Our beloved Seattle bungalow, updated from its 1924 origins

My interest in garden design from the American Arts and Crafts era is connected with the affection we have for a 1924 Seattle Craftsman bungalow, which my husband and I bought in 1996.

The one-story house, about 1,100-square-feet in size, was painted light gray. With faded white trim, it was not much to look at, as it had been a rental house for so many years (seen at right). On our first visit, we ignored the sofa on the front porch (below, left) and instead gazed at the breathtaking views of Lake Washington, the Cascade Mountains, Seward Park and Mount Baker.

Thus began our love affair with Craftsman architecture. We wanted to expand the house while also preserving its character. My husband Bruce met Toby Taylor of Caledonia Bay Builders after previously seeing his work and tracking him down through a real estate agent

Toby (seen below, right) and Bruce hit it off immediately, an almost unheard of phenomenon between a builder and a potential client who is also a lawyer. Toby introduced us to Robin Abrahams, a Seattle architect who he described admiringly. We were impressed when Toby told us that Robin was “way cool.”

Miraculously, we went with our “gut” feelings and hired them both (this was highly rare for my lawyer-husband, who typically would have insisted on competitive bids from three candidates). We’d heard all the horror stories. Nearly everyone we knew who had restored, renovated or built a home was unenthusiastic about the process, or about their contractor, or about their architect.

But our little project was blessed. We adored Robin and her colleagues at Abrahams Architects. She is a bundle of creative energy, a thoughtful, very smart, incredibly gifted designer. We also loved Toby’s verve, his hard-working, can-do attitude, and his often amusing ski-bum vocabulary.

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A late September afternoon along Independence Creek, with the Sierras in the distance, at the Mary DeDecker Native Plant Garden, Eastern California Museum, Independence, California

I’m paraphrasing here, but that saying about how we understand the future if we learn from the past came to mind when I attended part of the California Garden and Landscape History Society’s annual meeting.

The conference was held in Lone Pine, California (about 250 miles north of my home on Ventura Co. – toward the high desert, the Eastern Sierras, and the west entrance to Death Valley). Its theme: “Spirit of Landscape: California’s Lower Owens River Valley.”

The event attracted me because dear friend and writing mentor Paula Panich was on the program to give a lecture about the writer and pioneer woman Mary Austin. She titled her talk: “Beauty and Madness and Death and God: Mary Austin’s Land of Little Rain.”

Why do we pursue such impetuous, insensible decisions as to drive 250 miles on a Saturday morning in order to get to a friend’s 1-hour lecture? It’s actually easy to explain, because the fabric of my life is woven with such spontaneous decisions. If I didn’t make these sudden journeys (to fly to Seattle for Braiden’s book-launch; to take the bus to the end of the line and visit Skip and Charles in Orient, NY; to drive to the mountains for Paula’s birthday celebration) what else would I be doing anyway? Shopping for groceries, paying bills, folding laundry?

A fellow conference participant, Liz Ames, pauses to observe the not-so-distant Sierra Nevada range

We often remember the glimmering highlights that punctuate the rough textures of everyday life; they are the peaks that even out the valleys, comforting us. Don’t get me wrong. Usually, I love my life and the choices I’ve made. I float through it observing all the blessings I have with my marriage, my children, my home, my safe existence. But sometimes . . . different seasonings need to be tasted. Gardens, friends, excursions…provide the unexpected flavors to our regular diet of normalcy.

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Photographer extraordinaire Bill Wright and I just met up in Portland over the weekend to attend and lecture at the annual Garden Writers Association symposium.

In addition to schmoozing with fellow creative types, editors, art directors, bloggers, twitterers and long-time friends, we gave a talk on Sunday morning called “Anatomy of a Book: How Two Friends Collaborated Without Killing One Another.”

