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June 4th, 2008

“Shelf Life,” by Adrian Tomine, from the February 25, 2008 cover of The New Yorker
Only a writer (or possibly an editor or book-seller) could appreciate the ironic narrative played out across the nine frames of cartoonist and illustrator Adrian Tomine’s spot-on perfect cover for The New Yorker earlier this year.
Yup. It starts with an author, toiling away at her laptop, alone in her little office. Nothing but a cup of coffee (tea, in my case) and a bare window to stare out of when she is searching for the correct word or phrase. Next, we follow the further adventure of a book’s life: When the agent presents the wonderful, finally-completed manuscript to the editor; when the editor gives it a thumb’s up; when the book is printed and bound (probably in Taiwan); when the bookseller displays a stack of crisp, fresh-smelling, just-published books; when the beloved customer first buys, and then actually sits down to READ it.
But then, as is depicted in frame number 7, we arrive at the waning years of a book’s life. The period of time from a book’s conception through gestation to its birth may seem to drag on forever, folks. Yet the final days of a book’s life can occur at lightening speed, as is witnessed here. Perhaps its owner needs to “simplify” or “clean up the clutter,” thus: the tome is set out on the curb in a cardboard box filled with other household discards. But someone reaches for it. Has the book gained new meaning? A new purpose? Yes, indeed. That hard-back cover and high-quality paper makes for great kindling on a cold night. As it burns away in a metal drum, in a desolate urban alleyway or corner, perhaps this frame can be described as “book cremation.” Its ashes live on. Somewhere.
My friends Robyn and Don framed the cover, entitled “Shelf Life,” as a gift commemorating the publication of Stylish Sheds and Elegant Hideaways. Along with other dear friends, they signed the huge white mat-board that surrounds the artwork, wishing success with sentiments like:
“While you have always impressed me as a ‘can-do’ girl and accomplished your goals, this tops the cake – Stylish Sheds is a Big Deal!” (Robyn)
“Cheers to your biggest, best and brightest, with many more to come. Can’t wait!” (Braiden and Spencer)
“You’ve always been the ‘bright’ light in our neighborhood, but baby, you’re on ‘fire'” (Don)
The print is now hanging in my office, a tribute to the highs and lows of this rare creative process, one that’s still steeped in something more tangible than letters appearing on a flat-screen monitor.
But how do others see the product of the heartfelt efforts to which Bill Wright and I devoted several years of our lives? It’s a useful tool, all 224 pages of it, according to my blogging friends. Here are two observations. It’s pretty funny when you think about it. The life of a book. I’m happy mine gets around, even in nontraditional ways:

Lydia Plunk, whose blog A Very Good Life is all about living, gardening and loving her Southern California backyard and home, used Stylish Sheds as a distraction during her exercise routine (see her photo above). She posted a shot of the book, resting on the handles of her treadmill. In her May 17th blog-entry, entitled “Perspiration and Inspiration,” Lydia had this to say:
By slowing the pace, the layers of visual pleasure are better appreciated for their individual flavor components. That is why Stylish Sheds became my companion on the treadmill the past few weeks. It was a delightful companion, helping make the road back to my pre-accident self enjoyable. . . . Perspiration mixing with inspiration, I began to re-imagine my own shed. Using the matrix Debra used as an executive summary for each project, this is how I plan to make the highest and best use of my own shed.
Mission: My shed is the playhouse I always wanted, but growing -up never had. Think denim and lace for style. The shed serves as a big treasure chest of the parts for the hobbies integral to my lifestyle (doesn’t that sound so much better than “storage”)? Started with great intentions, it is in need of tlc. . .

