Enjoy this photo gallery of some of my New Year’s gardening projects, accomplished today. I’ll add a few comments with each image to explain what I did. Above: Two hyacinth bulbs from Brent and Becky Heath’s care package – I saved them to grow in these glass bulb vases in my kitchen windowsill.

The blogosphere and Twitter world have been busy today, with my friends and those whose work I admire/read writing about resolutions, garden mission statements, and more. I have really tried to tear myself away from the keyboard and screen. It’s ironic that I spend more time here at my desk – looking through the open shutters to the backyard – than I do actually touching, breathing and engaging with said yard.

So today I decided to spend time on gardening projects. I am stiff and tired. Six hours straight – pruning and deadheading, digging up, wheeling the barrow to and fro – is not my typical schedule these days. And I am determined to return to this routine (or an edited version of it) in 2009.

Because you know what? I’m feeling very happy.

At left: I finally planted this beautiful Billbergia nutans ‘Variegata’, which I am embarrassed to say I purchased in March 2008 at Western Hills Nursery in Occidental, Calif., during our post-SF Flower & Garden Show garden-gals’ field trip. Miraculously, this plant has not only endured, but seemingly thrived in a 6-inch pot all these months. It is a beautiful, strappy, striped plant and doesn’t it look nice with the Clare Dohna mosaic orb?

What’s been holding me back anyway?
Since leaving behind my cherished garden in Seattle in August 2006, and moving to what many people think is heaven on earth – Southern California – I have been fairly disengaged with my new yard. As I’ve said before, I can’t really call it a garden. It’s really just a yard filled with plants I don’t understand or particularly like. I’ve had bursts of energy now and then to try and tackle things, including hiring someone a year ago to dig up and haul to a landscaping dumpster a yard’s worth of big red lava-rock mulch that covered every surface of soil.

But my heart hasn’t been in it. My heart is so torn between my past life and my present life. Surely, I am a lucky woman. I have my family who I cherish. I have so many wonderful friendships that continue, regardless of whether I’m in Washington State, California or other places around the globe. I manage to keep writing articles about gardens and design topics that really get published by tangible publications (that’s a shocker) and so what’s the problem?

At right: Senecio cristobalensis is another survivor from the Western Hills plant-shopping excursion in March, now given a special place in my front border. What pretty leaves! It’s supposed to reach 6-ft x 6-ft so I will eventually have to relocate this fuzzy-leafed beauty. This is one of those plants I once purchased from Heronswood (I just found the original plant tag from 2001!) that never wintered over in Seattle. See? I already have a new reason to be grateful for living in Zone 10~

I don’t have all the answers, but I’ve been pondering on how to get out of my rut. And the answer is staring me right in the eye. I need to return to the garden. The one that I see if I lift my eyes away from the computer screen and look through the slats of the shutters. Sometimes we have to start moving forward even before we know the path. “Putting wheels on it,” is how my friend Stephanie would describe it. Moving anywhere is better than staying put. There’s a lot of safety at this keyboard. But I don’t want to be just an observer of other people’s gardens, homes, plants and collections. I need to have my own relationship with the land, the plants, and the wildlife that occupy my suburban backyard.  I’ll say it again:  I need to return to the garden.

Today, I did just that. And while I’m in no position to write a garden mission statement, I do have a simple goal (dare I say Resolution?) for myself. And that is to spend 1 hour a day, at least 5 days a week, in the garden. Lord knows, I waste that much time reading emails each day. I think there’s a much better use of my physical and mental energy – and that’s to get outdoors and garden.

I don’t have money to hire a landscaper to do all the things I dream of accomplishing here, but my investment of time and attention is bound to improve my environment. It’s bound to improve my emotional attitude about this place. I’ll try and use this blog to document my progress.

Above: I guess any month of the year is bulb-season here in LA. It’s just that my bulbs will have to be annuals. That’s something I will have to get used to, after investing in and planting hundreds of spring flowering bulbs back in Seattle. The hyacinths, narcissus, tulips and muscari I planted today were a surprise gift from Brent and Becky Heath. The box filled with 70 bulbs arrived a few weeks ago ~ what a treat! I planted layers of bulbs in 2 terracotta pots this afternoon. Then I sprinkled annual seeds on top of each (dwarf cosmos on one; nigella on the other). Who knows if you can pair annuals with bulbs? It’s worth a try! This is my chance to experiment, so stay tuned!

