“It would be worthwhile having a cultivated garden

if only to see what Autumn does to it.”

–Alfred Austin, The Garden that I Love (1894)

Acer japonicum 'Aconitifolium'

Whether emulating what you see in nature or combining plants to masterful heights, gardens that excel in the fall are ones that showcase the best of the season. 

There are certain trees, shrubs, perennials, ground-covers and vines that you may not notice during the rest of the year. But somehow, once the temperatures cool and the sun’s arc lowers in the sky (lighting foliage and plant forms from the side, rather than from overhead), a fall glow illuminates – and we see the garden in a new way.  

Last Friday I gave a presentation entitled “Gardens that excel in the fall: Something for everyone” at the Garden Conservancy’s one-day seminar in the San Francisco Bay Area. Called Fourth Quarter Gardens: An August to December Romance, the symposium featured several really inspiring speakers on design, horticulture and the unique gardening culture of the west. 

I was thrilled to be part of this cohort, which included Bob Perry, Katherine Greenberg, Nicholas Staddon, Elizabeth Murray, Chris Jacobson and Brian Kemble. The highlight for me was a tour of Katherine Greenberg’s all-native garden in Lafayette (an East Bay community). It was the three-dimensional, living embodiment of her lecture “Greens, Grays and Golds in a Native Garden.” 

My talk was a visual meditation of what inspires me this time of year: foliage, flowers, fruit and architecture in the landscape. 

I started by sharing the excitement I feel about the season as I design for texture in a new way; find unexpected plant pairings (not just those Halloween hues, either); tend to the harvest and see the bones, lines and structure emerge as leaves fall and flowers fade. My attention is drawn to the aging beauty of what some may call “decay.” Yet those yellowing hosta leaves and nearly-bare branches are a sign to me that the garden in every phase of growth is to be celebrated. 

This lovely melange shows the amazing diversity of fall leaf color.

I also shared a lay-person’s explanation of why leaves change color in the fall. I quoted from Brian Capon’s book Plant Survival. 

“. . . the cool night temperatures and shorter days of September and October are sure to start the season’s normal color changes in leaves and . . . trigger their falling from the trees. 

“Leaves change color when the green pigment, chlorophyll, decomposes in leaf cells to reveal orange and yellow pigments, present all summer but hidden from sight by the more abundant chlorophyll. 

“In some trees, the unmasking of the yellow-orange pigments is accompanied by production of brilliant red ones, made from sugars and other substances in the leaves. The purpose of this last-minute display of added color is not known.  

“In the green leaf, both green chlorophyll and yellow-orange carotenoid pigments are contained in tiny chloroplasts. Because there is more chlorophyll than carotenoid, the leaves appear green. In fall, after the chlorophyll decomposes, only carotenoides remain to give the leaf its glowing, golden color. In some plants, the leaf cells produce red pigments, anthocyanins, that are stored in the vacuoles. As the anthocyanins collect and mask the carotenoids, the leaf turns red.” 

A lot has been written about fall gardening and much of it focuses on the importance that gardeners in the west do fall planting! 

Witch hazel is espaliered along a lattice arbor at the Center for Urban Horticulture in Seattle.

I embrace and endorse this strategy, since it accomplishes so much that one may not have energy to tackle six months hence. It gets us out into nurseries and weekend plant sales, heightening our sensory response to a plant’s autumn form and texture and its promise of spring to come. The season forces us down on our knees to plan, prepare and place those treasures, brought home with the admonition (at least in the Pacific Northwest) to “plant before frost.” California gardeners want to plant in the fall for an entirely different reason — to capture any winter precipitation for good root establishment. 

If only to think about springtime, I will plant peony crowns in the fall. But then, I pause and remember what occurs after the blowsy bloom of Mother’s Day; and the sultry autumn glory of peony foliage comes to mind. Appreciating both the youth of spring and the maturity of fall is one of those wonderful surprises that comes from having plant lust. 

If you, too, are a fall-planting advocate, then what may be second-most on your mind is the design of an autumn landscape. 

I love the architectural form of "spent" crocosmia blooms. These seed-heads are as beautiful as the flowers themselves.

