Garden Writers Association Annual Symposium, Part III:

Lotuses thrive in the sultry Southern heat at the Sarah P. Duke Gardens in Raleigh

 Thursday morning kicked off with our keynote speaker Dr. Lowell Catlett, a fascinating economic futurist who really put things into perspective in his talk, “The Greening of America.” Dr. Catlett tailored his remarks to our profession and totally blew the audience away. We were inspired and challenged (in a good way) to rethink our definition of “green” and “sustainable” lifestyle choices.

You can find several clips of Dr. Catlett’s lectures on YouTube, so check him out. He ended the lecture with this charge: “Do not sell people products and services. Sell them dreams.” It resonated, because we know that seeking and creating beauty in our surroundings is a basic human desire. If you didn’t make it to the symposium, Dr. Catlett’s lecture is one CD to purchase and listen to.

Love the gothic gates at the entry to Duke Gardens; made of metal but inspired by stained glass

After the morning workshop sessions and a working lunch at the trade show, we hopped on buses for the first of three days of garden touring.

Thursday was the hottest, most humid day during the conference, so I have mixed memories from our late afternoon tour of the Sarah P. Duke Gardens.

Canna tropicana and a cluster of coleus, backlit in the afternoon sun

The 55-acre public garden graces the campus of Duke University and features several special areas, including a formal Italianate-style terrace garden planted with an explosion of colorful tropicals, annuals and woody plants. I spent a lot of time here and was drawn to the twin historic stone structures. Not quite sheds, but shed-like for sure.

I love the placement of these round millstones providing transit across the pond

I then escaped to the shade with a few friends walking through the understory of the H.L. Blomquist Garden of Native Plants. Filled with more than 900 varieties of regional natives, it was a beautiful and serene enclave. It was especially fun to hang out here with Nan Sterman, aka PlantSoup, my symposium roommate and Duke University alum. She spent a lot of time studying plants as a biology undergrad, so I had a personal narrative to connect to this amazing place.

We experienced that languishing, Southern state of mind, what with the heat, the humidity, the sun and the sleep deprivation from staying awake late the night before and getting up early in the morning.

Dreamy, visually restful: the Virtue Peace Pond

A buffet dinner led to some fabulous conversations with new friends, despite the climatic challenges (it was all I could do NOT to throw myself into the “Virtue Peace Pond” to cool off – seriously). Those water lilies, lotuses and other water-loving plants looked so much happier than the humans seated around the pond’s perimeter.

Most memorable that evening were two conversations my good friend (and collaborator) David Perry of A Photographer’s Garden Blog and I had with Susan Reimer, garden and op-ed (!) columnist and “Garden Variety” blogger for the Baltimore Sun, and later with Rizaniño “Riz” Reyes , an up-and-coming plantsman, horticulturist and designer from Seattle. I recall sharing a table (and prior conversation) with Riz at a Northwest Perennial Association event several years ago. Inspiring to know him – and new friend, to be sure.

READ MORE…

A charming Southern garden, Raleigh's Rose Cottage

Tuesday/Wednesday:  

Raleigh here I come.  

Greensboro gardener Lynda Waldrep drove me to Raleigh on Tuesday morning where I checked into the Garden Writers Association conference hotel, dropped off my gear and joined the GWA board meeting.

Nice to get Tuesday afternoon’s and Wednesday morning’s business out of the way so I could enjoy the rest of the conference once it began on Wednesday afternoon after lunch.

Wow, I got to meet heirloom seed wunderkind Jere Gettle of Baker Creek Heirloom Seeds

After some regional meetings and receptions for first-time attendees, the Garden Products Information Exhibit opened – four hours of checking out the new trends in plants, products and programs for the horticultural industry. The exhibit continued on Wednesday for another four hours.

Next, I joined 50 or more very new (and a few old) friends at a private garden cocktail party for garden Twitter participants. Sharon and Jim Bright, our gracious garden hosts, opened the gates to Rose Cottage, their charming place in a historic downtown neighborhood.

The GWA Tweet-up is in full swing

Raleigh hometown gal Helen Yoest of Gardening With Confidence and Elizabeth Licata of Gardening While Intoxicated/Garden Rant, planned the evening with several other volunteer Twitter friends. Proven Winners (thanks Danielle!) was our sponsor, so we had lots to nibble and sip while admiring the garden’s exuberant cottage plantings, semi-formal vegetable beds (outlined in brick) and more.