And Happy New Year to all of you. Let’s cherish what we have!

In early 2005, Cool Springs Press published the Washington & Oregon Gardener’s Guide, a book I co-authored with the wise and gifted garden writer Mary Robson. We combined our talents to share years of garden experience to help readers plan, plant, and maintain a beautiful and healthy garden.

The book is filled with our personal recommendations of plants that thrive in the Northwest, presented in a concise, helpful format. The major challenge of writing WOGG, as we called it, was to limit ourselves to 186 individual plant selections, from annuals to vines. No gardener wants to be told she has to “choose” a finite plant list!

Our fabulous publicist, Lola Honeybone, who now runs Media Workshop, a Nashville-based book PR shop, suggested that Mary (shown at left) and I develop a lecture to accompany our book-signings and appearances. She dreamed up the title “Seven Habits of a Highly Successful Gardener.” Lola’s clever angle brought Mary and me together for a 2005 lecture at the Northwest Flower & Garden Show in Seattle. It was so much fun to plan this talk knowing Mary and I would have a friendly give-and-take as we walked the audience through our Seven Tips.

Later, our friend Richard Turner, editor of Pacific Horticulture, asked us to turn the lecture into an article. Here is the article, from the journal’s Winter 2006 issue. It seems appropriate to share this as we approach 2009 – and I encourage you to adapt these tips for your own New Year in the Garden:

Seven Habits of a Highly Successful Gardener

Gardeners in the west enjoy the unique luxury of living with few rules about what’s right or wrong in the way we grow our plants. We appreciate and adapt to our garden’s cultural conditions. We are overwhelmed with a seemingly endless selection of excellent, healthy and suitable trees, shrubs, perennials, annuals, vines, bulbs and ground covers from which to choose for our landscapes.

In the Pacific Northwest [my former home], we’re particularly lucky to have temperate conditions where it’s not too hot – and not too cold. This welcoming, plant-friendly climate bestows added blessings. Imagine how hard it was for us to compile a regional gardening book and limit ourselves to only 186 great plants!

Perhaps the horticultural excesses in our lives call for a little discipline. Certainly, we want to be good stewards of our gardens, both to ensure our immediate enjoyment and the long-term health of the plants and places we tend.

So, with apologies to the original “7 Habits” author Steven R. Covey, we offer the following Seven Habits of a Highly Successful Gardener:

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About a month ago, while reading Alex Johnson’s wonderful blog, Shedworking, I saw his post about an artist named Sarah Lynch. She has spent 2008 posting an original painting EVERY DAY on her blog.

Alex had discovered one of Sarah’s posts from July, featuring a charming garden shed entitled “Shed with Hollyhocks.” It was enchanting and I immediately went to her blog and subscribed to receive her daily artwork. Sarah is an English-Canadian woman living in Southern Ontario. You can find her work for sale via her blog (where there are links to some online galleries also selling her art).

I don’t know her at all, but Sarah has brought me a small dose of happiness every morning. Opening the link to see her next piece is one of the very first things I do after making my cup of tea and sitting down to read email at the start of the day.

I think Sarah may love sheds as much as I do, because today she offers a charming piece entitled: The Lonely Shed (7″X5″ WC pencil on paper):

The year is almost over and I’m worried that Sarah may stop posting her artwork. I like reading her brief, personal artist statements that accompany each drawing, illustration or painting. She has alluded to her readiness for a slower pace, perhaps creating three paintings a week instead of seven. Get in on the last few weeks of the year and subscribe to this little piece of joy that will arrive in your in-box each morning. I, for one, am hoping for MORE SHEDS!

IN OTHER NEWS. . .

On Sunday (12/7) we received a mention in Irene Virag’s column in Newsday. She included Stylish Sheds and Elegant Hideaways in her “Gift List,” featured at the end of her longer piece on Ken Druse. 

Stylish Sheds and Elegant Hideaways (Clarkson Potter, $30): Author Debra Prinzing and photographer William Wright showcase 28 sheds from Southampton to Seattle. From clematis-covered potting sheds to writers’ retreats, these structures enhance lifestyles and landscapes.