Daniel Mount, a gardening and writing pal in Seattle, confessed to NAPPING with my book (see his photo above). In his May 26th blog-journal entry, entitled “A Nap in a Shed,” Daniel had this to say:
I decided to treat Memorial Day as at least a half-holiday and left Michael out in the garden planting and came in to the house, on a sunny day no less, and napped and read. I read Debra Prinzing’s Stylish Sheds and Elegant Hideaways. I had already wandered through the pictures several times, envious and awed at what passes for a shed these days. Many were better than our house. But it was Debra’s writing on the subject and the inspiration she found when visiting these sheds, that caught me on fire.
I always though of my suitcase as my home away from home. But as I get older and travel gets more expensive, I realize the necessity of retreat space in my own back yard. Well now I have a back yard. Of course living in a flood plane makes siting such a space complicated, but Michael had the idea for a tree house high above the floods grasp, where we could monkishly retreat together or separately and leave the messy kitchen, the paper work and the shovels behind, without getting into the truck. . . Maybe you will start to dream about a shed of your own, too.
I have to admit, reading as a prelude to napping is one of my very favorite activities. Just ask the males in my family. “Mom’s napping,” is an oft-uttered Sunday afternoon phrase around here. So of course, I love the image of Daniel, sprawled out on his sofa, with this book propped up on his chest, alternating between snoozing and dreaming about the future incarnation of his backyard treehouse-shed! I also love the image of a slim, trim, healthy Lydia, jogging away on her treadmill, her imagination miles away from that grind as she mentally redesigns the storage shed for a more personal expression of her design style. The creative mind doesn’t stop working, even when the body is sweating!
I’m so curious to see what other activities this book inspires. What other “chapters” it lives, all before landing in someone’s bonfire as a source of heat. For now, one of the best uses seems to be stashing Stylish Sheds inside a one-gallon zip-lock bag (to keep the soil off the cover) and taking it with me to the garden! That’s what I’ll be doing this summer.
Posted in Book reviews, Creativity, General, Writing | 7 Comments »
June 3rd, 2008

Liz Lyons Friedman, at the easel inside her studio [William Wright photo]
Liz Lyons Friedman, artist and printmaker extraordinaire, creates joy-inducing pictures in her boathouse-turned-atelier in Aptos, California (near Santa Cruz). Her vibrant artwork documents life, love, food, wine, home, garden, travel and more — all those pursuits cherished by lovers of beauty. The stuff of which memories and friendship are made. One of her recent series of prints is aptly entitled “Celebrations.”
After we discovered Liz (thanks to Christina Glynn of the Santa Cruz Tourism Bureau), Bill and I knew we would have a blast photographing her gallery-like studio. We arrived v-e-r-y early one March morning in 2007, in need of caffeine and hauling all sorts of camera equipment and lighting out of my Subaru stationwagon.

Boathouse-turned-art studio, enhanced by a cactus garden designed and planted by Liz and her partner John Gavrilis [William Wright photo]
We shot the exterior of Liz’s studio at dawn, the filtered light gracing a sculptural garden of cactus and succulents. Inside her 10-by-25 foot “shoe box,” Liz has created a gallerylike space for making and displaying her artwork. A 16-foot-long bank of windows faces the garden and ocean, drawing much-desired natural light to the interior spaces where her easel and printing press stand. Plastered walls, finished in a warm golden hue, highlight the framed prints that hang in nicely-organized groupings. French doors, worktables and a printing press finish the space.
Liz describes it this way:
“I go inside and it’s so peaceful there,” she says. “I think back to the French ateleirs, and that artists have always wanted a place to get away from everyday life and its distractions – and focus on their painting and drawing.”

“Gardening Tools,” Hand colored linocut © Liz Lyons Friedman
Liz says that the idea for one of her more recent pieces, “Gardening Tools,” came from spending a day with Bill and me as we photographed her at work, carving a flower with U- and V-shaped knives as she sliced sections of lino tile to reveal the beautiful flower she had designed. She reminded me of the story in a recent email:
“We were chatting about pouring a glass of wine and then going out to the garden in the evening to water or putter. I always point out that the glass of wine is the most important gardening tool in the piece!”
This charming print is the result of her imagination, artistic inspiration and fond memories of time spent in the garden. It makes me very happy to look at, as I imagine Liz puttering in this garden scene. Lines from my chapter about Liz are appropriate to share here:
“In designing this studio, my motive was to make it a happy space, because I make happy art.”
Thank you, Liz! It is a joy to have you in the pages of Stylish Sheds!
Posted in Creativity, Playfulness | 2 Comments »
June 2nd, 2008
Thanks to Jane Berger of Garden Design Online for an endorsement in her blog today. The sublime shed is the new alternative to a plastic backyard storage unit, and Jane makes this point for her readers:
Once you’ve taken a quick look at this book, you’ll never again recommend a lean-to potting or tool shed or one of those abominations that they sell in the big-time lumber and hardware stores.