Seasonal changes, at least at the beginning of the fourth quarter, work their magic here in the west. The light changes, the moisture content heightens, and the foliage reddens. The garden’s edges soften in some places (perennials go to seed; grass plumes explode; greens turn tan) and become more acute in other places (the architecture of deciduous plants is more pronounced; evergreen plants move to the foreground; anything that blooms is undoubtedly noticed as well). 

It’s almost as if the feminine personality of spring and summer steps aside for the more masculine personality of fall. Yet when I posed this theory to my friend Betsy Flack, she argued that “I’ve always thought (fall) was my own season—sort of the ample-bosomed (billowy) matron . . . after Spring’s sprite.” 

Our differing opinions reveal that the autumn garden is one we can all embrace. 

To me, there are four aspects to the 4th quarter garden that I consider when planning, touring and evaluating the well-designed landscape: 

This is some kind of wild-looking oak, isn't it?

Foliage: 

Cooling temperatures and shortening days bring out the fall glow we so admire. Yet it’s not just color (golds, coppers, wine reds and dark purples) that I’m in search of. I also consider broadleaf evergreen plants with graphic foliage, as well as conifers that change with the season, taking on their own non-green hues. 

Laura Morton, a Hollywood designer, uses echinacea and asters in this yummy fall combo

Flowering plants: 

If you find a fall-blooming perennial that you like, plant it not once but thrice. 

Some of my favorites include Japanese anemone, heaths and heathers (Calluna vulgaris cultivars are especially gorgeous when the temperatures drop) and asters (A. novi-belgii; A. novae-angliae; A. lateriflorus). 

Fruit: Edibles and ornamentals unify in the autumn garden, lending a sense of “harvest” and hearkening 

This cotoneaster will delight birds and humans alike.

back to the ritual and sustenance of gleaning fruit from the earth. Nuts, berries, pods, seeds, fruit – for eating or just eye-feasting – are essential elements of the autumn garden. Because I am a floral designer, I take particular interest in gathering rose hips, crabapple fruit, seed heads and even spent grapevines (with tendrils and curls) from the garden for use in my vases. 

The yellowing gingko against a pumpkin-colored garage is a perfect fall scene.

Architecture: It goes without saying that structure is the backbone of 4th quarter gardens. Deciduous trees and shrubs, dormant perennials, disappearing annuals . . .they can do their thing and yet the arbors, gates, patios and pathways remain – thankfully. I take special note of the shadow-play created by light as it moves through a garden, catching shapes made by architectural elements and throwing those alluring patterns against walls and fences. 

Here are a few more seasonally-appropriate quotes to enjoy: 

” . . . asters: purple asterisks for autumn.” Conrad Aiken, Preludes for Memnon (1930) 

“Hurrah!  . . . it is a frost! — the dahlias are dead.” R.S. Surtees, Handley Cross (1843) 

A mosaic of autumn impressions: 

Speaking at IGC was a great experience - with 2 talks in 2 days

Dateline CHICAGO: Another “first” this year was participating in the Independent Garden Center Show, which took place in Chicago, August 17-19th.

The fourth annual trade show for independent nursery owners and their staff gathers thousands under one roof for seminars, tours, a mega trade show, and serious networking.

The who’s who of the garden world comes to the IGC Show. I’ve wanted to check it out for a couple years, so when I was invited to make a presentation on the “Most Inspiring Garden Centers and Specialty Retailers,” I jumped at the chance to participate.

You can see some hightlights of that talk here. I had a wonderful audience of engaged and energized nursery owners. And I am encouraged by the response from these retailers interested in sharing my ideas and themes with their employees and staff.

I participated in a second presentation with Robin Avni, a friend and colleague who has invited me to be an associate in her Lifestyle Insights consultancy. I’m one of a group of like-minded “real women” experts who have come together to use our talents and knowledge to help corporate clients serving the female consumer.

For the IGC Show audience, Robin and I presented “The Female Gardener: Mommy to Maven.” Our presentation shared some of the research and insights collected by Lifestyle Insights in the past 12 months. We want garden center owners and garden-related companies to think about the female consumer not just by obvious demographics of age, ethnicity or economics but by her life stages. We’ll be sharing more about our research in the coming months, but suffice it to say, Robin and I both felt that the presentation was a good way to have a conversation with the gardening industry about who “she” is (and “she” is a powerful consumer to serve).

