Debra Prinzing

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Scenes from a villa in Tuscany

Tuesday, September 24th, 2013
Seating draws us outdoors - the weather has been wonderful!

Seating draws us outdoors – the weather has been wonderful!

 

Here is the view of the Medieval village called Montisi, as seen from my bedroom.

Here is the view of the Medieval village called Montisi, as seen from my bedroom.

 

The outdoor dining space, beneath the grape arbor. Isn’t the farm table gorgeous here? This is where I’ve been sitting to write in the AM.

 

 

The view of Montisi, as seen from our patio. Glorious Tuscany!

The view of Montisi, as seen from our patio. Glorious Tuscany!

 

The beautiful water feature!

The beautiful water feature!

 

Rosemary and the classic red geranium, flourishing in a terra cotta flower pot

Rosemary and the classic red geranium, flourishing in a terra cotta flower pot

 

The railing is mounted on top of the stone wall at the perimeter of the patio. Love the pots!

The railing is mounted on top of the stone wall at the perimeter of the patio. Love the pots!


Love this millstone as coffee table!

 

 

SLOW FLOWERS: Week 38

Sunday, September 22nd, 2013

RHYTHM IN GLASS

Rhythm in Glass

Chocolate cosmos blooms look fabulous in this art glass vase by Tracy Glover.

Ingredients:

7 stems fancy-leaf scented geranium (Pelargonium crispum), grown by Charles Little & Co.
3 stems pale apricot snapdragons (Antirrhinum majus), grown by Everyday Flowers
7 stems (tips only) light peach cockscomb (Celosia plumosa), grown by Charles Little & Co.
15 stems chocolate cosmos (Cosmos atrosanguineus), grown by Marigold and Mint
 
Chocolate Cosmos

Chocolate cosmos, grown by Katherine Anderson of Margold & Mint.

Vase:

 
8-inch tall x 4-inch diameter hand-blown art glass vase, designed by Tracy Glover
 
Design 101
Dark and light: When you place lighter or brighter flowers around darker floral elements, the viewer’s attention is drawn to the distinct details of both. Here, the chocolate cosmos looks even better because it is displayed next to lighter-hued companion flowers: pale apricot snapdragons.
 
 

SLOW FLOWERS Podcast: American Grown flowers from a California Point of View (Episode 107)

Wednesday, September 18th, 2013

SLOW FLOWERS Podcast: American Grown flowers from a California Point of View (Episode 107)

Debra and Kasey

Kasey Cronquist and I toured a Carpinteria, California, greenhouse together in April 2013. 

 

Kasey Cronquist

Here’s Kasey discussing the importance of supporting America’s cut flower industry – at the Monterey Bay Greenhouse Growers – Open House this past June.

I’m so pleased to introduce you to Kasey Cronquist. I truly value Kasey’s leadership, counsel and friendship. He is the CEO and Ambassador of the California Cut Flower Commission, the largest organization of its kind promoting American Flowers.

And he is a kindred spirit who is supremely passionate about saving our homegrown flower farms and preserving the agricultural way of life as a part of our country’s vibrant landscape.

Kasey and I first met by phone in 2010 when I called him for a quote to include in an article for the Los Angeles Times. I was writing about organic flowers for Valentine’s Day and Kasey sure set me straight, changing the focus from organic (and possibly imported flowers) to a locally grown priority.  He pointed out: “We believe California flowers are the green alternative, whether we stick a label on them or not.”

It was the beginning of my own evolution as an American flower advocate.

Since joining the CCFC in 2007, Kasey has spearheaded an aggressive public affairs program targeting lawmakers at the state and federal level. He is a dynamic spokesman for flower farming both among his home state constituents and nationally and is a master at social media communications. Kasey understands the power of blogging, tweeting, posting and using visual social media platforms and he has brought flower farming into the modern era in that regard. More than all his talents, though, I’ve mostly been impressed with Kasey’s community-building gestures to bring together small and large flower growers across America with a united voice. 

In March 2012, I wrote a post called “Meet the Ambassador of Local Flowers,” profiling Kasey for The 50 Mile Bouquet blog. You can read this extensive interview here in which Kasey shares many inspiring ideas about the American cut flower industry.