Laura Schaub, Amy Stewart and Helen Yoest, real-time Twittering

All those women and men with whom I “tweet” came together for an evening where putting a face to a name was part of the fun. Our nametags had our real names and our Twitter names (I’m “@dkprinzing”).

What amused me more than anything was watching people post comments on Twitter during the party.  I call it real-time garden tour commentary at its best.

My gal pal Mary Ann, busy with thumbs and I-phone

Later that night, I walked all the way across town with a friend to an authentic Carolina ribs BBQ dinner hosted by the Garden Media Group. A chance to catch up with some editor and writer friends, meet several of GMG’s clients, shake the hand of famed BBQ chef Ed Mitchell and eat some of his great Southern food.

Long day, but good conversations all around!

This annual gathering of gardeners is something I look forward to from year to year. Raleigh was my 8th Garden Writer Association event and I’m hooked.

. . . in an intimate, domestic setting illuminated by flames, candles and carnival lights.

The September Issue

Thanks to ample layout space and the 4-color gods, today’s Los Angeles Times HOME section devotes a whole lotta real estate to my feature story about the indoor and outdoor kitchens of hot documentary filmmaker R.J. Cutler.  If his name doesn’t ring a bell, I refer you to the The September Issue, the documentary feature film that opened last weekend in New York and opens in Los Angeles and the rest of the world on Friday. The film follows the legendary Vogue editor Anna Wintour and her creative team as they put together the fashion magazine’s most important issue of the year – in this case, the September 2007 issue. The expanded online photo gallery is here.

Debra and R.J. on location in his outdoor dining room

Every good thing that has happened to me since moving to Los Angeles comes through meeting interesting and talented people who, in turn, lead me to more fascinating and gifted ones. I met R.J. through interior designer Lory Johansson, whose studio is called Just Joh. I met Lory indirectly while profiling a Malibu garden designed by Scott Shrader for Garden Design magazine. Lory designed the interiors for Scott’s clients and I mentioned their collaboration on choosing materials for the indoor-outdoor elements in my text (that piece appeared in January, called “Sunset Soiree.”).

During the editing process, I received a message from the Garden Design fact-checker saying that Lory would love to show me one of her outdoor projects. We connected by phone and arranged to meet at R.J.’s Hollywood Hills property this past February. It takes a lot of time to scout gardens. It’s kind of like buying futures on the commodities market. You have to spend a few hours on the freeway, usually in crummy traffic, on the off-chance that the architecture, interiors or landscape you’re scheduled to visit will be a worthy candidate for publication. For some reason, after speaking with Lory, I had a hunch the trip to R.J.’s wouldn’t be a waste of my time.

Designer Lory Johansson and me. The photo is a little blurry because it was taken without a flash by candlelight. We're happy that the shoot is over!

The property is just stunning, high in the hills above Beachwood Canyon and literally under the HOLLYWOOD sign we’ve all seen in a million movies and TV shows. It’s a circa 1924 Spanish Colonial Revival home, which R.J. acquired in 2005 and has subsequently restored with Lory’s brilliant design skills. Big but not imposing, the house sits on three-quarters of an acre. There is a beautiful garden with a swimming pool, strolling paths, a lawn for croquet and square-dancing, a secret garden and other intimate spaces. You can’t see that now, though, because photographs of the garden are under wraps until Garden Design’s March 2010 issue (photographed by the very talented Jack Coyier). That’s right. First the Los Angeles Times. Then Garden Design. See how lucky I was connecting with Lory?

At the outdoor pizza party featured in today’s LA Times, freelance photographer Ringo Chiu, who shoots frequently for the newspaper, captured the festivities through his lens. I tried to stay out of the way while also surreptitiously “art directing.” Anyone who has worked with a newspaper photographer over the years (this comment is for you Melanie Munk) knows how impossible it is to get them to do what you want. And even more impossible to style a shot as you would for a magazine or book. However tough that “dance” can be, Ringo at least humored my few suggestions (ie, shouldn’t we light the fireplace? how about the candles? let’s move that dead potted rosemary!). He did a great job and it was fun for me to snap a few shots of him at work, shown here.

Photographer and Filmmaker

You can draw a lot of inspiration from this story for your own garden. The best tip from Lory is to go bold with color. She designed the entire outdoor kitchen, benches, fireplace and privacy wall with a white stucco finish, like R.J.’s house. But when it was finished, Lory says she stood at the opposite end of the garden and looked across the pool to the too-white scene. “It looked like Greece instead of Los Angeles,” she lamented. Lory knew color would lend heightened drama, especially in the outdoor setting.