Magnetic and inspiring - Jamie Durie

There were other fun aspects to attending the IGC Show, including hearing from keynote speaker Jamie Durie of HGTV’s Outdoor Rooms. Jamie’s electrifying talk was not long enough – in fact, it’s a bummer that he was sort of cut short due to timing, since he had so many inspiring things to share with American nursery owners and outdoor living retailers.

Here are a few of his comments that resonated with me:

Luxe-scaping is one of Jamie’s design terms. He likes to start a landscape with Shapes First, Plants Second. Once you decide on the shape (“Embrace the plant’s architecture,” he explains), you can choose site-adaptable and regionally-appropriate plants to reflect the shape.

Jamie talked about “planting into the hard-scape,” an idea that helps to soften the architectural elements of a design. He showed images of one of the garden staircases designed by his firm Patio that caught my eye and nicely illustrated this concept. The wide stone-tread staircase has shallow risers that are planted to give a soft, green contrast to the hard-edged stone. This made me think of a succulent staircase at Ed and Susie Bealls’garden in Rancho Palos Verdes we saw recently (photo, below).

Here is a Southern California interpretation of "planting the steps" - from Ed and Susie Beall's garden.

It’s easy to get swept up in Jamie’s passion for enjoying the garden all year long. “Control your environment with built structures” and use new, technological and design features to do so (especially if you live in cooler climates). For example, Jamie uses overhead heaters as well as under-deck and under-patio warming systems. Outdoor fireplaces and fire pits are de rigeur for all-season garden living.

Jamie shared some of the ways he has developed and expanded DurieDesign, his overall brand. His advice could apply to anyone interested in staking out a position in the horticultural industry. I certainly found it useful. This isn’t comprehensive since I wasn’t writing notes as quickly as Jamie was speaking, but are some highlights:

Be able to state clearly your business Description, Expression, Attributes, Promise and Theme.

Study your brand personality and strategy. For Durie Design, the theme of “well-being” represents lifestyle and balance. There is a spectrum that goes from the tangible (what you do) to the intangible (why you do it). In between are the How and Who of your brand personality.

DurieDesign’s brand attributes includebeing Inspiring, a Design Authority, Accessible and having a Positive Energy. Know and communicate your brand promise. For DurieDesign, that means “connecting design and innovation wi the mind, body and spirit.” His brand theme: Let’s Go Outside. “People are intrinsically connected to plants.” Yes, that’s so true!

In the coming weeks, garden and design writers and their publications will be obsessing about “what’s hot” for the 2011 gardening season. I venture a guess that many of those must-have products, plants and ideas were introduced at IGC. I’m going to share my favorite new products — my “picks” — very soon.

Ornamental cabbages and kales are all it takes to make some pretty cool fall window boxes.

Understanding “scale” is one of the most challenging of all design principles. So is finding just the right plant combo to fill a series of ginormous window boxes.

Jayson Home & Garden - a Chicago discovery for all the things I love

So imagine my delight at seeing a great example of both while visiting my college-freshman son in Chicago last month. While waiting for him to get out of class, I filled my free time touring the city’s uber-hip Lincoln Park neighborhood. That’s when I drove by Jayson Home & Garden.

A savvy retailer-friend in Seattle had told me about this must-visit shop that specializes in European-inspired home furnishings, antiques, accessories, tabletop and plants. . . so I slammed on the brakes of the rental car and took a tour – inside and out.

Jayson Home & Garden occupies a large, vintage warehouse on Clybourn Avenue. Since the building is located on a corner, there are many huge  windows that wrap both sides of it. Each window is about 4-feet wide and is adorned with an accompanying window box. You can see why any other autumn flowering favorite, such as a mum or pansy, could disappear in these deep, super-sized planter boxes.

I took this photo from across the street - see how dramatic the window boxes look with the large green-purple heads of cabbage and kale?

So here’s where the scale equation works brilliantly.

These boxes are planted with two forms of ornamental cabbage and kale. That’s it.

Packed tightly with alternating ruffled and rounded plant shapes, the design is simple and makes a big impact while filling no fewer than six of the massive boxes. I also love the way the designs anchor the tall windows and elevate something living halfway up the sides of the store’s exterior.

Check it out!

