials, annuals and vines grow in more than 100 recycled 15-gallon nursery pots, the type typically used to grow landscaping trees.
 
The Lila B. Lot Garden flourishes on this industrial street behind a barbed wiretopped fence. The garden’s presence beautifies the neighborhood and has attracted the interest of nearby auto body shop workers who peer admiringly through the chain link when out on their lunch breaks. “Now you see hummingbirds and bees flying around,” says the designer, her friendly face breaking into a warm smile. “The car repair guys come out and enjoy it here for lunch. It’s sort of a sanctuary.”
 
Her pop-up urban flower farm has helped Baylor gain credibility with clients. Now she can say: “We grew these flowers for you.” It allows her to incorporate all sorts of uncommon blooms, berries, foliage and tendrils into her designs and even custom-grow to a bride’s specifications.
 
Among the crops here at Lila B., you’ll find salvia, rudbeckia, gaillardia, oat grass, asters, scented geraniums, roses, lamb’s ear, sweet peas, veronica, nigella, passionflower,sea holly, cosmos, scabiosa, sunflowers, cerinthe and zinnias – as well as plants grown for their fruit and foliage. It is a mind-boggling selection of design ingredients you’d be hard pressed to find in most conventional flower shops. Sophie de Lignerolles, an artist who works for Lila B. as a designer, maintains meticulous spread sheets of the flowers they grow, including varieties grown from seeds and unusual offerings from Annie’s Annuals, a specialty and mail-order nursery in the East Bay area, a favorite with the women. “Sophie is propagating from seed now, which I think is pretty fabulous,” Baylor says. That means an even greater variety of floral bounty for Lila B.’s customers.
 
A Greener Approach
Baylor is well equipped to grow her own unique floral choices, thanks to her landscape design studies. After earning a garden design certificate from University of California at Berkeley Extension, she spent time on the crew of a Bay Area estate garden whose owners valued organic practices and requested that flowers from the grounds would be used for interior bouquets. Baylor soon found herself creating these arrangements. Her interest in floral design lured her into more creative gigs, including freelancing for other studios and shops. 
 
In 2007, Baylor opened Lila B., named after her grandmother. At first, she worked out of the loft where she lives. After one year of literally living with her flowers, she moved her studio across the street to another warehouse. Formerly a commercial laundry, it now houses 60 art studios in an environment that fosters creativity and experimentation. Baylor’s tiny workshop was once a warehouse loading dock, so it faces the street and has a huge, roll-up door that brings light and fresh air inside. While not a retail store, the street-front presence wows pedestrians with glimpses of huge arrangements inside – and high above the roll-up door at the front: a trio of frames planted with a living tapestry of succulents.
 
Thanks to Northern California’s temperate environment, Baylor enjoys an excellent, almost year-round source of flowers from her suppliers. Besides her own Lila B. homegrown flowers, she takes advantage of San Francisco’s wholesale flower market where many California growers bring their crops to sell. A few “weird and wonderful” suppliers are favorites, including two sisters who run a company called Florist at Large. They stock foraged goodies such as fruit, branches and wild ingredients coveted by designers who want a natural look. “I want people to be curious,” says Baylor. “I want my bouquets to be beautiful to the eye, but they should also prompt the question: ‘What is that? Where does it grow? Can you eat it?’”
 
We visited Baylor at the peak of summer when she and Anna Hoffmann, a designer who occasionally freelances for her, were creating flowers for a peach-and-ivory-themed wedding – using a combination of tawny ‘Cafe au Lait’ dahlias, blush-pink garden roses, the silvery foliage of Dusty Miller and lamb’s ears, fluffy ornamental grasses, flowering sprigs from a mock orange tree and honeysuckle vines. 
 
As Baylor assembled the groomsmen’s boutonnieres with scented geranium foliage and seed heads from the pincushion flowers growing in her Lot Garden, she paused to admire her creation: “Even though flowers are ephemeral, I treat floral design like I do garden design. I think of each arrangement as a mini garden, with its own texture, scale and color palette. They’re little masterpieces.”
 
Baylor’s bouquets embody both her artistic sensibility and her profound admiration for the plant world’s infinite variety of color, form and texture. “I hope that people are drawn to me because of what I’m doing and what I’m interested in doing,” she says, “because I feel very blessed.”

 

SLOW FLOWERS: Week 51

Sunday, December 22nd, 2013

THE ALLURE OF AMARYLLIS

'Joker', a red-streaked amaryllis - perfect for a long-lasting holiday display

‘Joker’, a red-streaked amaryllis – perfect for a long-lasting holiday display

amaryllis and paperwhites IIIngredients:
2 amaryllis bulbs (Hippeastrum ‘Joker’), available via mail order, online and garden centers beginning in autumn. Store in a dry, cool space until planting. Can be planted and “forced” four to six weeks prior to desired bloom.
 