Sunni Rudd’s delightful backyard getaway

Filled with timeless character, John Barham’s potting place is at home in his sculpture garden
She singles out some of her favorite shed destinations featured in the pages of Stylish Sheds and Elegant Hideaways, including our friend Sunni Rudd’s rustic but feminine hideaway in Seattle and the gracious John Barham’s weathered shed in the Hamptons, inspired by a historic fisherman’s shack. Each is unique and highly personal. And that’s the point of using this tiny architecture to make a big design statement in the landscape. Adds Jane:
Prinzing paves the way for an entirely new way to think about garden structures — to make them very special places that fit the owner’s personality and add a touch in the garden that no one else can duplicate.
This book belongs on every designer’s bookshelf for inspiration … easily gained from the scores of photos by William Wright that illustrate every project.
Thank you, Jane!
Posted in Architecture, Book reviews, Creativity | 1 Comment »
May 31st, 2008

I’m joined by my friend and party hostess Kathy Fries. We’re standing in front of her rustic shack-turned-Doge’s Palace, built by John Akers
The Seattle sun was shining, perhaps a little too brightly, on Saturday, May 17th. In fact, I heard later that temperatures reached close to 90 degrees, a record high for that date in history.
Kathy Fries, aka Shed Diva (she owns four of them!) and her cast of talented gardener helpers, nannies and caterers, threw an unforgettable garden party to celebrate the launch of Stylish Sheds and Elegant Hideaways. Scheduled as an open-garden, which encouraged guests to stroll the peaceful, shady paths through the Fries property, the party paid homage to the fanciful little buildings we captured in the book. The man of the hour, shed-builder John Akers, was “missing,” but we know he likes to avoid crowds. His artistry was well received, oohed and aah-ed over, and festooned with bouquets and champagne. Good job, John! Wish you had come!

The menu included plump strawberries with brown sugar and Devonshire cream, meringue cookies, little sandwiches, iced tea, champagne . . . all served on Kathy’s potting bench-buffet
With more than 120 in attendance, the three-hour event was a bit of a whirlwind. Bill Wright and I felt like we signed books nonstop, greeted friends, hugged and thanked the owners of no fewer than 10 of the sheds featured in our book, and then signed more books. Gillian Mathews of Ravenna Gardens was our cheerful bookseller. She figured out how to get a copy of Stylish Sheds into the hands of anyone who wanted one, even if that meant raiding Kathy’s personal stash or taking orders once she ran out of inventory. We were truly touched with her support. You can find signed copies of Stylish Sheds at her stores.

Xander Fries, collecting eggs for the pages of our book [William Wright photo]
Thank you, Kathy and Ed: you threw a doozie of a party. I have spent many fond hours in this magical landscape, but honestly, it has never looked more beautiful. The flowers bloomed larger and brighter, the vines threw out new, spring-green tendrils, the ferns glistened in the dappled light. Our guest-signer, Xander Fries, who is featured on page 73 collecting eggs from the Palais de Poulets, charmed guests by autographing “his page” of the book.
A highlight for me was seeing so many dear friends in my (former) Seattle gardening community. It has been nearly two years since I left for LA, and it was a treat to return for this celebration. Owners of all nine Washington sheds featured in our pages came to help celebrate. Without them, we wouldn’t have completed this awesome project and we are honored they came and helped mark the publication!

Bill, Steven and Sylvia Williams, and me
But the prize goes to Sylvia and Steven Williams, who traveled from Texas to attend the party! Only two weeks after throwing a party for us at Stonebridge, their garden in Bertram, Syliva and Steven flew to Seattle to join us. They represented their home state in Texas style, dazzling everyone with their out-sized friendship, not to mention cowboy hats.

The party treats were simply fabulous, including Kathy’s elegant version of my amateurish “shed cookies.” She gets the “Martha Prize” for decorating with a piping tube and marbling the frosting. Really, Kathy. You are amazing.
Posted in Creativity, Entertainment, Playfulness, Shed Glossary | No Comments »
May 30th, 2008