One quote of his particularly impressed me:

“We can’t move that ball, but we can create market demand for local flowers. We leaned into the CA Grown campaign and now California’s flower farmers are the single largest licensee of that agricultural program — out of all the other commodity crops in the state. The future is in educating people to buy local, to buy U.S.-grown flowers.”

Read Kasey Cronquist’s Field Position blog at Americasflowers.org

FB page: https://www.facebook.com/CaliforniaGrownFlowers

Twitter: @kaseycronquist and @cagrown

 

 

SLOW FLOWERS: Week 37

Sunday, September 15th, 2013

FADING HUES

Fading hues

This lovely autumn palette of fading flowers, foliage and seed heads reflects the season’s beauty.

Ingredients:

7 stems smoke tree (Cotinus coggygria ‘Grace’), harvested from Lizzy Jackson’s garden
7 stems pittosporum (Pittosporum sp.), harvested from the Lila B. lot garden
5 stems Dahlia ‘Hy Suntan’, grown by Jello Mold Farm
5 stems gold and pale pink garden roses, harvested from the Lila B. lot garden
3 stems terracotta-orange lilies (Lilium ‘Olina Tango’™), grown by Peterkort Roses
5 stems pale peach stock (Matthiola incana), grown by Repetto’s Nursery
7 stems perennial flax (Linum perenne), grown by Charles Little & Co.
7 stems brown millet (Setaria viridis ‘Caramel’), grown by Charles Little & Co.
Miscellaneous seed heads, harvested from the Lila B. lot garden, including purple coneflower (Echinacea purpurea), Euphorbia sp., and rose hips
2 clusters yellow pear tomatoes, harvested from Marritje Green’s garden
 
Vase:
 
7-inch tall x 10-inch diameter antique-finish urn with 6½-inch opening
 
Delicious array

The luscious selection of California, Washington and Oregon-grown floral elements – on display

Eco-technique

A fresh drink of water: There’s a proliferation of advice for keeping a bouquet of floral ingredients fresh and lasting for many days. But one of the most important things you can do is give stems clean water. That’s not so easy with an arrangement like this one, where all the stems are knit together in a tangle of chicken wire.
 
My friend Lorene Edwards Forkner shared this easy water-changing trick: Place the entire arrangement in the kitchen sink. Gently lift the foliage at one edge of the vase so the faucet’s spray nozzle is directed inside. Turn on the water and let it flow for a minute or two. The existing water will begin to overflow and go down the drain, displaced by fresh water that now occupies the vase (dry off the bottom and outside of the container when finished). Do this every day or two for the life of the arrangement.
 
 

SLOW FLOWERS Podcast: Local Color Flowers (Episode 106)

Wednesday, September 11th, 2013

SLOW FLOWERS Podcast: Local Color Flowers (Episode 106)

Today’s interview will introduce you to Ellen Frost, a Baltimore-based floral designer who is committed to using only 100% locally-grown flowers in her work. I am so impressed with her business philosophy and her contagious enthusiasm for using flowers from farmers she knows and supports. 

Vote

Vote for your favorite SLOW FLOWERS florist: Ellen Frost’s Local Color Flowers of Baltimore, Maryland

 

Our Mission

Ellen_LoCoFlo

Creative florist Ellen Frost, founder of Local Color Flowers in downtown Baltimore.

Local Color Flowers is a Baltimore-based floral design business. We create personalized arrangements and bouquets from fresh, seasonal, and sustainable flowers cultivated by local specialty growers. We are committed to responsible use of resources, supporting the local economy and promoting neighboring farms. We provide our clients an environmentally and socially conscious alternative when purchasing flowers.

Our Vision

Local Color Flowers seeks to create and support a sustainable community; where people choose local products and services; where flower farms and farm families are thriving; where there is a diverse, strong local economy; and where people are connected to the living world around them.

Our Passion

We love flowers. We love our clients, growers, and partners. We are social entrepeneurs motivated by our relationships and the connections we create. We want our clients to know where their flowers were grown. We want our growers to know how our clients appreciate their products. We want all of our partners to know how we’re green. We want to share our joy and values through our flowers.