Vase:
8-inch tall x 8-inch diameter glass trifle dish used as a bulb planter
 
Design 101
Better than a flower pot: I realize it’s a little unconventional to fill a clear glass trifle dish with soil. But the elegant footed serving piece seems fitting for the graceful amaryllis plants it holds. Glass and ceramic serving pieces can quickly change the ordinary flowering bulb into a stylish floral display. I snagged this piece for $14 at a holiday flea market – and as a bonus, it was actually filled with the slightly faded Christmas balls!

 

SLOW FLOWERS Podcast: Lynn Fosbender of Chicago’s Pollen – Local Flower Love in a Cold Climate (Episode 120)

Wednesday, December 18th, 2013
Meet Lynn Fosbender, owner of Pollen Inc., a Chicago floral design studio  with a green ethos.

Meet Lynn Fosbender, owner of Pollen Inc., a Chicago floral design studio with a green ethos.

Lynn Fosbender is a Chicago-based owner of Pollen Inc., a sustainable floral design studio for weddings and events. This talented young woman is a leader in the sustainable floral and green wedding industry. And to me, she’s a true Slow Flowers hero!

Here’s a selection of her floral artistry, through the seasons of the year:

Pollen_spring1

 

summer mini arr

 

summer bouquet

 

spring peony snowball

 

Michael_Surgit_Dawn_E_Roscoe_Photography_DSC6142_low 

KB peony cpiece tall

 

Lynn knows her local sources, having cultivated relationships with flower farmers in Illinois, Wisconsin and MIchigan - all of whom serve the greater Chicago marketplace. I photographed Lynn while shopping for a wedding client at her local farmers' market.

Lynn knows her local sources, having cultivated relationships with flower farmers in Illinois, Wisconsin and MIchigan – all of whom serve the greater Chicago marketplace. I photographed Lynn while shopping for a wedding client at her local farmers’ market.

We met in 2010 when I was on a college visit with my oldest son. While he was getting oriented, I invited myself to tag along with Lynn as she shopped for flowers at a local farmer’s market. Afterwards, we returned to the Pollen studio, which at the time was located in an old brick warehouse next to Chicago’s famous “El” trains. 

Lynn’s design philosophy is influenced by both horticulture and ecology. With a B.A. in Horticulture and graduate studies in Restoration Ecology, you might wonder why Lynn ended up working with flowers.

Her career choice can be credited to a love for great design combined with extensive experience creating bouquets and arrangements for conventional florists (including a 4-year gig managing one of Chicago’s top retail flower shops).

Seasonal and Sustainable Bouquets by Pollen

Seasonal and Sustainable Bouquets by Pollen

Yet even while working in the world of cutting edge-floral design, Lynn knew she wanted to use sustainable practices, something she hadn’t much observed in the industry.

“I was looking at all the stuff we were throwing away that should have been composted,” for example, she says. “For several years I thought I would like to own a full-service flower shop that was eco-friendly. I knew if anyone should do it, it should be me.”

Lynn’s vision was adopted by a group of MBA students at Loyola University who developed a business plan inspired by her ideas. Thus, Pollen Inc., was born in 2009.

A beautiful centerpiece.

A beautiful centerpiece.

After our early-morning farmer’s market stop, I followed Lynn back to the studio. With her arms filled with pale peach lilies, a bunch of verdant millet seedheads and dozens of brilliant sunflowers grown by a local Illinois flower farmer, Lynn led me upstairs to her light-filled loft-like space. 

She processed the flowers while we discussed her green philosophy, the challenges of keeping brides (and grooms) happy with their flower choices, and the future for sustainable flower design.

It’s no surprise to learn that local farmers who sell to Chicago area floral designers are limited by a growing season that ranges from May through October.

A luscious color palette from Pollen.

A luscious color palette from Pollen.

In the colder months Lynn thinks beyond the obvious path and seeks to find sustainable options – even out of season. She orders Veriflora-certified California-grown flowers and also occasionally relies on a Chicago-area wholesale supplier for non-domestic Veriflora flowers as a second option.

 “Otherwise, I would be using twigs and moss – that’s what’s local in the winter,” Lynn says with a grin. But then, she pauses and mentions a favorite local source for orchids – a popular wedding flower that’s greenhouse grown.

“I try to offer people more eco-friendly alternatives; things they might not otherwise notice,” she explains.

Lynn avoids using oasis, glues, dyes or sprays, almost always using water-filled vases for arrangements. By offering an affordable vase-rental service for weddings and events, Lynn makes it easy for clients to make the eco-friendly choice.

She also promotes and markets her studio in the green wedding world, collaborating with other vendors such as caterers, photographers and invitation printers.

Here’s a short interview with Lynn. She discusses her motivation for using sustainable flowers, as well as The Chicago Green Wedding Alliance, a collaboration she launched with like-minded businesses and artists:

It is so refreshing to meet and connect with designers like Lynn and so many of my previous Slow Flowers guests. There is a renaissance going on in the floral industry and these are the people to watch – the progressively minded designers who realize that consumer attitudes and desires have shifted – and that delivering American-grown flowers and using sustainable practices is a priority to those consumers. That’s smart business not just smart values.

