Here’s how “Seeing the Light,” my story in today’s Los Angeles Times’  HOME section begins:

When Alan Smart was a kid, he discovered an old trunk in an antique store and begged his mother to buy it. She refused (after all, he was 10). So young Alan spent $45 from his allowance to purchase the trunk himself.

“I like old-timey things,” Smart says in his retro Hawaiian-print shirt and board shorts, gesturing to his living room filled with restored antique armchairs and vintage California tile tables.

This is a story that underscores my belief that we can both possess a home and be possessed by it. It’s about how Alan and his partner Michael Uhlenkott transformed a nondescript 1930s Spanish Revival bungalow in an aging Los Angeles neighborhood into a showpiece for decorative arts and their amazing collection of early California pottery, tile, furniture, paintings, figures, and lighting. It’s about how their personalities and preferences are revealed through their choices of color, textiles and artwork.

Alan and Michael are artists of the highest order. If there is a surface to embellish, they will find a way, even if it means spending endless hours standing on ladders to hand-stencil the stucco ceiling with a Moorish pattern or antiquing the walls with layers of glazing, rag-application and dry brush painting techniques.

They design with a respect for the past, an appreciation for craftsmanship and materials, and a lighthearted sense of irony. There is no halfway effort here. Everything relating to a genre, period or style is explored, honed, refined and reinterpreted. There’s such an honesty and authenticity to each decision to adorn and decorate. I love every detail! 

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I have my father to thank for my two-day trip to Modesto earlier this week. That’s because a year ago, as my folks were driving from Seattle to Phoenix, they stayed overnight at the home of Sue and Jerry Houser in Modesto, California. Like my parents, the Housers belonged to an informal bed-and-breakfast club. You pay some kind of nominal fee to join and receive a directory of hosts who will give you a room for the night, plus breakfast. My affable dad was seated in Sue Houser’s family room and he noticed all her gardening books and magazines. “My daughter writes about gardens,” he offered.

Turns out, Sue is the program chair for the Modesto Garden Club, one of the largest clubs I’ve ever encountered (it was founded 81 years ago and has more than 600 members)! How’s that for serendipity?

The next thing I know, Dad’s on the phone to me, introducing me to Sue. Several phone calls and emails later, she invited me to come speak to her club. That’s the two of us pictured above, standing in the foyer of the garden club’s beautiful office in a renovated cottage (seen at right).

I began my trip on Tuesday, driving to Bakersfield, which is 120 miles northbound on Interstate 5. I parked my car at the Amtrak station there and hopped the San Joaquin line (which begins in Bakersfield and continues to Sacramento or Oakland). I passed the 3-1/2 hour train trip quite pleasantly, looking out the window at the changing scenery, much of it agricultural (mostly corn fields and pecan orchards), napping, reading, and relaxing. My cell phone was turned off, ensuring that I really could “unplug” for a little while.

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If you’re seeking creative inspiration, or need a gift idea for that crafty person in your life, look no further than Salvage Studio of Seattle.

My pals Beth Evans-Ramos, Lisa Hilderbrand and Amy Duncan share a “lust for rust” in their pursuit of sustainable design (to them, this means “reduce, reuse and recycle”) for the home, garden, and more. They teach classes at their studio in Edmonds, Washington, and frequently publish an idea-filled blog, also called Salvage Studio.

Just out, their new book, “The Salvage Studio: Sustainable Home Comforts to Organize, Entertain and Inspire” (Skipstone Books/Mountaineers, $21.95), is a compendium of the best salvage projects created and collected by these three gals over the past few years.

Imagine my delight when my review copy of The Salvage Studio arrived a few weeks ago. The attractive 8-1/4-inch x 9-1/4-inch book contains 200 gorgeous pages of great design ideas, tips for turning discarded items into decorative accents, step-by-step projects and more. I turned to the Acknowledgements page to find a thoroughly unexpected gift from the authors:

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Visting Bellingham and the Whatcom Horticultural Society

Bright and early on September 17th, I flew from Burbank, CA to Bellingham, WA (by way of Seattle and a 2-hour layover). I was pretty tired, having only four hours of sleep the night before, so I dozed a bit on the small Horizon Air jet that transported me from Seattle to B’ham in barely 25 minutes.

As the plane began to descend, I perked up and looked out the window to see – oh glory – Puget Sound, and several of its islands including Lummi Island. I was so happy (exhilarated, actually) to gaze upon the gray-blue palette of the water and islands, the scenery dotted witha few boats; the islands populated with cabins and summer cottages. What a “welcome home”!