The next time you’re at the grocery store or garden center, pick up a few pots of these decorative plants.

You can experiment to see how well they add volume, scale and seasonal interest to window boxes, planters or containers.

Even the Monarchs were willing to be photographed at the flower farm.

In a glorious Iowa field, I gathered flowers for my bouquets.

One knows she’s in relationship trouble when her own mother and dear friend Susan, who was her maid-of-honor in 1984, call to say, “I haven’t heard from you for a while, so I checked your blog to see what you have been up to.”

Umm. I’ve been on the road a lot lately. Way too much on the road for my liking. Being away from home and traveling for 15 of the 30 days in the month of September was ridiculous, but (I guess) necessary. Anyway, for the first time in three years, I went for a full month without posting an entry on this blog. Yikes!

There were many blog posts composed in my mind as an idea or notion would occur to me. “I should write that down,” I thought. But then, the droning lull of the airplane engine would convince me a quick “up in the air” nap was in order. Or I didn’t have access to the Internet. Or something like a deadline for a volunteer project or even – wow – a paying project . .  or someone else’s needs that were way more pressing came along.

So here we are in October – how apropos. The new leaf is turned. I don’t have to travel again until Oct. 12th and that is a single overnight jaunt for a photo shoot in Bellingham, 100 miles to the north.

Seriously, I should be able to squeeze in some news, insights, ideas, GARDENS, cool FLOWERS, and more between now and then.

The story I want to share here is from September 14-16. After six full and intense days for the annual Garden Writers Association Symposium in Dallas, I jumped on a tiny airplane and flew to Des Moines. I met up with the team I collaborate with at Better Homes & Gardens magazine. Eric Liskey (deputy garden editor), Jane McKeon (associate garden editor) and Scott Johnson (deputy art director) and I were up to our knees in flowers.

A view across the flower fields at Howell's Farm in Iowa. Isn't this just the most perfect cloud-filled sky you've ever seen?

Globe amaranth (Gomphrena sp.)

The flowers – ingredients for a how-to story on creating bouquets from field-grown arrangements – were in all their glory at Howell’s Farm.

Based in Cumming, Iowa (in Madison County – yes, where the bridges are!), Howell’s is a sixth-generation family farm. After decades of raising corn and other agricultural crops, current owners Fred Howell and family began in 1985 to grow everlasting flowers.

Today, the farm is an 800-acre destination for people in search of the best varieties of decorative and seasonal crops. In the spring, summer and fall that means people come for the huge variety of annual and perennial flowers, herbs and grasses for cutting and drying. In the fall, they enjoy the amazing pumpkin patch and a cool corn maze. By the end of the year, in the winter, it’s the Christmas trees as main attraction.

After I landed in Des Moines, Eric and I drove out to Howell’s, about 25 miles outside of Des Moines, on a breezy, but gorgeous afternoon. Scott met us there and the three of us followed Erin Howell, Fred’s daughter, on a walk through the five-acre flower fields. As is my typical reaction whenever I visit a flower-growing operation, I was practically hyperventilating with excitement.

Celosia, plume type - what a great color!

This shows how windy it was as Eric (left) and Scott (right) held the oversized "silk" to cast a shadow for one of the bouquet vignettes.

The variety of flower form, color and vigor in Howell’s crops was dazzling. The setting itself was breathtaking. We talked through our options of ingredients, including what “design lessons” we wanted to illustrate in the story, what sizes and shapes of vases we needed to use, and how to CHOOSE among all the great flowers that seemed to say “pick me, pick me!”

Back at the editorial offices, the three of us huddled with Jane to talk about the floral design projects we wanted to assemble and photograph the following day. This was no small task. Everything has to be mapped out so we could envision how things will look on the pages of Better Homes & Gardens.

The sheets on Scott’s clip-board featured his sketches of mini-magazine pages, complete with thumbnails of vases, blooms and notes to show how a four-page flower arranging story might look. We had to think about a color palette for the vases, taking into consideration the textures and hues of each flower lesson. Then Scott raced out to pick up props from all his secret sources (including tables, stands, vases, pitchers, etc.) and Eric and I took a drive over to his personal garden. We needed a few extra plant ingredients to enhance the designs we had in mind, so Eric obligingly let me cut some lambs’ ears and goldenrod from his borders. What else? Oh! a visit to the mall to pick up a denim shirt for me to wear in the photo shoot.