Los Angeles Convention Center – BookExpo 2008
I’ve heard about Book Expo for years and lucky for me, the venerable trade show and book-sellers’ extravaganza came to Los Angeles this week.
We authors often toil alone in our little offices, sitting at keyboards, staring at monitors, listening to the phrases roll around in our heads and banging out one word; then the next one, plus one more . . . all to string together a well-crafted sentence. I’m very dependent upon my sources, designers, gardeners and homeowners who generously share their stories with me. But in the end, I am alone with my words.
So the 65-mile drive to downtown LA was a big adventure that got me out of the office, into the car (fueled by $4.09/gallon gas) and on a route involving no fewer than five freeways! I arrived at the GIANT LA Convention Center on Figuero Street around 10 a.m. and found a $10 parking lot across the street. Thank goodness for my Garden Writers Association Press Pass: it easily earned me a badge and press access to the giant exhibition hall.
Some people would be overwhelmed by the aisles and rows of publisher displays. But not book people. It’s reassuring to see how many titles are still printed (albeit in Asia). Ink letters appear on paper pages, 4-color photographs are splashed between blocks of text. Hundreds of sheets are stitched together with thread and glued into a hard-back binding to build a book cover. It’s then wrapped in a colorful jacket and included in a sales catalog. And eventually, that book is touched by the hands of a customer, which is our ultimate goal, isn’t it? Sharing words, photographs and creative ideas with readers. It’s still a noble pursuit and a rewarding profession.

Look v-e-r-y closely. You can see Stylish Sheds and Elegant Hideaways between the heads of the two women in Crown’s booth.
I knew that Stylish Sheds and Elegant Hideaways wouldn’t receive much play in the ENORMOUS Random House/Crown Publishing booth. Let’s call it a quadruple booth! Filled with slim, stylish marketers and aloof publicists with interesting eye wear, the RH team had hundreds of titles to publicize and promote. And, as I had been told ahead of time, the emphasis at Book Expo is on fall 08 catalog titles, not spring 08. So, there wasn’t really an opportunity to be the star of the show. My expectations were low. But still, I had to check it out.
I really did find my book on the back shelf in the booth. And, hey, I’ve got connections! As I was standing there, hoping to meet someone interested in talking with me, who should walk by but a college friend of mine who is PRESIDENT of a major university book store Co-op! I haven’t seen him for years, but we rowed crew together and had an immediate recognition and friendly reunion. I actually “sold” him my book while standing in Random House’s booth. How cool is that?

Debra with Roger Waynick, president & publisher of Cool Springs Press
Next, I ventured over to see my former publisher at Cool Springs Press, Roger Waynick. Bless CSP, which “birthed” two of my books and is – remarkably – the ONLY publisher from which I’ve ever earned royalty checks! CSP is still selling The Abundant Garden (with photographer Barbara J. Denk) and the Washington & Oregon Gardener’s Guide (with co-author Mary Robson).

The Abundant Garden (left) and Washington & Oregon Gardener’s Guide (right)
Roger & Co. were actually happy to see me. They wanted to brainstorm ideas for the future. It was really nice to feel welcomed. My pal, Nan Sterman, author of the California Gardener’s Guide, did a book-signing and was enthusiastically greeted by convention-goers. I was proud of her and her wonderful book.
Investigating Book Expo was educational and insightful. Books are still alive and well, and cherished. I’m glad I took the time to attend – and I’m grateful for the connections I made today.
Here are links to a couple recent media mentions:
The first comes as a complete surprise from Newsday’s “Garden Detective” columnist Jessica Damiano. On May 22nd, she ran a column called New Gardening Books, from organics to landscapes:
“It seems every year around this time, bookstore shelves swell with gardening tomes. Most go back whence they came after I drain my latte cup. But a select few stand out. Here are my picks for books that should actually make it out of the store. Drink up! . . .
The Abundant Garden: A Celebration of Color, Texture, and Blooms (Cool Springs Press, $29.99), by Debra Prinzing with photographs by Barbara J. Denk, is one of those books you flip through, drool overthe photos and then try in earnest to recreate what you see in your own patch of dirt. And that’s pretty easy, as the photo captions actually include names of plants depicted, a rarity in the garden-book world. But this guide’s beauty lies deeper than its color glossies. There’s actually a science to the beauty of abundance, which is defined, in part, by the lack of visible soil or mulch between plants. Readers learn nine specific design principles of creating abundance by studying photos and descriptions of gardens on Bainbridge Island in Seattle.”
It’s so wonderful to receive a review from someone like Jessica, a Master Gardener and editor who is a passionate plantswoman. It’s even more gratifying that she could sift through three years’ worth of garden book releases to unearth and highlight our book. Thank you!
Next, thanks to Diana Ransom, a small-business columnist for Smart Money, who features three Stylish Sheds and Elegant Hideaways shed owners in today’s story about creative home-office solutions. Entitled: “Designing a Dream Home Office,” the article includes quotes and Bill Wright’s gorgeous images of our “shedistas” and their locations: Joseph Marek (landscape architect), Liz Lyons Friedman (print maker) and Amy Bloom (best-selling novelist).
The key to a perfectly productive work space, says Debra Prinzing, a Los Angeles author who has interviewed a number of home-based business owners for her new book, “Stylish Sheds and Elegant Hideaways,” is detachment. “You have to be able to walk into this space and have it be fully dedicated,” she says. A truly separate space boosts productivity – and “quality of life so so much more enhanced,” she adds.
Wow, that’s a lot of good news for one day. Nice to end the week on a high note.
Posted in Book reviews, Writing | No Comments »
May 24th, 2008