Thank you  for joining me in this episode of the SLOW FLOWERS Podcast with Debra Prinzing

Because of your support as a listener, we have had more than 4,000 downloads since July – and I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net. 

SLOW FLOWERS: Week 50

Sunday, December 15th, 2013

ILEX BERRIES AND PAPER WHITES

One must maintain a little bit of summer,
even in the middle of winter.
–Henry David Thoreau

Welcome to the Holiday Season, when flowers are less likely to originate - at least in my garden. This festive combination is a great option.

Welcome to the Holiday Season, when flowers are less likely to originate – at least in my garden. This festive combination is a great option.

Ingredients:
5 paper white bulbs (Narcissus papyraceus), available at many garden centers beginning in autumn. I like to plant pots of these bulbs indoors around Thanksgiving so that their blooms (and scent) fill the house by the December holidays.
20 stems scented geranium foliage (Pelargonium citrosum), grown by Charles Little & Co.
10 stems winter berry (Ilex verticillata), grown by Charles Little & Co.
 
This is how all three ingredients appear together in a low tray.

This is how all three ingredients appear together in a low tray.

Vase:

2½-inch deep x 6 inch diameter ceramic dish used as a bulb planter (this one has no drainage, so I watered sparingly)
2½-inch deep x 13-inch long x 9½-inch wide oval tray (wicker with a metal lining)
 
Eco-technique
Divided arrangements: When the ingredients in your bouquet have different requirements, you can devise a two-sectioned vessel. Here, the bulbs needed a small amount of soil, but the cut foliage and branches needed only fresh water.
 
The solution was to place a dish with the planted bulbs in the center of the wicker tray. Then, I arranged the ingredients needing water around its edges, making sure to keep the water level lower than the rim of the center dish.

 

 

A Creative Weekend at the Holiday Arrangement & Centerpiece Bar

Tuesday, December 10th, 2013
Here's my creation, featuring a medley of white, red and various shades of green.

Here’s my creation, featuring a medley of white, red and various shades of green.

It was a merry ol’ time at the first Holiday Arrangement & Centerpiece Bar, which I hosted along with Whitney R. White and Erica Knowles (of Botany 101 Floral), a talented pair of floral designer friends here in Seattle. We teamed up to create two fun, hands-on design workshops for the busy holiday hostess. 

The classes took places this past Friday evening and Saturday morning, with 18 students who joined us for festive refreshments, old friendships and new connections, as well as an introduction to eco-friendly techniques and a dose of the Slow Flowers philosophy. Everyone went home with a gorgeous floral arrangement that will grace their homes now through the holidays.

Erica Knowles, Debra Prinzing & Whitney White.

Erica Knowles, Debra Prinzing & Whitney White.

The basic premise of our two workshops:

1. Get inspired by the abundance of natural beauty around us here in the Pacific Northwest and elsewhere on the West Coast – all American Grown, of course!

2. Gain new skills in floral design, those you can employ throughout the coming seasons, as well.

3. Unleash your inner florist using an almost limitless supply of branches, boughs, berries and buds. 

The tables were laden with floral and foliage choices, including branches, berries, boughs and stems.

The tables were laden with floral and foliage choices, including branches, berries, boughs and stems.

Once we set up the “Bar,” Erica, Whitney and I stepped back in total amazement. We wanted our students to be blown away by the incredible variety of garden foraged ingredients — all in season. We also wanted to add some juicy blooming treats from local Northwest and California farms and nurseries. And thanks to our friends at The Sun Valley Group in Northern California, we had the perfect bit of sparkle – Ilex verticillata branches with red berries — so much to share with everyone in the class!

READ MORE…

SLOW FLOWERS: Week 49

Sunday, December 8th, 2013

Conifers, Cones and Lilies

Deep raspberry-pink lilies (Oregon grown) paired with evergreens from my yard.

Deep raspberry-pink lilies (Oregon grown) paired with evergreens from my yard.

Ingredients:
5 stems dark pink ‘Rio Negro’ hybrid Oriental lilies, greenhouse grown by Peterkort Roses
5 stems Norway spruce (Picea abies), gleaned from my driveway
7 short branches Western red cedar (Thuja plicata), clipped from my garden
3 stems Camellia (Camellia japonica), clipped from my garden
5 lengths variegated ivy (Hedera helix), trimmed from a neighbor’s fence


Lovely cones contrast organically with the teal vase and blue-green needles.

Lovely cones contrast organically with the teal vase and blue-green needles.

Vase:

12-inch tall x 9-inch diameter with 6-inch opening vintage McCoy urn

Design 101
Lilies for longevity: When you design with Oriental lilies, more than a week of enjoyment will ensue. One or two blooms at a time open and share their loveliness almost in succession, ensuring that something is always in flower. Don’t forget to clip the pollen-laden stamen and pistils from the center of each bloom as it opens. Otherwise, as those pieces fall, they can stain table linens.