IMPORTANT LINKS:

Local Color Flowers’ web site

Home page for Local Color Flowers' web site.

Home page for Local Color Flowers’ web site. Note the compelling “promise” shared with customers who visit Locoflo.com

 

Martha Stewart's 2013 American Made Campaign.

Martha Stewart’s 2013 American Made Campaign.

Vote here for LoCoFlo on Martha Stewart American Made contest.

 

 

 

 

 

 

 

 

 

 

Ellen at Work

Ellen at work, designing one of 100 weddings and events on her calendar this year.

#Friendlyflowers with Kathleen Williford & Debra Prinzing

Tuesday, September 10th, 2013

Maybe we’re onto something here!

vase from Kathleen to Debra

Here’s the vase I received in the mail, which Kathleen Williford found online.

It all started just before Labor Day weekend on August 30th, when my friend Kathleen Williford, special events manager for the Monterey Bay Greenhouse Growers event, texted to tell me she had fractured the bottom of her fibula. “My ankle will not stop me,” she texted. But still, for a very active person, Kathleen felt sidelined. And I could tell she was discouraged.

“We should come up with a joint project,” I texted back. “How about a $10 challenge to find the perfect vintage vase online?”

“OK, you are on!,” she typed. “So we find the vase online, flowers local, $10 max.”

September 5th:

“A beautiful vase arrived today,” Kathleen texted. “I LOVE it!” I had sent her a vintage olive-green glass pedestal vase, just like one I own (and LOVE). Kathleen admitted to not really having much experience arranging in pedestal vases, however, she also admitted to being a sucker for colored glass anything.

September 6th:

“Just arrived! So lovely!,” I texted when the vase Kathleen ordered for me arrived. The slender porcelain vessel was embellished with a gold filigree design. And it had this imprint on the base: “Made in occupied Japan,” which I think means it was manufactured during the American occupation of Japan after World War II, from 1947 to 1952.

Yesterday we both posted our respective vases on Facebook, Twitter and Instagram, letting people know about the #friendlyflowers challenge. One of my friends saw the photo of the vase Kathleen sent me and she commented: “It’s so gypsy euro retro-ish!” — love that description.

Today, September 10th, Kathleen and I posted our designs. Here is mine:

Friendly Flowers 1.0

A truly local bouquet using all foliage from my garden and my neighbor’s garden. In a very special #friendlyflowers vase

Ingredients include all the goodies I was able to glean while gardening this week:

  • Burgundy Japanese maple foliage, deeply cut. This is a weeping form tree, so you can see how nicely those fringed leaves drape
  • Goldenrod (Solidago rugosa ‘Fireworks’), from my neighbor Colleen. Actually, it’s a flower, not foliage. But I tried to get the greenest stems still in bud
  • False Hinoki cypress – one spray from a container plant (Chamaecyparis obtusa, unknown cultivar)
  • Euphorbia myrsinites (Donkey tail euphorbia)
  • Lime-green leaves from the oakleaf hydrangea (Hydrangea quercifolia), also in Colleen’s garden

Here’s the vase I sent Kathleen:

Green glass vase with beautiful square pedestal. Flowers: TO COME!~

See her finished bouquet at Kathleen’s Facebook page, Twitter (@kathinated) or Instagram (caflwrpower)

Here’s the bouquet from Kathleen, using flowers from her parents’ garden:

Kathleen used persimmons, sedum, grasses, assorted salvia, butterfly bush blossoms, and lions beard. Stunning~

Kathleen used persimmons, sedum, grasses, assorted salvia, butterfly bush blossoms, and lions beard. Stunning~

If you like this idea, we encourage you to start your own #friendlyflowers challenge. The rules are easy:

1. $10 maximum vase budget

2. Send a vase to your friend and have him/her do the same for you

3. Fill it with #americangrown #slowflowers – all local

4. Post and share to inspire other friendly flower lovers!

SLOW FLOWERS: Week 36

Sunday, September 8th, 2013

SEEDPODS AND PETALS

Hops with zinnias

Humulus lupulus, common hops, a dangly little element that adds character to any arrangement.