The day before R.J. was planning to host his first big al fresco pizza party, she couldn’t stand it. Lory went out and ordered gallons of paint – rich, deep, paprika-terra cotta red – and got the crew started painting. When R.J. came home and saw what was going on, she promised him that if he didn’t like the result, she would pay to repaint everything white again. (Can you imagine how many coats of white paint it would take to cover dark red?).

Let’s just say Lory’s gamble paid off. You have to read my story to see what R.J. says of the decision to keep it.

After researching and reporting this story, I have two new items on my own garden wish list. Number one: I need to buy a 100-foot string of carnival lights to suspend around my own garden. Number two: I desperately want my own wood-burning pizza oven. But only if I can have Chef Alberto come over to cook for me!

Here are more of my candid party photographs:

Two years ago, I read Julie Powell’s wonderful debut memoir, “Julie & Julia.” Her story of spending 365 days cooking every recipe in Julia Child’s “Mastering the Art of French Cooking” was electrifying and compelling.

I couldn’t decide what was more inspiring – Julie Powell’s innocent ambition and subsequent bravado or the between-the-lines story of the power of blogging as a voice for authors.

Either way, I ended up buying 5 copies of Powell’s book for my favorite writer girlfriends. I told them: You must read this book. It will open up your eyes to the potential of blogging.

At the time, I had just bit the bullet and decided to really try serial blogging. My best intentions prior to the fall of 2007 hadn’t gotten me very far. I originally “started” this blog in March 2007, when I foolishly thought Shedstyle.com would be a book-in-progress blog while Bill Wright and I created “Stylish Sheds and Elegant Hideaways.”  Constant travel, photo shoots, intense deadlines and a generally crazy schedule conspired to keep that from occurring (I think I wrote 2 posts between March and October 2007).

In September 2007, I moderated a “Garden Blogging” panel at the annual Garden Writers Association symposium with blogger-friends Kathy Purdy, Mary Ann Newcomer and David Perry (you will find each of them and their blogs the LINKS section of my home page).  I felt like a fraud. Sure, I created the panel and served as its moderator. But I was a pretender “talking” about blogging, not actually doing it.

I came home from Oklahoma City and, wholly inspired, I just started writing. I am eternally grateful to Mary Ann, David and Kathy for their honest and heartfelt support as fellow bloggers.

Like many tough things, repetition and frequency make it easier to learn new skills and habits. In less than 2 years I have written nearly 200 posts and met many awesome fellow bloggers, readers, friends.

Back to Julie and Julia.

That book really did change my life, thanks to the courageous Julie Powell and the inimitable Julia Child. I came home tonight from watching the movie “Julie & Julia” equally inspired.

As director and screenwriter, Norah Ephron is amazing. What a talent. Her screenplay is delightful. Her cast – Meryl Streep and Amy Adams – are delicious. Totally delicious in their roles as Julia Child and Julie Powell.

A woman seated near me (friend of a friend) told me a great story after the movie. As you may know, Julia Child lived in Santa Barbara in her retirement. The woman remembered working as a waitress in Santa Barbara in 1989. She waited on Julia and her husband Paul, who by then was in a wheelchair.

“Julia ordered a grilled-cheese sandwich and a banana for lunch,” this former waitress recalled. Hmm. I love hearing that our culinary icon, Julia Child, liked basic comfort food. It puts a smile on my face.

Not sure where this post is going, except to say that the writer in me LOVED the book and the film. I felt like I was watching all of our stories, our efforts, our hopes and dreams, up there on the screen. When the film portrayed Julia Child’s manuscript finally getting published after 8 years of work, I felt so victorious for her. When Julia Powell was interviewed for a story in the New York Times food section, I felt the excitement at hearing her answering machine buzz (well, that hasn’t exactly happened to me, but I can kind of relate).

Anyway, if you’re into food you should see “Julie & Julia.” If you’re a writer, you’ll definitely want to.

This post is dedicated to Nan, Paula, Mary Ann and Lorene, my friends who received copies of Julie & Julie from me in 2007.

A custom tent with side draperies and scalloped details creates a secluded, breezy patio retreat

Interior designer Deborah Campbell knows how to turn an ordinary patio into a place you’ll want to visit often — and perhaps never leave. Use her design ingredients to create a private respite where you can rejuvenate and collect your thoughts.

The Santa Barbara-based principal of Deborah Campbell Interior Design transformed two private patio spaces into outdoor rooms at Casa Robles, the design showcase that benefits CALM (Child Abuse Listening and Mediation, a Santa Barbara nonprofit organization whose mission is to end child abuse).

