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Last week was quite amazing in so many ways. First of all, I was on assignment for Country Gardens magazine, working with the uber-talented photographer Laurie Black, my collaborator in so many great articles that we’ve created over the years for editor James Baggett and art director Nick Crow.

With her partner-husband Mark King (ever the calm one and a genius when it comes to all the technical aspects of location photography), Laurie and I were tasked with capturing the story of Schreiner’s Iris Farm, the lovely and alluring bearded iris, and the two women who are nearly single-handedly reviving interest in these old-fashioned spring flowers. 

Those women are my guests today – Sarah Ryhanen of Saipua and Nicolette Owen of Nicolette Camille. While they independently own their own Brooklyn-based floral studios, together the friends collaborate as teachers through The Little Flower School of Brooklyn. 

Smitten by the bearded iris, especially watercolor-washed varieties in apricot-peach-pink; smoky browns; mustardy-yellow; mahogany and silvery-lavender spectrums, Nicolette and Sarah have been fans of Schreiner’s Irises for years.

They worked with the Salem, Oregon-based, third-generation family farm to create a one-day Iris-intensive and invited students to join the fun.

Here’s how the workshop was described:

In this class, students will bask in the glory of the fields at peak bloom, and in a tour of the display gardens witness first hand the incredible diversity of color and form this unique perennial offers. We’ll discuss and demonstrate the tenets of composing an arrangement in our elegantly layered Little Flower School style. Special emphasis will be placed on flower selection, color blending and the mechanics of building a low lush sprawling arrangement without the use of floral foam. Working with the very best of the Schreiner’s specimens, along with a menagerie of other locally grown Oregon flowers, students will receive in-depth. one-on-one instruction as they build their own rambling garden style arrangement.

The day was packed with beauty and creativity. It was an inspired, sublime experience — from the first moment when we met, toured the gallery of irises and the gorgeous display beds showcasing irises and their favorite companion perennials — to an afternoon of floral design instruction. Meeting many members of the Schreiner family was a bonus! Thanks to Steve Schreiner, Ray Schreiner and sister Liz Schmidt (plus we met sister Paula, who stopped by while leading an iris tour for Portland’s Japanese Garden).

About 18 students gathered for the workshop, from established floral designers to apprentices and those considering a career switch, and me – a floral dilettante! Together, we fixated on Sarah and Nicolette’s language of flowers. 

These two communicate with such beautiful interlocking poetry and prose. And you’ll just have to wait for the summer 2015 issue of Country Gardens to learn more, read my story and see Laurie’s awesome photography!

 

After our workshop, however, the three of us sat down in the double-Adirondack benches so generously provided by the Schreiner family. We talked a lot about the farmer-florist concept, the Slow Flowers movement, and the importance of staying close to the source of your flowers.

 

Here’s a little more about The Little Flower School of Brooklyn:

The Little Flower School is the teaching project of Nicolette Owen (Nicolette Camille) and Sarah Ryhanen (Saipua); each known for their loose, natural, garden-focused floral designs. Fueled by their reverence for flowers and penchant for travel, the two traverse the globe teaching, learning, and hunting down the most beautiful floral specimens.

Sarah and Nicolette first met over dinner in July of 2008 – a time when each of their separate floral businesses were first establishing. As distinct competitors, their friendship championed a spirit of collaboration and – they hope – has helped to foster an atmosphere of sharing and collaboration amidst a new wave of New York floral designers.

Students of The Little Flower School are men and women; novices, floral enthusiasts, designers in other medium, those looking to start their own floral business, and those with established floral businesses looking to broaden their design knowledge. Classes are seasonally oriented and often exalt a particular flower or design concept. 

Here’s more about Nicolette: 

Nicolette Owen runs her custom floral design studio, Nicolette Camille Floral, in Brooklyn NY. Her work is known for its romantic effusions, nuanced color and texture. Each arrangement is evocative of both the wild and formal garden. Nicolette’s first book collaboration, Bringing Nature Home, was released by Rizzoli in April 2012.

 

And more about Sarah: 

Sarah Ryhanen is a self taught flower designer, grower and  co-founder of Saipua. Her compositions have a haunting, sensual quality. Her work has appeared in publications such as The New York Times, Vogue and Martha Stewart. She splits her time between the Saipua studio in Red Hook Brooklyn and Worlds End, her new flower farm in upstate NY.  And listen to my earlier podcast interview with Sarah here, in which we speak of her decision to begin growing her own flowers with her partner Eric Famisan.

Please enjoy this conversation and join in by sharing your comments below. 

Thank you for joining me this week. Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 12,200  times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts. 

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

 The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts and  Andrew Wheatley. You can learn more about their work at hhcreates.net.

Creating a magazine story involves a lot of moving parts.

Last year, I worked with a huge team of talented people to produce a feature story for Country Gardens magazine called “Art by Hand,” which appears in the current Summer 2012 issue. Editor James Baggett had the original vision for this story — and he asked me to produce and write a group of short profiles that together tell the story of craftspeople and artists whose work is inspired by the garden, wildlife and nature.

Our starting point was Dirt Couture, the online garden emporium started in 2010 by Cindy McNatt. Many of you know Cindy for her daily updates called Dirt du Jour, which is a fun, g0-to site for all the latest gossip about plants, books, people and trends in the gardening world.

Cindy suggested several of the artists whose work is featured on Dirt Couture, and since photographer Laurie Black and I are now both located in the Pacific Northwest, we decided to focus on three folks in Oregon and Washington. We photographed their portraits and work last July.

Last September we headed to Southern California for a visit to Cindy’s gorgeous garden and the world headquarters of Dirt Couture (aka, her kitchen table!). Pulling together all these separate pieces and making them into an 8-page feature for Country Gardens was way more work than just visiting a beautiful garden and spending 24 hours photographing it. But I love teaming up with Laurie and her husband Mark King, and things always seem to have a good flow when we’re on location together.

So you can read the story here — or, better yet, pick up a copy at the newsstand. Laurie’s photos are amazing (and PS, she also photographed the cover of the same Summer issue to illustrate my feature about The Herbfarm Restaurant’s Basil Banquet. That’s another fun story!).

Here are my favorite out-takes from “location.”

Bob Denman of Red Pig Garden Tools in Boring, Oregon, is one of the country’s last blacksmiths making hand-forged gardening tools and implements. You can learn more about his work here:

Artist Blenda Tyvoll uses mixed media to cover her canvases with soulful trees, inspired by the Oregon farm where she and her family grow Christmas trees! Check out more of her work here.

Potter and artist Marybeth Sommers of the Seattle area has adapted the traditional Raku method to create bird houses and bird feeders. They are charming! We photographed Marybeth and her work at the Dunn Garden in Seattle. Thanks to the folks there for making that happen! Marybeth’s studio is called Ring of Fire Pottery.

Finally, we spent a day with Cindy McNatt, creator of Dirt Couture. Visit the site here and learn more about all of these artists, plus nearly 100 more artisans and crafters. You won’t be disappointed!

The end! Now we’re busy planning all the stories to be created this summer for 2013 issues~