Mary Martin, with Wallace, her cockapoo; photographed on July 5, 2007 by William Wright
Mary called me on May 15th from Atlanta to tell me of her sudden diagnosis of brain cancer. Four days later, she died, after doctors tried to relieve the bleeding and remove her tumor. How can one so vibrant and full of creative energy disappear from our lives so quickly?
Featured in “Personal Space,” one of the first chapters in Stylish Sheds, Mary Martin was a consummate Southern lady. She embraced this book with incredible passion and support, investing her own time, money, and energy to promote it to clients of her fine gift business, Mary’s Garden Champagne Savers.
I met Mary through Atlanta landscape designer David Ellis, of Landshapes Garden Design. I fondly remember when Wendy Bassett, my Atlanta “shed angel” (aka fairy godmother), drove me to meet Mary and see her little cabin on a chilly day in January 2007. We came down the driveway, turned the corner into her gorgeous backyard (even in winter, it was in perfect, tip-top shape!), and were immediately drawn down the curving stepping-stone path toward a charming split-log style haven.

A curved path made with stepping stones large enough for two to walk side-by-side travels across the lawn from Mary’s house to her personal backyard retreat
While she wasn’t sure of its provenance, Mary guessed that the rustic, 1930s-era shed might have been purchased by earlier owners from a mail-order catalog, perhaps as a potting shed. She updated the 240-square-foot hut, painted the board-and-batten walls of its two interior rooms in pistachio green, added a fresh coat of bay-green paint to the two cottage doors and “moved in.”
Beyond the walls of her rather grand Southern Colonial-style home, Mary could be found, secreted away in her backyard studio, which served as a potting shed, storage for beekeeping and honey making, a painter’s easel and a writing room.
“When I first saw it, I thought, What a wonderful place for gardening, but it has also become a nice little project building,” she told us.

Her love of this little building, which Mary later expanded by adding a 16-by-17 foot screened room, was rooted in memories of a childhood playhouse. She played outside and cooked on a real stove inside a little pink playhouse her father, John Martin, built for Mary and her younger sister, Ann. On her desk inside the cabin, Mary kept a framed photograph of the tiny, sweet structure.
“I do think my childhood memories of that pink playhouse tie into my enjoyment of this very private, peaceful ‘retreat’ where I feel hundreds of miles away from the city when I’m inside it,” she said.
I spoke today with Janell Knox, a friend of Mary’s since college, and she told me that Mary faced the news of her illness with incredible courage. “She was out in the cottage on Sunday,” Janell says. Later that day, the pain in her head was so severe that doctors had her taken to Piedmont Hospital in Atlanta. Efforts to relieve the bleeding failed. In her last moments, Mary was surrounded by friends and loved ones, including her parents, John and Elizabeth Martin. The Atlanta Journal-Constitution’s obituary of Mary aptly described her as having “enthusiasm for life.”
Selfishly, I am so pleased that in her last year, Mary befriended Bill Wright and me. She had an intensity about everything she did in life, including the way she devoted herself to friends. We will miss her spirit, although having a glimpse of her in the pages of our book is a quiet comfort.
I end with a quote that Mary loved. It is from her late grandfather, Rudolf Anderson, who was a landscape designer and widely known for his camellia and azalea breeding throughout the Southeast. It sums up her philosophy, as well, evident in the way Mary drew her beloved plants and garden into her life.
“I’ve always felt that anybody looking at beauty in nature cannot help but have more noble thoughts.” (Rudolf Anderson, 1967)
Posted in Creativity, Spiritual Practices, Writing | 3 Comments »
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