BH&G staff photographer Blaine Moats wanted the perfect Monarch shot. He actually got dozens of perfect shots because the butterflies were amazingly cooperative.

Yes, there it is: Francesca's House

The next morning arrived bright and early and we met out at Howell’s around 7 a.m. Since Jane and I had designed the first two looks the afternoon before, we had a jump start for the photography. But then, the light seemed pretty good for a portrait, so Scott sent me out to cut flowers while our photographer Blaine Moats shot away.  As I walked between the rows of marigolds, zinnias, sunflowers and milkweed, filling my galvanized French flower buckets with stems, I thought: How lucky can a gal get? It was a joyous experience to just be there, to know that I was getting to create bouquets and arrangements that will be featured in the magazine sometime next summer, and to work with such talented, artistic colleagues.

We were soon distracted by a sight so compelling and awe-inspiring that we simply had to stop working. Well, except for Blaine, who just turned his lens on the scene and began to document it. A harmonic convergence of Monarch butterflies was waking up as the day began to warm. They seemed to want to pose for photos, since even I was able to capture some really sweet butterfly portraits as the winged creatures breakfasted on the nectar of hot pink “Kiss-me-over-the-garden-gate” flowers (aka Polygonum orientale).

Milkweed with Monarchs (Asclepias sp.)

Me again - can't stay away from those blooms!

If that wasn’t thrilling enough, by the time Jane McKeon arrived in the afternoon, I had another amazing sight.

“Look over there,” Jane said, gesturing to a distant and lonely farmhouse. “Do you know that it’s Francesca’s house?” Yes, this was the actual Iowa farmhouse used by Meryl Streep’s character Francesca Johnson in the famous film “Bridges of Madison County.”

Another reason to visit Howell’s Farm is to gaze across rows of flowers and see that setting. I may have to rent the film just to see that house on the screen, and to appreciate Meryl’s Oscar-nominated performance from 1995.

There’s lots more to share but my bouquet designs are embargoed until they show up in the magazine. I can’t wait to show them off to you.

This was my first visit to the IGC Show in Chicago - the 4th Annual Show was impressive

I had a great gathering of "indie" retailers for this presentation.

After presenting to a welcoming audience at last week’s Independent Garden Center Show in Chicago, I’m more convinced than ever that there is a huge passion and vitality among the “indies” of horticulture. 

These are the women and men who adore plants, love to share their knowledge about growing things, don’t mind getting dirt under their nails, and who understand that connecting with other gardeners is what it’s all about. 

If you can run a business like that, well, then you are blessed. I’m not saying it’s easy. These are hard-working plantswomen and men; some of them are from longtime nursery families who grew up growing and selling plants. Others come to garden center life through different paths. But people find their way. And in the face of competition from big box retailers, the “indies” are almost as threatened as small-town booksellers (Although I just read an article in New York magazine about the return of independent book stores.) From what I saw last week, with the aisles of Chicago’s Navy Pier teeming with thousands of trade showgoers, I’m convinced the “indie” garden center and outdoor living retailer is a force to be reckoned with. 

My talk highlighted some of the successful participants in this movement. I promised to post an excerpt of this talk and some highlights here for my audience members to read. I”m also interested in comments and suggestions for other “indies” who are doing things right in their own community. Please let me know where you gain inspiration and make a “connection” with the local garden center in your community. I really do want to know! 

INSPIRING GARDEN CENTERS AND OUTDOOR LIVING RETAILERS are . . . 

READ MORE…

The September issue of Better Homes & Gardens features my “Debra’s Garden” column encouraging readers to add ornamental grasses to their seasonal flower arrangements.  

"Meadow in a vase" is the theme of my September column for BH&G

The photo that accompanies the piece depicts a gorgeous autumn bouquet bursting with asters, fall foliage and miscanthus blades.  

Its sultry palette includes dark purple, russet-red, gold and green elements in a clear, glass vase. As a footnote, I promised to show off my favorite grasses for cutting and flower arranging here on this blog.  

As it turns out, I’ve been seeing a lot of wonderful ornamental grasses and grass-like design ingredients lately. These days, I have dreamy plumes of fountain, feather, and silver grasses on my mind.  