My friend, Dawn Chaplin, garden designer and nurserywoman (seen with me above, in front of the Whatcom Museum), invited me to speak at the September meeting for the Whatcom Horticultural Society. I have a special place in my heart for this group, thanks to my friendship with the late Stephanie Feeney, who was one of the founding mothers of WHS. Stephanie, creator of the Northwest Gardener”s Resource Directory, originally started her garden touring “reference” (as a few photocopied pages stapled together at the corner), for her use and for her WHS friends. Upon her death in 2000, I inherited the editorship of her book and produced the 9th edition, still in print.

Dawn and her husband David met me at the airport and whisked me off on a whirlwind tour of Bellingham’s fantastic gardens and even a few magical “sheds” and shelters in the garden. In this misty, foggy maritime place on the map, people in Bellingham use color and art in very exciting ways. Here is a travelogue of our garden-filled afternoon:

Our tour kept gathering up friends and bringing them along. In front, from left: Dawn Chaplin, landscape designer Susann Schwiesow, and Laurie Satushek discussing plants in Susann’s glorious front border; In the back, Steve Satushek and David Chaplin.

SATUSHEK GARDEN

The wild and crazy landscape owned by Steve and Laurie Satushek

Photographer Steve Satushek and artist/teacher Laurie Satushek live and garden on about 8 acres overlooking the Nooksack River Delta and Bellingham Bay. They have transformed a nondescript ranch house and unkempt field into a colorful residence and equally brilliant landscape. Every surface of their residence is embellished with mosaics, mirrors, three-dimensional objects, and Steve’s oversize “outdoor” photographs — all rendered in a crayon box-inspired palette.

The informal but exuberant garden makes creative use of cobalt glass wine and water bottles (seen above, at left and below) and Steve’s cleverly-engineered and equally beautiful photography (he combines nature and botanical photographs with several innovative processes for weatherproofing oversize canvases). Together, the gallery-house and gallery-garden lure visitors to explore, observe, and fill their eyes with a surprising interpretation of art infused into every aspect of life.

More blue bottles: Here, they are mounted upside down on rebar posts. Staggered “rows” create a waist-high blue wall that lines the driveway. Citrus-cutouts of dancers add whimsical contrast.

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Like many freelance journalists, I receive a lot of “goodies” in the mail. I love it when garden, design, and plant books arrive for me to review. And of course, I appreciate “plant booty” — those boxes sent by growers who want me to trial their new introductions (although it’s uncanny: the boxes of tiny annuals, perennials and the like inevitably arrive on the hottest day of the week when I’m away from home, making it very hard to quickly rehydrate and revive the contents once I return!).

Press kits abound (although many are now sent electronically), and since I belong to countless horticultural societies, I also receive colorful monthly newsletters. Hand-written notes from friends are highly valued, as are checks from publishers (yeah!).

Today, as I was trying to organize the piles in my office, I pulled out a few of the items in my In-Box that caught my attention. Here’s a list:

Personal notes come first:

My friend and former co-author Mary Robson, a faithful letter-writer, jotter of quick notes, and all-around dear friend, dropped me a note with a nice little story: “. . . an incident you will appreciate,” (she wrote). “I stayed over at a friend’s home, in their garden-shed turned guest house. And what should be on the bedside table – of course, your book. She bought it to show guests! Warm thoughts, Mary.” [Oh, I love it. . . Stylish Sheds as bedside table reading! Thanks for the imagery, Mary]

With a SUNFLOWER STAMP, no less, Julie Schoenfeld, she of my auction-planning days, sent me a lovely hand-written note on letterpress stationary from Snow & Graham. We recently enjoyed a Malibu breakfast catch-up/gab when Julie brought her son from Seattle to Cali so he could attend the same summer camp of her childhood. As a memento of our sunflower obsession (see my “Stamps for the Gardener” post on August 21st), Julie tucked a book of the current sunflower postage stamps inside her note. She knows I’ll use them! And her sweet sentiment cheered me up with wonderful memories.

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 I’m standing with Richard Turner, editor-in-chief of Pacific Horticulture magazine. We’re volunteering at the 2008 NWFGS in Seattle, visiting with Dawn Chaplin, formerly a fellow board member of Northwest Horticultural Society and a great garden-touring pal (she’s now a Whatcom Co. Hort. Society board member).

The press release just arrived in my in-box, and it announced the 2009 Northwest Flower & Garden Show’s theme. It’s only six months away – and I’m already excited! The theme: SUSTAINABLE SPACES. BEAUTIFUL PLACES. I like it! A lot!

The Northwest Flower & Garden Show, created by my pal, the talented and visionary Duane Kelly, today announced its 2009 theme:

“. . . (the) show will place a major focus on gardening materials and techniques that are good for the environment,” said Duane Kelly, chairman and founder of the annual event, now in its twenty-first year. “Show goers can expect to come away with a number of great ideas that conserve resources such as water and soil while, at the same time, making their gardens more self-sustaining and easier to care for.