On location: Gary Moss, photographer (kneeling), as he perfects his shot in the family room. His assistant Pam is to his left; 805 Living editor Lynne Andujar is at right

As part of the 805 Living Magazine team that created the CALM Showcase program, I wanted to see the finished project in person before the public tours close this coming Sunday, June 28th (see details below). 805 Living is the presenting sponsor of the event, and editor Lynne Andujar asked me to write a feature story about the home and interiors for our November 2009 issue. This morning I drove to Santa Barbara to see and tour the project. Lynne was there with photographer Gary Moss, shooting the interior and exterior spaces for my story. They captured some gorgeous, evocative shots! Can’t wait to see them in print.

I also met several of the designers involved in creating the new house, including Annette Flower (who created the family room off of the kitchen), Gillian Amery of The Kitchen Company, and Deborah Campbell. The other key persons on the creative team include Christy Martin of Studio Encanto, the primary interior designer; Harrison Design Associates, the architecture firm; Lindsay Adams Construction, the contractor; and Katie O’Reilly Rogers, ASLA, landscape architect (who created the patio’s proportions and selected the beautiful Ashlar-laid stone).  

Create an outdoor room with a Sunbrella fabric tent lined with sheer panels and Morrocan print fabric on ceiling

Deborah Campbell’s design for the living room patio is completely enchanting. In studying and photographing it, I realized that her design, which she calls “Soft Summer Breezes,” offers a perfect recipe for decorating any patio.

Of course, it would be tres bien to turn your own patio into an open-air Kasbah with a custom-made canvas tent lined with sheer fabric and Moroccan toile draped across the ceiling.

But if you can’t do that, try creating an overhead fabric ceiling from yardage, sheets or tablecloths that suit your fancy.

Remember when you were a kid and you clipped two sheets to a clothesline and then pulled them out at the bottom to anchor as the “sides” of your makeshift tent? Ingenuity like that is priceless – we all need to remember our childhood shelter-making ideas and re-purpose them as adults.

Here’s a quote from Deborah:

“I am inspired by the Mediterranean architecture and Santa Barbara’s mild, year-round climate. I wanted to create outdoor rooms to capture that casual lifestyle. My personal style is always loose, relaxed, and eclectic. Nothing is perfectly arranged . . . because I wanted to give a sense of our California casualness.”

DECORATE YOUR PATIO

Try these patio design elements to decorate your outdoor room, straight from Deborah’s drafting table:

Rugs:  A vintage Moroccan area rug is layered over a jute outdoor rug. The rug is protected from sunlight and rain. If you don’t have a covered area, look for one of the new, cool weatherproof rugs, such as Pier 1 imports’ selections. The Moroccan rug is from Upstairs at Pierre LaFond, Santa Barbara. Also shown here is the rattan “Poof” floor cushion, from Porch in Carpinteria. It echoes texture from the wicker chairs and invites you to perch, curl up your legs, and rest your drink on the coffee table.

Seating: Deborah selected wicker occasional chairs and piled them high with eclectic textile pillows and basic driftwood-colored linen cushions. The chairs evoke life at the beach, from Porch in Carpinteria.

Textiles: Pillows galore lend one-of-a-kind interest and beautiful textures. They tell a narrative of an owner who has traveled widely and who loves to pair old with new; worn with polished; rustic with refined. Pillows from Upstairs at Pierre LaFond and Rooms & Gardens, both in Santa Barbara.

Tables: Weathered and worn, the plank-topped coffee table is large enough to do double-duty as an al fresco dining table. It is by Brick Maker, available at Porch.

The “Scroll” console table is perfect for displaying objects or setting up a picnic buffet on a cool summer evening.

Lantern: Okay, the over-sized lantern is a gorgeous thing to behold. I love, love, love that Deborah went BIG in scale in selecting this element of her design. It is called a “Wine Stave” chandelier, made from old wine barrels. You can kind of see the influence in the wood rings. I wish I could have photographed it while lit, but if you squint, you’ll get the idea. This lamp-chandelier makes the design sing! It’s from Porch.

Objects: Decorative orbs (right) are made from burl root and lend another distressed texture to the space. Spanish hand-blown glass bottles look like beach glass (left). All of these items are from Porch.

Plants: Drama is key. Each plant needs to have presence in the space, almost as sculpture. The mature Agave, potted in a cast concrete urn, is one example. (Above): The cast-concrete bowl, planted with Euphorbia ‘Sticks of Fire’ is another.