Ingredients:
20 stems perennial flax (Linum perenne), grown by Charles Little & Co.
5 short lengths common hop (Humulus lupulus), grown by Northern Pacific Farm
10 stems lemon-lime zinnias (Zinnia elegans ‘Queen Lime’), grown by Everyday Flowers
12 stems masterwort (Astrantia major), grown by Ojeda Farms
 
Vase:
4½-inch tall x 4½-inch wide x 8-inch long rectangular vintage McCoy vase
 
Urn with hops

The hops plays nicely with the zinnia, astrantia and perennial flax.

 
Grow This
Instant gratification: I had been waiting all summer to use hop vines and their dangling green cones in an arrangement. These stems came from Oregon. Floral designers love the dreamy, 18-foot-long hop garlands, often using them to decorate wedding arbors. Common hop is also used by home brewers. With fast-growing, twining stems, hand-sized lobed leaves and bract-like flowers, the female form of Humulus lupulus is also a “quick” screen for a fence, wall or trellis. It does, however, need to be cut back once a year (usually in late fall, after the first frost), in order to produce a new flush of vines the following season.

 

Color of the Moment

Saturday, September 7th, 2013
Detail of my color palette

Coral pinks, rosy oranges, a touch of faded terracotta and some dark burgundy foliage.

The overall scheme of the flowers I played with this week is hard to name. I’ve come up with the following:

Terracotta Pink

Coral Pink

Peachy Apricot

Pinkish Orange

Faded Terracotta

I’m up for suggestions on how to describe these yummy colors!

Dan Pearson of Dan’s Dahlias grew the two types of dahlias – one leans more toward the pink end of the spectrum; the other is more like that faded terracotta color I mentioned.

The antique pink-hued Celosia were grown by Diane Szukovathy and Dennis Westphall of Jello Mold Farm.

As I was leaving the Seattle Growers Wholesale Market the other day, Janet Foss of J. Foss Garden Flowers handed me the bunch of alstroemeria as a gift. These little beauties have flecks of dark maroon on a pale orange-pink throat. I love the way they tie together the more solid colored flowers.

Peaches and Cream Trio

There is a peaches-and-cream (with rapsberries added) mood to this trio of vases.

I came home wondering what to do with these evocatove botanical elements. I pulled down three ivory vases – one is vintage Haegar; two are vintage Hull (from my recent trip to Iowa). It felt right to use these vessels, each of which has an eggshell-like color and texture.

I walked around my garden and snipped dark maroon foliage from the Ninebark shrub, which as you can see really helped to define the spaces between the flowers. I also snipped Sedum ‘Autumn Joy’ in pinkish bud and a few sprays of an inherited chrysanthemum, the flower heads toned dark terra cotta.

A few more shots, showing the designs for my medium and small vintage pedestal bowls:

Small Vase

This little saucer didn’t have a lot of room for stems. So I used a hydrangea flower as a fresh “frog” to organize the other short stems.

 

Medium Vase

A fabulous, creamy white vintage compote-style bowl, used with a cage-shaped flower frog for this color-intensive bouquet.

Everything seems to come together as a lovely gathering of a beautiful hue. The color of the moment!

 

 

SLOW FLOWERS Podcast: Meet a Young Flower Farmer (Episode 105)

Wednesday, September 4th, 2013

Meet a Young Flower Farmer (Episode 105)

Janell Portrait

Meet new flower farmer Janell Patterson of Flower Forest Farm in Auburn, Washington

Earlier this year I met Janell Patterson, a young cut flower grower who launched Flower Forest Farm, a micro-agriculture endeavor that’s part of Seattle Tilth’s farm incubator program called Seattle Tilth Farm Works.