There’s something both completely romantic and purely modern about grasses in floral arrangements (or in the landscape, for that matter). Here’s a peek at what’s caught my eye this year, including my favorite grasses for cutting:  

FROM THE FLOWER FARM  

Owned by Diane Szukovathy and Dennis Westphall, Jello Mold Farm is one of my favorite local flower sources here in the Pacific Northwest. Diane and Dennis use sustainable practices and recently they’ve delighted floral design customers with gorgeous late-summer grasses. You can find Jello Mold Farm at the Queen Anne Farmers’ Market every Thursday – be sure to check out the incredible selection of downy and fluid grasses.  

Here are a few show-stoppers included on Diane’s “fresh list” that she emails to customers every Monday. The four images you see here were taken by Diane: 

Jello Mold's RED JEWEL MILLET, with large, elegant, arching, red-toned seed-heads approximately 5 inches long

Jello Mold's GREEN MILLET, with 3-inch-long, fuzzy green seedheads and a wonderful texture

These awesome examples are ornamental millets, not edible ones. 

While actually cultivars of Pennisetum glaucum, you can almost convince yourself that they are relatives of the corn family if you squint. 

When cut for bouquets, the plants yield both the sweet, furry seed-heads, as well as the strapping, wide leaf blades. Both plant elements are useful in an arrangement as beautiful counterpoints to blooms. 

Like many good things, “more is better.” For example,  I like to gather several seed-heads together in a clump and inset them into the arrangement. 

It’s a pretty picture to have three to five seed-heads cascading out of a bountiful grouping of seasonal flowers and foliage. 

READ MORE…

Tina sure knows how to enjoy herself in the garden! Here she is, resting on my vintage wicker in my former Seattle garden, 2006.

Great container design paired with whimsical glass art makes this pot a stunning focal point in Tina and Paul's garden.

I first met Tina Dixon in the early 2000’s when I was asked to join her as a judge for the Washington State Nursery & Landscape Association design awards.

Her bubbly personality and welcoming nature included me in the circle of other judges, most of whom had previously served together. Our judging session took place at her home in Bothell, just north of Seattle, allowing me to gain a better sense of just who Tina is. In short, Tina is a connector. She connects colleagues, clients and friends, helping everyone feel part of the Seattle horticultural community. You can’t help but have fun when she’s in the room (or on the tour bus or in the garden).

Through Plants a la Cart, her container design business, Tina creates breathtakingly gorgeous planted pots for some of the Seattle area’s poshest addresses.

Several years ago, she turned her attention to the property she owns with her husband Paul Stredwick. Their hand-crafted garden is a vibrant, color-infused, texture-layered, art-filled spot on the map. And garden tour-goers, if they are lucky, can occasionally get beyond the denim blue-stained gate to see the surprising horticultural world inside.

The photographs shared here are ones I took in 2006 when Tina and Paul opened their Golden Trowel Award-winning garden to the Hardy Plant Study Weekend participants. I served on the event’s planning committee that year, so I knew what a treat was in store for the several hundred participants who flocked there during the Open Garden schedule.

In 2007, Garden Design magazine awarded Tina and landscape designer Mike Jeppesen the Golden Trowel Award for this gorgeous Blue-Themed landscape

Since then, I know that Tina and Paul have received numerous requests to add their garden to area tours. They recently decided to open the property to benefit a cause that they personally support, Hopelink. Hopelink is an United Way agency that offers an array of programs that enable families in crisis to make progress toward and achieve self-sufficiency.

You can see the garden next Sunday, August 15th, at two different events. An evening Garden Party (6-8 p.m.) includes wine, hors d’oeuvres and music by The Chromatics. Knowledgeable docents will be on hand to answer questions during the festivities. Tickets to the private garden gala are $150 with a portion tax-deductible. Register online or call 425-897-3703.

The Dixon-Stredwick garden is also open earlier in the day, Noon-5 p.m. for a $50 donation to Hopelink. You can pre-order tickets for the tour here. Or call the number above.

For some background on this garden, here is the story I wrote in April 2007, which appeared in Seattle Homes & Lifestyles magazine. Subsequently, their garden has been featured by other publications, so I feel pleased that Tina said “yes” to me first!