MORE DETAILS:

Casa Robles is an exquisite, historic property originally designed by Chester Carjola in 1948. The modest California ranch, situated on a oak-studded hillside with views of the famed Santa Barbara Mission, has been completely transformed and reimagined to capture the essence of a California Spanish Colonial estate. Most of the rooms open onto an interior courtyard, outdoor patios and second floor terraces. Enlarged to 4,500-square-feet, the home is situated on a two-acre garden.

In addition to the generous homeowners, volunteer architects, interior designers, landscape architects, contractors, craftspersons and artists have come together to create, furnish and landscape a beautiful showcase home. It is open to the public through June 28th to benefit CALM. Tickets are $30. Click here for more information.

Deborah Campbell Interior Design: 805-969-9657.

STYLISH SHEDS AND ELEGANT HIDEAWAYS: “A charming, happy, very pretty book full of ideas for building, furnishing, and enjoying your backyard shed or writing den.” — Old House Interiors review, July 2009.

My Stylish Shed partner, the very talented Bill Wright, is a frequent contributor to Old House Interiors magazine. His photographs of luscious historic interiors and architecture are always a treat for the eyes. So when we learned recently that editor Patricia Poore planned to feature Stylish Sheds and Elegant Hideaways in the magazine’s July 2009 issue, Bill and I were thrilled.

Patty decided to excerpt a chapter from Stylish Sheds, one about Michelle and Rob Wyles’s dreamy garden shed in Eastern Washington.

We called our chapter “Sun Catcher,” which aptly describes the shed’s design that utilizes ample antique windows to draw sunlight into the 20-by-20 foot cedar-shingle-clad structure. OHI titled the chapter “Garden Hideaway” and I’ve included the edited story here, along with Bill’s images:

GARDEN HIDEAWAY: In Washington, friends meet in this sun-catching sanctuary of glass and cedar, where tended plants thrive amidst old furniture and favorite collections.

By Debra Prinzing | Photographs by William Wright

More summer cottage than glass house, this hideaway in Washington State is the centerpiece of what Michelle Wyles calls her “farmer’s wife’s vegetable garden.” It functions not only as a greenhouse, but also a place for collectibles and friendly gatherings.

Two Gothic windows, which Michelle and her husband Rob hauled home from Hayden, Idaho, are bracketed by fifteen-light French doors installed as windows. Besides being a master gardener, Michelle is an antiques dealer who’d stockpiled architectural fragments. More Gothic millwork appears above a doorway, and vintage stained glass is mounted at the peaks of two of the building’s four gables.

Her design process was anything but logical, Michelle admits. “You can be unrealistic and impractical when you’re making a garden building,” she says.

“The beauty of this one is the juxtaposition of its fanciness with its humility. It’s not supposed to be la-di-da . . . it’s a manifestation of things that make me happy.”

In the summer, doors and windows are flung open to infuse the garden house with the fragrance of roses and lavender.

Rob and Michelle host parties here, and benefits for charities such as the Yakima Area Arboretum, their local public garden.

When the stars are shining above, the music is playing, and revelers are gathered at the large round table, Rob says it’s magical: “people and plants in their glory!”

Mission: Hideaway

Challenge: To build a sun-filled garden sanctuary that emulates a greenhouse – lots of light, air, circulation, and humidity control – without mimicking its structure.

Program [Must-haves]: Big windows, running water, floors of native Cascade mountain rock, display shelves for pottery – and “room for a party.”

Inspiration: A plain, Nantucket-style cottage of weathered shingles with lavender trim.

Design features: Four symmetrically placed gables and four window-filled walls. Salvaged Gothic-style windows and French doors. Hinged panels for air flow, and a ceiling fan for circulation.

The story ends with this sidebar, featuring three other of our favorite Stylish Sheds:

“A room of one’s own” doesn’t have to be in the house. Backyard structures sometimes bear no resemblance to the cobwebby garden sheds of suburbs past; today people are using them as studios, writing rooms, playhouses, dining pavilions – hideaways of all sorts. Look for lace curtains and window boxes, and cedar shingles instead of corrugated walls. Even toolsheds, of course, can be artistic.

Pier 1 imports in-house stylist, Aimee Beatty in her fav Papasan chair

"Crazy Weave" hanging lanterns in 2 sizes, 6-inch high and 7-inch high; ($10-$15)

Summer’s almost here and since you may not have the budget for a big vacation, why not spend just a little to turn your backyard into a spa-at-home?

