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A few weeks ago, I journeyed to Bellingham, a beautiful college town located close to the Washington-British Columbia border, where Annika McIntosh of Hazel Designs grows botanicals, designs gardens, and arranges flowers for everyday customers, weddings, and events. During what was a lovely morning in the garden and studio, I spent time with Annika to learn about how she has expanded beyond designing landscapes to fashion a floral-centric career. As she explained, rather than calling herself a “farmer-florist,” she likes to say she’s a “Designer / Grower.” Not a farmer, per se, but a grower of uncommon and unique cut florals — annuals, bulbs, perennials, shrubs, vines, trees, grasses, and other surprises that are displayed in custom hand-tied bouquets and event installations. We filmed a brief garden tour and then went right in to the backyard studio space where Annika, her husband, and their daughter are living temporarily, while renovating their home that’s located at the front of the generously-sized city property. I know you’ll enjoy our conversation while watching Annika design with early-summer botanicals.
Annika grew up in the gentle, old hills south of the Adirondacks and east of the Hudson River in upstate New York with two artisan parents who built an off-grid home and raised cows and a highly productive vegetable garden. Annika’s father is a fine cabinetmaker turned bass luthier (that means “maker of stringed instruments”; he is also a musician and local politician) and her mother is a basket maker and gardener (as well as a musician, educator and organizer), and they are very much rooted there in the small community where Annika was exposed to a lot of amazing gardens, music, art and progressive thinking.
Annika studied dance, environmental studies and studio art at Oberlin College and Landscape Architecture at the University of Washington. She lived in Montreal for a few years before moving to Seattle and has been in Bellingham for the past 6 years. National and global events have definitely shaped her career path, as the 2008 depression dashed hopes that she might join a design firm. Instead, she started Hazel Landscapes, a design/build company. The family’s move to Bellingham coincided with the pandemic. At first, that felt like starting over, but it also allowed her to stay small and scrappy and build her business again from the ground up, with word-of-mouth, in a way that she feels good about.
Annika’s garden at home is a demonstration of what can be grown — for ornamental and pollinator/bird foraging purposes, as well as for cutting — with very little tending or water and no protection from deer grazing. She says: “I love to remind people that they can cut widely from their home landscape without making a designated ‘cutting garden,’ using foliage from shrubs and other plants they might not think of as ‘flowers.’ Foraging from pruning piles and then testing vase life and aesthetic utility of landscape ornamentals was what got me into cut flowers in the first place, and I still find it more engaging than growing typical field flowers. (I’m also not set up as a farm, so my home landscape is my focus and it’s all ‘fair game.’) It is definitely more of a long game, with slower-growing plants, but that’s also where I can find branches or stems with real personality that build a gestural narrative in an arrangement. I find that local, seasonal foliage is a more appealing complement aesthetically than the ubiquitous ruscus, smilax, leatherleaf fern, eucalyptus and other florist’s greens, making an arrangement or bouquet really special in a beautiful, of-the-moment uniqueness.”
“Floral designers create smaller encounters with nature for people to interact with — so for me it’s an easy leap to apply the same thinking to working with seasonal flowers and foliage. Florists working with a local supply chain of seasonal products (especially foliage!) will create floral experiences that are truly unique to that particular time and place. Whether the audience includes wedding guests, memorial attendees or conference participants, that brush with seasonal blooms will give them a sense of place and ground them in the season. And I believe it is vitally important to strengthen our connection to nature, especially in recurring, non-verbal, gentle and celebratory ways.”
“I got stalled in college environmental studies classes by desperately wanting to communicate the urgency of the climate crisis and be a part of some kind of solution to the waste and destruction I was so aware of, but feeling completely overwhelmed and unsure how I could ever effect change. Over the years I’ve pieced together a working answer to that angst and need for action that is so scaled back that I sometimes have to squint to see it… but it works for me, and feels subtle yet positive and supportive: growing with kids in school gardens; designing outdoor spaces where people can connect with nature at home, and bringing flowers to celebrations and everyday occasions that speak to the season and place.”
There is so much packed into one episode — an inspiring moment together in the studio, in the garden. I know you’ll enjoy it immensely. Annika is part of the brand new Field to Floral Market, a Bellingham area collective with local growers and floral designers — and new members of the Slow Flowers Society. You’ll watch a short tour of Field to Floral at the end of my conversation with Annika.
Other Slow Flowers members who are part of the Field to Floral marketplace include:
Nicole Huson of Headwaters Farm; Eryn Shaughnessy of Frogsong Flowers; and Emily Hazlip-Haese of Thorncrest Rose Farm. I’m so excited to learn more about each of them on a future visit to the area.
Annika’s flowers can be found at Lakeline Cafe and Roam Cafe in Bellingham, as well as in her driveway on the weekends. You can message Annika through her Instagram account, or sign up for her newsletter – I’ll share the link in our show notes.
Links to order Annika’s mother’s garden books, which Annika designed:
Once Around the Sun, by Bliss White McIntosh
Battenkill Books and Amazon
Another Time Around the Sun, by Bliss White McIntosh
Battenkill Books
Thank you to our Sponsors!
This show is brought to you by slowflowers.com, the free, online directory to more than 700 florists, shops, and studios who design with local, seasonal and sustainable flowers and to the farms that grow those blooms. It’s the conscious choice for buying and sending flowers.
Thank you to our lead sponsor, Flowerbulb.eu and their U.S. lily bulb vendors. One of the most recognizable flowers in the world, the lily is a top-selling cut flower, offering long-lasting blooms, year-round availability, and a dazzling petal palette. Flowerbulb.eu has partnered with Slow Flowers to provide beautiful lily inspiration and farming resources to help growers and florists connect their customers with more lilies. Learn more at Flowerbulb.eu.
Thank you to the Association of Specialty Cut Flower Growers. The ASCFG is a gathering place for specialty cut flower growers of all levels of experience. It is a hub of knowledge, where seasoned experts and budding enthusiasts come together to learn, share, and support one another. The ASCFG is dedicated to empowering its members with the knowledge and resources needed to thrive in the world of cut flower farming. From educational workshops and conferences to online resources and publications, they provide a wealth of information and support for all things related to growing exceptional cut flowers. Learn more about the ASCFG and how to be a part of it at www.ascfg.org!
Thank you to Longfield Gardens, which provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at Longfield Gardens at longfield-gardens.com.
Thank you for joining me today! The Slow Flowers Podcast is a member-supported endeavor, downloaded more than one million times by listeners like you. Thank you for listening, commenting and
sharing – it means so much. As our movement gains more supporters and more passionate participants who believe in the importance of our domestic cut flower industry, the momentum is contagious. I know you feel it, too. If you’re new to our weekly Show and our long-running Podcast, check out all of our resources at SlowFlowersSociety.com.
I’m Debra Prinzing, host and producer of the Slow Flowers Show & Podcast. The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization. Next week, you’re invited to join me in putting more Slow Flowers on the table, one stem,
one vase at a time. Thanks so much for joining us today and I’ll see you next week!
Music credits:
Drone Pine; Gaena; Stanza in Fuchsia
by Blue Dot Sessions
http://www.sessions.blue
Lovely
by Tryad
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/
In The Field
audionautix.com