Bill illustrated the 45-minute lecture with a cool powerpoint slide show revealing the good, the bad and the ugly of our year-plus-long odyssey to produce Stylish Sheds and Elegant Hideaways. His opening slide tells it all:

 

A year on the road with Debra and Bill

34 airline flights

Hundreds of emails

30,000 words

6,300 camera frames

300 finished photos

Getting up at 4:00 AM, either to shoot or to go to the airport, way too many times

We hope to post the audio online in the future, but thanks to Maryellen (aka Yogacowgirls), one of our fellow GWA members who blogs and twitters like mad, two video clips of the talk are already posted on YouTube.

The first one is called “Debra Prinzing, William Wright discuss Stylish Sheds.”

“Debra Prinzing, William Wright discuss Stylish Sheds.”

It”s followed immediately by “Pictures from Shed Style by Debra Prinzing and William Wright.”

“Debra Prinzing, William Wright discuss Stylish Sheds.

Judy Lowe, of the Christian Science Monitor, posted a review of Stylish Sheds and Elegant Hideaways yesterday entitled “A tiny garden house of your own.” You can read it here:

An excerpt:

“Debra Prinzing’s book, “Stylish Sheds and Elegant Hideaways” (Clarkson Potter, $30), showcases 28 little retreats that anyone with space and money can construct in the backyard.

As William Wright’s photos show, these aren’t prefab repositories of old shovels and mildewed garden gloves, but stuff of dreams – stylish shelters and studios, even pavilions for garden entertaining.

Because it’s so well-written and beautifully photographed, this book has earned a permanent place on my bookshelves. I’ll be leafing through over and over, dreaming of the possibilities.

Debra’s blog, Shed Style, has become must reading for me, too, to keep up on this trend.

This is the second time this month I’ve had the pleasure of saying, Thank you, Judy!

Like many freelance journalists, I receive a lot of “goodies” in the mail. I love it when garden, design, and plant books arrive for me to review. And of course, I appreciate “plant booty” — those boxes sent by growers who want me to trial their new introductions (although it’s uncanny: the boxes of tiny annuals, perennials and the like inevitably arrive on the hottest day of the week when I’m away from home, making it very hard to quickly rehydrate and revive the contents once I return!).

Press kits abound (although many are now sent electronically), and since I belong to countless horticultural societies, I also receive colorful monthly newsletters. Hand-written notes from friends are highly valued, as are checks from publishers (yeah!).

Today, as I was trying to organize the piles in my office, I pulled out a few of the items in my In-Box that caught my attention. Here’s a list:

Personal notes come first:

My friend and former co-author Mary Robson, a faithful letter-writer, jotter of quick notes, and all-around dear friend, dropped me a note with a nice little story: “. . . an incident you will appreciate,” (she wrote). “I stayed over at a friend’s home, in their garden-shed turned guest house. And what should be on the bedside table – of course, your book. She bought it to show guests! Warm thoughts, Mary.” [Oh, I love it. . . Stylish Sheds as bedside table reading! Thanks for the imagery, Mary]

With a SUNFLOWER STAMP, no less, Julie Schoenfeld, she of my auction-planning days, sent me a lovely hand-written note on letterpress stationary from Snow & Graham. We recently enjoyed a Malibu breakfast catch-up/gab when Julie brought her son from Seattle to Cali so he could attend the same summer camp of her childhood. As a memento of our sunflower obsession (see my “Stamps for the Gardener” post on August 21st), Julie tucked a book of the current sunflower postage stamps inside her note. She knows I’ll use them! And her sweet sentiment cheered me up with wonderful memories.

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Okay, this is to be filed under “self promotion 101,” but, after all, what is the point of blogging if I can’t do that?

I am sending a huge bouquet of thanks to Jenny Andrews, Sarah Kinbar and the talented team of editors and designers at GARDEN DESIGN. Earlier this year, they asked me to profile the Venice, Calif., garden of uber-architect Ron Radziner and his wife Robin Cottle.