True Blue: Designed with a harmonious blue-hued palette, a Bothell garden shows off art, architecture and plants

Written by Debra Prinzing

Painted periwinkle, two concrete pears by Woodinville artist Judy Thomas continue the color story.

If, as color theorists say, blue has therapeutic qualities, then Tina Dixon is a very healthy woman. Whether it’s a bright or subdued blue, Tina thrives on the hue.

Owner of Plants a la Cart, a successful container-garden design service, Tina considers the serene hue her signature color. Although she doesn’t limit clients to her preferred palette, Tina is well known for filling azure- and cobalt-glazed urns with dazzling combinations of leaf shapes, textures and colors.

Her penchant for blue infuses her own landscape, giving it a cohesive theme. “Blue is my favorite color,” she proclaims.  

When they bought a one-third-acre Bothell pasture in 1983 (previously inhabited by a lone calf), Tina and her husband, Paul Stredwick, were in their late 20s and intent on building their first home, a gray, barn-shaped Dutch colonial, trimmed in blue. Landscaping was not on their minds or in their budget.

By 1987, Tina abandoned an office job for a horticultural career. She studied landscape design at Lake Washington Technical College and launched Plants a la Cart. The pasture was by then home to two rambunctious golden retrievers.

Occasionally, Tina and Paul had time to tackle their own backyard. They renovated a deck and planted an 80-foot-long mixed perennial border against the south fence. “Paul and I were trying to pick away at the landscape,” she recalls. “Wherever we stopped one year, we started there the next. It wasn’t quite flowing.”

The blue-stained arbor is supported by DIY columns.

In 2002, knowing they wanted lighting, irrigation and hardscaping in the garden, Tina and Paul agreed to ask a landscape designer for an overall plan.

It was almost inevitable that Mike Jeppesen of Sammamish Landscape would help the couple create their blue-themed dream garden, since he and Tina had collaborated earlier that year on a gold-medal “Blue Garden” for the Northwest Flower & Garden Show. With a blue-stained gate and arbor, Pennsylvania bluestone pavers, blue Asian pots and collections of blue-tinged conifers, the designers made a rare statement with this cool palette. The design also earned them the Pacific Horticulture Award.

“Like Tina, I prefer to deal with foliage—this garden is virtually a tapestry of texture and leaf color,” Jeppesen says. “I also knew that even though Tina and Paul and the dogs needed to enjoy the garden, it also had to be a space for her to show off what she does best—it’s a garden that people will visit.”   

Tina and Paul’s garden invites visitors to enter along a charming walkway, pass through an oversize blue gate and pause at a dramatic “foyer” where one of eight ochre-stained concrete columns appears as a focal point.

From here, a 4-foot-wide strolling path meanders clockwise around the garden’s perimeter. An irregular section of lawn is reserved at the center for playing ball with the dogs. More free-standing columns punctuate the heavily planted borders, drawing the eye through the landscape to a four-column pergola in the distance.

A grouping of blue Asian pots presents Tina’s favorite container designs, incorporating bear’s breech (Acanthus mollis), golden smoke bush (Cotinus coggygria ‘Golden Spirit’) and Canna ‘Tropicanna’.

“Columns were on my wish list but were killing the budget,” Tina admits. Jeppesen suggested using concrete waste-water pipes, set on end, to serve as columns. At $80 each, the 8-foot-long pipes were a perfect solution. Tina asked artist Johnny Ward to transform the ordinary concrete with a rich gold-brown patina. Blue-stained lattice boards and rafters form the pergola, complementing a Pennsylvania bluestone terrace beneath.

To give the landscape the feeling of maturity, Jeppesen and his crew placed boulders, large rocks and stone steps throughout the landscape. He also encouraged Tina and Paul to incorporate large trees and shrubs into the design. “Even though Tina deals more with perennial-style plants, I wanted her to use trees and shrubs to provide interest when there are no flowers in bloom,” he says. “They give substance to this landscape.”

Tina and Paul agreed and headed to Oregon, where they used Tina’s wholesale connections with a tree farm. They selected trees to complement the scale of their house, including several hinoki false cypress (Chamaecyparis obtusa>‘Gracilis’), plume cryptomeria (Cryptomeria japonica ‘Elegans’), weeping copper European beech (Fagus sylvatica ‘Purpurea Pendula’) and a flowering dogwood (Cornus x rutgersensis ‘Constellation’).