Pier 1 imports, my fav post-college source for home decor and furniture, is all grown up. I recently reviewed the retailer’s playful summer collection. I’m especially drawn to their lineup of  creative ideas for decorating outdoor spaces.

To learn more about the colors, patterns and materials that inspired the season, I called Aimee Beatty, Pier 1’s in-house stylist and design maven. She works for the Ft. Worth, Texas-based home furnishings chain to coordinate photo studio vignettes, visual displays and settings for advertisements and catalogues. 

One of the things I noticed about the Summer 2009 collection is that it’s very “interiors-looking.” I wanted to ask Aimee all about it. Here’s part of our conversation:

Q. I have enjoyed many great decorating moments from Pier 1, especially when I was in my budget-conscious, recent grad phase. But now Pier 1’s mix seems more edited and less like a world market. Has this change been conscious?

A. We envision ourselves as having something for everyone. There is an element of our products all working together (mixing-and-matching). Even today, we want shopping at Pier 1 to be a treasure hunt of sorts.

Q. I’m interested in the outdoor furnishings and accessories. What is the palette of the moment?

 A. We’re using punches of lime, yellows, corals and different shades of blue, including turquoise.

Reusable tropical-themed Melamine serving plates, $2-$19

 Q. How about materials – what’s new there?

 A. One of the materials I’m most excited about is a plastic rattan.

 Q. It looks like Pier 1’s distinct design themes have an exotic flavor this summer:

 A. I would describe the overall theme as “eclectic” – a look of mixing and matching and layering furniture with different finishes. Themes include:

• Bohemian:  It’s comfy, eclectic and a little romantic. Our design team has combined patchwork, embroidery and relaxed pieces for a vibe that’s in tune with today even though it might recall a hippy, happy era.
• Tropical: Oversized floral patterns. Bold color. Natural touches. Easy ideas. This collection is as budget-friendly as it is cheery.
• Global: This is the look that Pier 1 is known for. We travel the world and pick up treasures along the way.  You’ll see this in festive dinnerware, ceramic vases with an Old World look, carved mirrors – anything with rich, jeweled tones. This season, it’s the mix that makes traditional creations look bold and fresh.

Outdoor Papasan chair, approx. 46-inches in diameter, $99.95 for 2-piece frame; Scatter daisy cushion, $100; 18-inch pillow, $16.95

Q. Can you share any fun tips on making an outdoor space more personal?

A. People tend to overlook the fact that their outdoor patio can be just as important as their indoor rooms. I suggest you clear the clutter. Don’t use that space for storage! Instead, view the patio (or deck or terrace) as a useful place. No matter how small or big, have fun.

Q. Do you have an example of a favorite deck or patio design?

 A. I like to mix a sitting area with the dining area. You can have a bistro table for two but also incorporate a wicker chair or love seat. Blend the two uses rather than separate them.

 Q. Let’s talk about some of the hot styles and products for al fresco summer settings. What are some of your favorites?

Hot pink with Electric orange, an exotic, 4-by-6 foot outdoor rug, $24.95

A. First, the Papasan – for outdoors. I remember when I went off to college and that was the first thing we bought for the dorm room. It’s an iconic Pier 1 piece. This Papasan is great because it can stay outside. It’s bold and bright and has a lot of personality. It’s made out of iron and plastic rattan. The cushions are 100% polyester and water repellent. I love these (once) indoor chairs used outdoors because they offer a new and fun patio feature for you and your guests. Use them to create a cozy, casual environment.

Q. What about the outdoor rugs – they are awesome!

A. Rugs are often the last thing people think about when decorating their patio. These are bold and bright and have a lot of personality. They really warm up a space and make it room-like.

Iron wire cage lanterns 9-3/4-inch high and 10-1/2-inch high ($18 each style)

Q. And I love all the lanterns — the ones that accommodate votives and the battery-operated options. They would look great hanging from the pergola over my patio or from the trees in my garden.

 

 

 

A. Rather than just using one, you can have groupings of lanterns. Experiment with a little cluster. Or, hang a row of them above a table.

Q. Any final advice for accessorizing our summertime spaces?

A. These trends can be taken and shown by themselves or, for even more fun, mix them all up for an eclectic look that is totally your own.

Thanks, Aimee. I look forward to talking with you again.