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If you’re following my ongoing Glossary of Garden Architecture, check out this just-added “definition” of a Ramada. [photo source: Arid Lands Newsletter, 1989]

Part arbor-trellis, part pavilion, the open-air structure protects and shelters its occupants from the high-noon sun and also invites breezes to cool and comfort.

According to Allwords.com, the word ramada appears in at least two citations of American literature – in 1909 (Vanished Arizona, by Martha Summerhayes) and 1992 (All the Pretty Horses, by Cormac McCarthy).

1992: “They sat in the shade of the pole and brush ramada in front of the place and sipped their drinks and looked out at the desolate stillness of the little crossroads at noon. ” Cormac McCarthy, All the Pretty Horses

1909: (footnote) “A sort of rude awning made of brush and supported by cottonwood poles.” Martha Summerhayes, Vanished Arizona

Read further to discover why it’s important to learn and understand regional influences and cultural origins of architectural terms like ramada.

I’m the kind of person who may be vaguely aware of a trend but I don’t have a clue what it’s actually called.

Case in point: the hip blogging term “MEME.” I kept hearing about this word, but didn’t know its meaning. I thought perhaps it was an acronym (as in multi-electronic-marketing-expression – huh?).

When I moderated the “Blogging Success Stories” panel at the Garden Writers Association annual symposium in September, Dee Nash of Red Dirt Ramblings made a comment about “meme” this and “meme” that. I just smiled and nodded, as if to say: Oh, I am in the know. I really get what you’re talking about.

Except I didn’t. That’s how non-technical I am.

Then last week, my friend Lorene Edwards Forkner sent me a “tag” challenge, one that she received from another Internet girlfriend, “Flowergardengirl” (aka Anna). I received Lorene’s nudge, but I’ve been so swamped that my follow-through has been belated for seven days.

I looked up the word MEME, which I thought might apply to Lorene’s “what are you reading right now?” tag, and discovered the following:

Meme:

(Noun) A unit of cultural information, such as a cultural practice or idea, that is transmitted verbally or by repeated action from one mind to another.

Okay, tonight is the night. I’m down to one kid (the other kid is performing in a play and has informed me he is going to the midnight opening of teen-vampire flick “Twilight” after his show – who cares about first period choir tomorrow anyway? And husband Bruce is conveniently away at a 2-day graduate school commitment), so I can finally sit down and “play” with Lorene. She understands the delay and distractions. I know she does!

The challenge is as follows: Grab the nearest book at hand (no fair looking for something intellectual, just what’s within arm’s reach of your keyboard). Turn to page 56, go to the 5th sentence and post your results – include the 2-3 sentences that follow to provide some sort of context. Then turn around and “tag” 5 or more blogging friends to do the same.

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The month of November seems to generate an abundance of magazine articles about being “thankful.” For many of us, the notion of giving thanks is top of mind this season. Not only am I hugely grateful for my family, friends, home, garden and writing career, I’m so often reminded how rare these gifts truly are.

When it was time to write my “In the Garden” column for the November issue of my local magazine, 805 Living, my editor Lynne Andujar mentioned choosing Volunteerism as the month’s theme. You can see how nicely this idea is communicated on the cover, which reads: “Give Thanks, Give Back.”

The assignment made me think of Master Gardeners, some of the most volunteer-minded souls in the gardening world. I first learned about the MG program in the early 1990s, when my friend Jean Zaputil trained as a Master Gardener in King County, the local Seattle area program. I was always so impressed that Jean did this, especially when she managed the herb department for the local MG plant sales. That experience, combined with her BFA in Interior Design, soon led Jean to start her successful landscape design business.

Wanting to expand my own horticultural knowledge about the time I was trying to switch from business writing to home and garden feature writing, I applied to enroll in the 1998 Master Gardener class (also in King County). I spent many enjoyable years actively involved with the organization, including three years as PR chair for our annual plant sale.

When I moved to Southern California, I thought I’d re-apply and get in on the excellent training that comes directly from local horticultural experts. That’s when I discovered the Ventura County MGs require trainees to volunteer (“give back”) 80 hours of community service in their first year. The math just didn’t add up for me, at least at this time in my life. But the application and interview process introduced me to my local MG group, and piqued my interest in learning more.