“During the past year, organic gardening and vegetable gardening have grown in popularity thanks to the public’s keen interest in doing what’s best for the environment.  The movement has also gained traction with consumers seeking homegrown fruits and vegetables that not only taste better but reduce ever increasing grocery bills.”

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Commemorative “Gardening-Horticulture” stamp, 3-cents, issued in 1958 (from my father’s stamp collection – mint condition)

I know we’re all dependent on the Internet for swift correspondence, but I, for one, am still a huge fan of the hand-written letter. It’s not just the pen- or pencil-inscribed words one writes that matter. Think about other non-verbal cues we convey. Beyond the thoughts communicated by careful penmanship, there is also the selection of paper, note card, or greeting card that implies volumes of meaning. Even the color and type of ink sends a full range of sentiments.

I cherish hand-written notes. I have collected shoeboxes-full of them, saved by year, since the 1970s when my dearest and best childhood friend, Lori, and I started writing to one another after my family moved from New England to Portland, Oregon. I have the cherished love letters, the newsy updates from my mother, the thoughtfully-written narratives from another Lori in my life, who lives in Europe (she is known for excellent choice of paper, as well!). And then there’s Paula, who still jots notes with an old-fashioned ink pen (I just received one as a gift, so perhaps I’ll try to do the same). These “snail mail” versions of human communication trump the Internet on any occasion.

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A true-blue grouping (left) in Sunset Magazine’s test gardens; Silvery succulents (right) thrive in ice-blue containers for a satisfying grouping at Longwood Gardens, 2006

Ever since I relocated from Seattle to Los Angeles, nearly 2 years ago now, I have relied more than ever on container gardening. With a confounding, on-again, off-again irrigation system that will cost the equivalent of a year’s grad-school tuition to completely repair, and with rock-hard soil that endured years smothered by the previous owner’s idea of weed control (black plastic sheeting covered with red lava rock “mulch”), I’m desperate to grow plants in spite of unwelcome conditions.

But where? And how to keep them alive when it’s too hot and dry for anything but succulents to look good?

The answer is a container garden. Gardening in a container is like one-stop shopping. Maybe we should call it “one-stop gardening.” Here are some of the best reasons for gardening in pots:

Why grow a container garden?         

•  Move plants and architectural interest above the ground’s surface:  You’ll enjoy beauty closer to eye level, as in this cool vintage vessel that caught my eye at Chanticleer Gardens in Pennsylvania (2006).

 

 

 

Edible and Accessible: Lettuces and herbs thrive in pots, like this over-sized terracotta “strawberry” pot at right – measuring 48 inches tall, created several years ago by the designers at Emery’s Garden in Lynnwood, Wash.! At left, ornamental peppers and kale in a pot at Longwood Gardens are food for the eyes.

 

 

Define a focal point: Signal the entrance to the garden, such as with these two glossy Asian pots that contain lush golden hostas. Mounted on pillars, they announce: “Come this way,” a way that’s made more enjoyable because this portal leads to the gardens of David Lewis and George Little, Bainbridge Island artists.

 

 

Provide a natural perimeter: Anywhere in the garden, such as at the edge of a deck or patio, pots can act as a verdant “wall” to contain, deter, protect or enclose. I particularly enjoy seeing three identical pots, lined up as a formal barrier – it’s plant-filled architectural interest. Here, at the edge of Peter Norris Home & Garden’s parking lot, these giant iron urns hold gold-streaked phormiums (left). A trio of fern-filled pots defines the edge of a formal planting scheme at Robert Dash’s Madoo Garden (right).

 

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‘Elvis’ and ‘Nico’ are the Pleasure family’s Belgian Tervurens. They’re enjoying the warmth from the overhead heater, as they lounge in their blue pavilion in a San Francisco backyard

Driving behind a Volvo on the Ventura Highway the other morning, a bumper sticker caught my eye: “I love dogs and I vote.”

Not exactly sure what that means, but it started me thinking about the character of a dog owner. And about a funny comment my friend Lin Su made at our Stylish Sheds and Elegant Hideaways book launch party here in Los Angeles.

“I think you had a requirement that everyone included in the book must have a dog in their life!” she maintained. Wow, what a thought. Bill and I didn’t exactly write a canine clause into the scouting notes, but perhaps subconsciously, we were drawn to animal lovers.

There is a sympathetic relationship between people who raise and care for their plants and people who raise and care for their pets. Beloved and cherished, our dogs are often the most patient and forgiving family member in our lives. Our “Zanny” (pictured, left) is certainly the cream of the crop – a rescue Lab, blond and cheerful – found wandering the streets of Yakima, Wash., at six-months of age….brought to an animal shelter in Snoqualmie. My husband Bruce discovered her photo on petfinder.com in 2002 – and she has lived with our family ever since. What a sweet companion and thoroughly accepting of any love she receives, often giving more than we ask of her.

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