Garden celebrity Shirley Bovshow and I posed on a bench in Nick Williams's garden

The theme of this year’s LA Garden Show, “A Festival of Flavors,” is timely and delectable. The show is produced by the Los Angeles County Arboretum and Botanical Garden in Arcadia (just east of Pasadena), a 127-acre destination with a diverse plant collection, inspiring display gardens and natural habitat-inspired landscapes. The three-day flower show runs through Sunday, May 3rd. The event’s honorary chairs are Clara and Jacob Maarse of the famous Pasadena rose nursery and florist, and Rosalind Creasy, garden writer and pioneer in edible landscaping.

Edible gardening expert Rosalind Creasy

Most of the flower shows I’ve participated in have been indoor shows, so when I arrived last night to attend the preview gala, I was reminded of how alluring an open-air flower show can be. There’s nothing like the sky overhead, the sounds of screeching peacocks that wander the Arboretum grounds, the fragrances and textures of plants from every continent — and the conviviality of friendships — to put me in a perfect festive mood.

Upon entering the Arboretum, we first stopped off at the “marketplace” of plant vendors, garden artists and purveyors of cool stuff, which occupies the lower lawn adjacent to Baldwin Lake. The collection of white tents, topped with jaunty flags, put a smile on my face. I felt as if I was in Europe rather than Los Angeles. The two hours allotted to previewing the sales area was barely enough – but no worry, because I’ll be back there on Sunday to do some more damage to the checkbook (That’s after my 11 a.m. “Garden Chat” ).

Plant vendors, garden artists and more

As I strolled along the grassy pathways between each tent, poked my head inside several to check out the offerings, and chatted with fellow party-goers, I said to myself: These are my people!

I was surrounded by kindred spirits who love gardens, plants, ornamentation, vintage finds, and more.

Vintage gals, Libby and Nancie

A couple of highlights included visiting with Libby Simon of Libby’s Vintage Home & Garden and her friend Nancie Piser, fellow collectors of salvage, old linens, elderly gardening books, retro dishes and glassware, anything tin, rusted or galvanized, and more!

Oh, and Libby also specializes in unusual cactuses – I came home with a nifty specimen (Euphorbia handiensis) that I quickly re-potted in a turquoise-glazed pot for my garden.

My friend Paula Panich and I had a few acquisitive moments, inspired by all the unique finds these two women featured in their tent. I came home with an old garden spray-nozzle and some awesome vintage books, including an almost-mint 1932 edition of The Fragrant Path: A book about sweet scented flowers and leaves, By Louise Beebe Wilder (perfect for a friend’s upcoming birthday). Here’s what Miss Beebe Wilder writes in her opening lines:

A garden full of sweet odours is a garden full of charm, a most precious kind of charm not to be implanted by mere skill in horticulture or power of purse, and which is beyond explaining. It is born of sensitive and very personal preferences yet its appeal is almost universal.

Here is a map of The Arboretum and the Garden Show features:

Leslie Codina's art: A joyful explosion of color and form

Playful, fanciful, nature-inspired sculpture

Inspired, my eyes drifted over to the next tent over, which was filled with lively ceramic spires pleasing to the visual senses. Leslie Codina, a local Los Angeles area artist, creates whimsical stacked towers of color, pattern and form. The 5- to 7-foot-tall sculptural creations are formed first in Leslie’s imagination as she “interprets the shapes and colors of nature into her garden sculpture.”

Leslie renders individual elements in clay, then shapes, curves, twists, carves and rolls the medium into fantastical armitures, balls, finials and wing-like shapes.

Firing and glazing steps follow, featuring a mix-and-match palette of lime, plum, apricot, red, orange, blue, aqua and lavender.

Artist and sculptor Leslie Codina, with peacock strolling by

I first learned of Leslie from photographer pal Gene Sasse, who has done much of the photography that appears on her web site. He urged me to seek Leslie out – and boy am I glad I finally did.

Leslie has just donated a grouping of four 8- to 12-foot tall sculptures as a permanent installation at the Arboretum. The collection appears in the “Garden for All Seasons” display, which represents each phase of the year.

After shopping and browsing, several of us moved to the “Designer Lawn” area of the Arboretum, where the cocktail reception was underway.

The displays, created by talented area landscape firms and individuals, brings together the idea of “edible” and “ornamental” worlds co-existing in the garden. Here are a few of the innovative ideas showcased:

“Punctuation in the Garden: A Gallery of Edible Container Gardens,” created by the local members of the Association of Professional Landscape Designers (APLD):

I’ve admired and been privileged to write about the design work of several APLD members, both in the Washington State chapter and now in the California chapter. The group of a dozen folks who created eye-catching edible focal points has come up with some pretty fun interpretations of an “edible container.”