What better way to get to know the Master Gardeners in my own back yard than by writing about them? (I always say that “I write in order to learn,” so it makes sense!).

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Welcome to my 101st post on Shed Style. I guess it’s a bit of a milestone, and I have been wanting to do something special to mark the accomplishment. For bloggers who post constantly, finally passing the one hundredth installment may not be that significant (some of my pals could do that in a month or two!). But for me, a relative newbie to blogging, reaching Number 101 is an exciting benchmark.

By moving into the triple digits as I document my little corner of the blogosphere, I realize how much I enjoy this writing venue. There’s a lot of freedom when a writer can sit down and compose her thoughts unhindered by another’s deadlines, tone, or style. No editor, no word-count restrictions. Sure, there’s no pay, and the circulation (readership) is certainly a lot smaller than the traditional print media that usually publishes my words. But even still, the presence of this blog in my life fills a personal and creative need that my other outlets don’t always satisfy.

A BIT OF BACKGROUND

I originally started this blog in March 2007 to document the creation of Stylish Sheds and Elegant Hideaways, the book that photographer Bill Wright and I produced and published this past April. The early morning, “on-location” photo at right is from our year-long odyssey to discover and document the stories of the most creative and inspiring shed designs around the country (not to mention their inspiring owners).

[As an aside, the idea of writing a book-in-progress blog didn’t really take off until AFTER the photography and manuscript finished in the fall of 2007 . . . best-laid plans, and all that!]

Bill and I talked about this book for a long time (we’ve worked together since 2000). But by the summer of 2005, we got serious. Bill had just started to taste the sweet and satisfying flavors of the book world by collaborating with interior design writer Brian Coleman on a book called “Window Dressings” (Gibbs-Smith Publishers). I had worked on four previous books and in June 2005 I traveled to NYC to meet Sarah Jane Freymann, with whom we signed on to represent us as agent.

We began with a fairly decent catalog of shed photography, images Bill and I produced earlier for my articles in Seattle Homes & Lifestyles and Romantic Homes magazines. We created a book outline, gathering up bits and pieces of ideas, including some concepts I played around with in 2002 when Gary Luke at Sasquatch Books and I briefly toyed with ideas for a shed book.

Bill and I sat at the island in the kitchen of our (former) Seattle home, joined by our friend Marcy Stamper. A talented writer, editor, and photographer in her own right, Marcy introduced the two of us when she was art director at Seattle Homes and assigned Bill to photograph my first shed design piece for the magazine in 2001. Now freelancing and living in eastern Washington, Marcy was back in Seattle for a few days. We asked her to meet with us and come up with a design concept that we could use to “sell” our book to a publisher. We called our project “Shed Style.” The resulting 12-page mini-book she designed was called a BLAD (which stands for: book-layout-and-design).

Our meeting took place mid-day in early August. The conversation was punctuated (interrupted) with the screaming, ear-splitting, sounds of the Blue Angels flying overhead. It was a few days before Seattle’s popular Seafair Festival and the Navy jets were in town to perform. Their practice runs and actual performances occur over Lake Washington in Seattle.

Um, yes, right over the rooftops of my former neighborhood in Seward Park. We could barely hear ourselves speak and eventually, we gave up and went out front to witness the spectacle. (Well, Bill and I did. I think Marcy was hiding under the table, reminding herself that it was noise like this that drove her over the Cascades to the solitude of the town of Twisp.) Bill took a great photo of the jets flying by (seen at left).

ON THE ROAD WITH BILL AND DEBRA

With the book successfully sold to Clarkson Potter/Random House, we began this journey. Although we had a few sheds “in the can” when we started this project a summer later, in July 2006, Bill and I had no idea what kind of momentum we’d soon experience. That same month, even before the contract was actually signed, we photographed five chapters (five shed locations) all around Washington state.

I still remember the euphoria I felt on July 5, 2006 when we came back to Seattle on the last ferry from Vashon Island where we’d photographed Edgar Lee’s magical little chapel-shed, fully lit with votive candles from his former business Votivo (see Bill’s photo, right).

I laid awake half the night replaying the thrill of the setting and the joy I felt looking through the lens of Bill’s camera as it framed the scene we’d created.