There's a forest and farm here, which perhaps inspire Janell's charming business name: Flower Forest Farm

There’s a forest and farm here, which perhaps inspire Janell’s charming business name: Flower Forest Farm

Located about 40 minutes southeast of Seattle in Auburn, where there are still patches of agricultural land that the developers have missed, Janell and several other new farmers at the are learning the art and science of growing through hands-on efforts. Tilth instructors provide extensive small farm business training and support. Here is some of the curriculum:

This program provides: 

  • A comprehensive educational program covering farming, business planning, operations and marketing 

  • On-site mentorship from experienced farmers

  • Hands-on experience growing food on 1/4 acre plots
  • Access to farmland, equipment, water and other necessary farming inputs

  • Assistance in creating marketing channels for products

Peek through one of Janell's pink dahlias catch a glimpse of the nasturtiums and Queen Anne's Lace flourishing beyond.

Peek through one of Janell’s pink dahlias catch a glimpse of the nasturtiums and Queen Anne’s Lace flourishing beyond.

Each participants’ time and sweat equity yields food or flowers that supply Tilth’s weekly Community Supported Agriculture subscriptions. Janell’s Flower Forest Farm is the only flower grower involved and it’s wonderful to see her beautiful ingredients supplying CSA customers and local farmers’ market shoppers. She manages a one-quarter acre parcel filled with beautiful rows of annuals and gorgeous dahlias.

A young mom, Janell brings an eclectic background to her endeavor. She has experience as a professional interior designer and she has been studying horticulture at South Seattle Communit College (which is where I gained my training in horticulture and landscape design). Janell also worked as an environmental volunteer managing a small rural tree nursery with the Peace Corps in Ghana, West Africa.

Fellow garden blogger Filiz Satir and I visited Seattle Tilth Farm Works in July and walked through the fields on a tour with Janell. You’ll hear Filiz’s voice (and a few of her own questions) on this recording as part of our conversation. See more of my photos below:

The forest looms beyond the Seattle Tilth Farm Works, creating a beautiful setting for growing flowers (and food)

The forest looms beyond the Seattle Tilth Farm Works, creating a beautiful setting for growing flowers (and food)

 

Zinnias on display in straight rows, ready to be harvested.

Zinnias on display in straight rows, ready to be harvested.

 

Another pretty dahlia, one of hundreds that Janell planted this season.

Another pretty dahlia, one of hundreds that Janell planted this season.

 

Sweet Peas

Sweet peas were at their peak when I visited in July, trellised inside the hoop house at Seattle Tilth Farm Works.

 

Basil

Love the dark Opal basil that Janell grows for her mixed CSA and Farmers’ Market bouquets.

Click here to learn more about Tilth’s CSA program, including how to order Janell’s weekly bouquets.

Click here to learn more about Flower Forest Farm’s flowers, bunches, bouquets and custom services.

  

SLOW FLOWERS: Week 35

Sunday, September 1st, 2013

Made – and Grown – in America

Dahlias and Callas Two Ways

Two vintage vases with lovely matte glazes contain simple bouquets of ruby-red dahlias and calla lilies. The silvery Dusty Miller foliage ties it all together. 

Ingredients (for each vase):
11 stems Dusty Miller (Centaurea cineraria), grown by Charles Little & Co.
5 stems Dahlia ‘Naomi’, grown by Jello Mold Farm
5 stems ‘Hot Lips’ calla lilies, grown by Oregon Coastal Flowers
12 stems love-in-a-mist (Nigella damascena ‘Persian Violet’), grown by Charles Little & Co.
 
Vases:
6¼-inch tall x 5½-inch diameter vintage Haeger vase (green) 
5¼-inch tall x 5½-inch square vintage McCoy vase (turquoise)
 
Detail

This detail photo shows how the calla lilies and dahlias are in perfect harmony with the little strips of the love-in-a-mist.

Eco-technique

Green couture: More than ever, floral designers and their customers are adopting green practices, and the vase itself is one important way to be more sustainably-minded. For example, instead of using inexpensive, made-in-China glass floral vases, I opt for something unusual (and usually just as affordable).
 
Great vases can come from flea markets, garage sales, thrift stores and hand-me-downs from relatives. For less than $15 at a time, I purchase a case of one dozen made-in-the-USA Ball canning jars – ideal vases for last-minute gift giving. In fact, I’ve trained my neighbors to return their jars so I can reuse them for future bouquets.