READ MORE…

Outdoor-Live-Decorate-Eat-Work-Sleep-Splash

CB2's first Los Angeles outlet opens on April 30th

I remember all those years when I lived in Seattle and eagerly anticipated my occasional trips to Chicago, New York and Boston – because that’s where I could finally shop at Crate & Barrel. It was always a challenge to see how many throw pillows, dessert plates and flatware I could cram into my suitcase when time came to fly home.

For me and countless other Seattleites, those retail pilgrimages to Crate & Barrel’s Midwest and East Coast outposts whetted our appetites for the time when the innovative home furnishings-and-accessories merchant finally came to Seattle about five years ago.

Inside the new CB2 store, opening in LA on April 30th

You could say the same scenario is playing out here – again – as fans of Crate & Barrel’s younger, modern-focused sister store, CB2, have been keen for a real, brick-and-mortar version to arrive on the West Coast (catalog and online shopping is cool – but nothing beats touching, feeling, sitting in and sizing up the actual product).

By the way, the first CB2 store in Los Angeles isn’t just brick-and-mortar construction. The smart, modern and affordable retail environment conforms to LEED requirements by incorporating eco-friendly bamboo floors, low VOC-paints and the re-use of existing materials.

Situated on the corner of Sunset and Laurel in Hollywood, the store’s façade is ornamented with gun-metal gray grates. Its large windows display CB2’s iconic vignettes. This is CB2’s third West Coast store – in the past six months, San Francisco and Berkeley addresses have also opened (and there are also two original stores in Chicago and one in NYC’s SOHO neighborhood).

There are definitely echoes of Crate & Barrel’s aesthetic at CB2. Althought, with its own streamlined, uncomplicated and playful vibe, CB2 targets apartment, loft and home dwellers with a modern attitude.

According to a 2008 article in the Chicago Tribune, CB2 is Crate & Barrel’s “less expensive furniture concept aimed at younger shoppers who frequent Target and Ikea.” I kept asking myself why that Tribune statement bugged me. I finally realized that it’s because CB2’s shopping environment is way more sophisticated than the two stores to which it’s compared. CB2 is everything about design, but in a specialty store setting rather than a big-box one. Unlike Target and Ikea (which are great, don’t get me wrong), you don’t have that anxious, gotta-grab-what-I-need-and-get-outta-here feeling at CB2. You want to stay. And chill out.

I predict a huge success for CB2 in LA, starting tomorrow morning, when its 8, 500-square-foot outlet opens on Sunset Strip. I visited CB2 to see and shop there during this morning’s press preview.

I'm sharing a seat on CB2's "resort" sectional with brand director Marta-Maria Calle

Greeted by Marta-Maria Calle, CB2’s brand director, I enjoyed the chance to sit down with her for a quick interview. Hey, I really like this woman, not only because she was wearing the same chambray-blue linen Eileen Fisher tunic that I wore for the taping of “Peace by Design.”

Marta-Maria shared the background of CB2’s genesis – from a seed of a modern design idea to a full-fledged retail destination – and she graciously answered some of my questions: 

When did CB2 first emerge as a Crate & Barrel concept?

The first store opened in Chicago in 2000. Gordon Segal (C&B’s co-founder and Chairman) and Barbara Turf (longtime Crate & Barrel president, appointed CEO last year) wanted to test the brand’s modern attitude. They asked a few Crate & Barrel buyers to buy for CB2. I was one of them.  Now, we’re a company of 16 people and we are moving away from the “mother ship” to our own office location in six weeks. [Marta-Maria told me that after about five years of juggling buying duties for both retail concepts, she persuaded Barbara to spin off CB2 as a separate retail venture with its own, fully-dedicated creative staff.]

Why has it taken 10 years for CB2 to begin expanding more aggressively?

The signs say it all

We don’t do anything until we’re ready. We wanted to give this brand a reason to be. It’s all about value. Our emphasis is “Simply Modern and Simply Affordable.”

What is your retail philosophy?

We believe we’ll build the CB2 brand one customer at a time. We are one-hundred percent customer-service powered.

Tell me how you develop your product selection:

We work with designers and manufacturers to create CB2 products. Ninety percent of our products are exclusive to CB2. We want to allow people to bring their ideas to us (rather than only developing products internally). We always ask: how much would our customer pay for this? If we can’t meet that price, we won’t carry the product. Also, our design priority is to balance mass-produced with the “hand touch” aspect of design.

READ MORE…