“Simple Geometry,” my story, appears in the September-October issue of Garden Design. You can see one of photographer Jack Coyier’s gorgeous shots appearing on the cover, depicting the family’s outdoor dining room. There’s lots more to read and see inside, as GD gave us a 10-page spread for the article.

I still haven’t seen the real issue or paged through it, but thanks to my Seattle pal, Stace Crooks, for calling this morning to tell me a copy arrived in her mailbox. I guess I better race out to get my own. I’ll post the entire story on my web site soon.

And another huge thanks goes to Paula Panich, my wonderful friend and writing coach. Paula helped me unsnag some tricky elements of the story, and in the process, made it lighter and more graceful. She is awesome.

One of Amanda’s Polaroids from tonight’s photo shoot

I’m used to standing just slightly behind and a smidgen to the right or left of the photographer. That’s my comfort zone, where I can quickly hop in and peer through the lens to check out the composition of a shot, see how it’s framed, look for wayward electrical cords to hide or crooked picture frames to adjust.

I’ve been taught well over the years, working with talented shooters including Bill Wright, Andrew Drake, Mike Jensen and all those clever newspaper photojournalists (well, to be honest, newspaper guys rarely allow me look through the lens, but I do try to make suggestions!) 

So tonight the table was turned. And the lens was on me. Oh, for only 100-plus frames or so! And thanks to the very talented Los Angeles-based Amanda Friedman (seen above), it was painless. Actually, it was quite fun!

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I want to share a note of thanks to a few people for their recent kind words about this blog and Stylish Sheds and Elegant Hideaways.

Judy Lowe, the longtime Christian Science Monitor’s gardening columnist, also publishes “diggin’ it,” a blog on the CS Monitor’s web site. Each week, Judy reviews and writes about favorite gardening blogs, as was the case a few days ago in a post entitled “Garden siteseeing in California.”

Here’s what Judy wrote about Shed Style:

“At Shed Style, [Debra] writes about her interests – architecture (including landscape architecture, of course), garden travels (she’s an excellent interviewer, so you learn about the creator of the garden as well as the plants), and such things as circles in gardens, which was fascinating.”

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On July 3rd, my friends at Garden Rant invited me to be their guest-blogger. This kind and generous opportunity gave me a platform to share a little essay about my shed odyssey, the fascination I hold for tiny backyard architecture, and the experiences Bill Wright and I had creating “Stylish Sheds and Elegant Hideaways.” I was tickled to see that Amy Stewart titled the piece “In Praise of Sheds.”

I asked Garden Rant readers to share their thoughts, ideas and inspiration in response to the question: What is your dream shed and how will you use it?  More than 30 clever readers sent in their answers, vying to win a copy of our book, and a set of note cards with our wellies-under-glass photograph (seen at left), taken by Bill while we were on location at Brenda Lyle’s outside Atlanta.

I was touched by reading so many awesome posts – you can go to Garden Rant to read them for yourself. It was a tough call, but I chose as the winner of this small contest a wonderful gardener and writer in rural Massachusetts.

Pat Leuchtman has a blog called Commonweeder. She and her husband created their “Cottage Ornee” (pronounced Cott-aaagh Or-Nay, preferably in a heavy French accent, Pat says), a stylish shed imagined first in their minds and then built by their hands. This little gem of a building resides at their “End of the Road Farm,” in Heath, Massachusetts. I was struck by Pat’s written description of its design and charmed by the narrative of how she and her husband use it. Here is Pat’s post about winning our little contest: “Cottage Ornee is a Winner”

Cottage Ornee  [Pat Leuchtman photos, here and below]

Here are some photographs, provided by Pat. I was so curious about the cottage’s creation and sent Pat several questions. Her comments appear below. I hope you find this little hut as alluring and enticing as I do. I am already scheming about how to get myself up to visit Pat one of these days. In the meantime, I am enjoying reading her delicious words, so make sure to visit Commonweeder.

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