The following month, in August 2006, I moved with my children and dog to join my husband in Southern California (he preceded us by a few months). A week or so later, Bill and his wife Pauline welcomed their brand new baby Ella into the world. How many more life-altering things could we manage in such a short period of time?

We got back on the road by November ’06 when Bill flew down to Burbank to spend a few days before Thanksgiving photographing San Diego area locations with me. After the holidays, we started on an intense marathon of travel to scout and photograph sheds, sheds and more sheds.

FAST FORWARD

Stylish Sheds and Elegant Hideaways was published in late April. Since then, Bill and I have pursued our own projects, but we continued to scheme about how/when we could again collaborate.

In the six months since our book’s release, we’ve had some great adventures – together and individually. Bill continues to photograph GREAT projects and I continue to write design pieces for national and regional magazines and Southern California newspapers, including the Los Angeles Times and the San Diego Union-Tribune. Recently, Bill nailed two great covers, which I want to share here:

Left: Fall 2008 cover of Arts & Crafts Homes (for a Brian Coleman story); Right: Cover of Rejuvenation Lighting’s Fall catalogue. [William Wright photography]

LAST WEEK

Our work has appeared together in several recent magazines, including stories for the October 08 issue of Alaska Airlines/Horizon Air magazines, the November 08 issue of Seattle Homes & Lifestyles, and others, but since completing the G-R-I-N-D of our “year of the book,” Bill and I had not been able to find the time to create any new stories together.

That opportunity finally came last week, when Bill flew from Seattle to Southern California. We drove up to Ojai, the historically famous town located east of Santa Barbara near the Topatopa Bluff, to photograph a 1908 bungalow, its grounds and interiors, for Arts & Crafts Homes. See Bill at work, right.

We enjoyed two days of hard but gratifying work, thanks to owner Kathy Couterie (an ace stylist in her own right!).

The article about the home she owns with her husband, Emmy-winning director and Oscar-winning documentary filmmaker Bill Couterie, will appear in 2009, but until then, here is a preview of our photo shoot:

 Lights, camera, action….the Couterie dining room, styled, lit, and ready to photograph.

 Kathy Couterie (foreground), followed by Bill Wright, as we finalize the garden shot for Arts & Crafts Homes.

 The sun is about to set, we’ve photographed the garden, and we’re ready to call it a day.

Our friend Linda Lehmusvirta, producer of the very popular Central Texas Gardener, has begun to post her segments on You Tube. Bill Wright and I appeared on the show a few months ago with host Tom Spencer and we had a lively conversation about our favorite subject: Stylish Sheds and Elegant Hideaways.

Here is the segment:

httpv://www.youtube.com/watch?v=cMpbg8Cg2dg

An early morning scene outside the guest room window at Mary-Kate Mackey’s in Eugene

October in Oregon – you can’t beat it. Earlier this month, I traveled there to lecture to the Hardy Plant Group of Willamette Valley.

Returning to my beloved roots, in the Pacific Northwest, was such a treat, especially since it is still wickedly hot down here in LA and I am desperate for some moist, cool autumnal weather.

And oh, the gardens!

Mary-Kate Mackey, fellow garden writer and a gifted journalism educator, met me at the airport. It was fun to fly into this sleek, modern, small airport and arrive via Horizon Airlines (they serve complimentary Pacific Northwest ale on board and, oh, by the way, one of my articles appears in the October issue of Horizon/Alaska’s in-flight magazine, so I was able to grab lots of extra copies from the seat-pocket in front of me, etc.!).

Upon disembarking in Eugene, I was impressed by the changing autumn light and saturated foliage palette. Oh, it’s autumn in Oregon! It took away my breath and captured my heart.

The evening began with drinks at a nifty bistro with Mary-Kate, followed by dinner with my dear friend Jennifer (we were editors together at “Seattle Woman” magazine in the 80s).

On Tuesday, after a restful overnight in Jenny and her husband Tim’s comfortable home, I met up again with Mary-Kate.

Since I missed out on the one-day garden tour in Eugene that followed last month’s Garden Writers Association’s annual symposium, I had a special request for Mary-Kate: Can I have my own mini-tour of the best of the best Eugene has to offer? [Above: Mary-Kate inspects the craftsmanship of a stunning stone wall hand-built by Allen Bosworth (right) of Bosworth Landscaping.]

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