Wine, burgundy and maroon foliage are great complements to blue tones.

One-color gardens are appealing because of their simplicity, allowing plants and constructed elements to speak a common design language. Tina recognized that gold, lime, wine and silver foliage plants gain a visual boost when placed near blue pots and architecture.

She adapted container design techniques when planting the landscape. “Because I work on such a small scale, it was an overwhelming thought at first,” she says, “but you just have to take the principles of putting the right leaf shapes and textures together and use them in the larger context.”

Blue-glazed Vietnamese pots hold everything from gold-leafed ornamental trees and striped tropical plants to exuberant vines and silvery succulents. Tina’s adventurous designs rely on attention-grabbing plants that look even better when paired with blue. “I’ve been really tempted to use other container colors,” she says. “But that would feel like a mixed jar of jelly beans. Instead, I decided to be bold and consistent. The blue pots make sense and tell a story.”

Landscape designer-contractor: Mike Jeppesen, Sammamish Landscape, (360) 435-3769 or amjeppesen@earthlink.net

Container designer: Tina Dixon, Plants a la Cart, (425) 481-2194 or stredson@aol.com

Carpenter (pergola, entry arbor and fence): Cliff Chatel, Woodmark Construction, (425) 827-5242

More photos to delight – and tempt you to attend next Sunday’s tour and garden party:

There is a small patch of dog-friendly lawn in this garden, yet Tina can't resist placing sculptural black crows on its surface.

Another detail shot revealing Tina's incredible container design talent and her color sensibility.

A brilliant, blue-glazed urn is a delightful counterpoint to trees, shrubs and rock.

Playful “hopscotch” pavers guide visitors to the blue-stained entry gate (a hand-painted sign nearby reads “All who enter must hop” and another, inside the garden, asks “Did you hop?”).

Here's a cool detail showing how Tina and her landscape cohort Mike Jeppesen carved the decking around a piece of basalt - just like a puzzle piece.

Not much to say but: "Feast your eyes on this tapestry of texture and color"

BH&G's August issue features my "Debra's Garden" column about "hot chocolate" plants

Chocolate flower and plant update:

Dark chocolate brushes the tips of this multi-petaled dahlia called 'Karma Choc'

The flowers that Marie Lincoln and Bill Schlicht cultivate at their Whidbey Island nursery specialty nursery are good enough to eat. That’s because Chocolate Flower Farm’s mocha, bittersweet chocolate, cinnamon, cocoa and espresso-hued blooms and foliage plants are as satisfying to the senses as a Fran’s caramel-filled chocolate sprinkled with grey sea salt (well, almost).

My friend Stacie Crooks, of Seattle-based Crooks Garden Design, was my escort to Whidbey last Tuesday. We’d only slightly recovered from our late night festivities in her superb, often-photographed drought-tolerant  garden, where a gaggle of garden gals gathered (isn’t that alliterative?) for a lovely sunset soiree.  I spent the night at Stacie’s and we set off the next morning for the ferry from Mukilteo to Clinton on Whidbey Island.

The ferry crossing was short – 20 minutes – but beautiful in its grey-blueness with sunlight pushing through the morning haze. I breathed Seattle’s maritime air and that made me happy.

I had a lovely visit to Marie Lincoln of Chocolate Flower Farm on Whidbey Island outside Seattle

After visiting one of Stacie’s inspiring and impressive design projects, the subject of which I hope will soon appear in one or two of my articles, we drove to Chocolate Flower Farm to meet Marie. I first met this dark-plant purveyor by telephone when I called her last December to request an interview. I wanted to include her “sweet” plant passion in my February “In the Garden” column for 805 Living.

Like most of my writing efforts, there’s a back story on the piece, entitled “Brown is Beautiful: Sweet Tips for Growing a Chocolate Garden.”  Last fall, my editor Lynne Andujar made an off-the-cuff comment to me: “Oh, our February issue is going to be the CHOCOLATE issue, but I’m not really sure if there’s a fit for the gardening column,” she said.

“You bet there’s an angle,” I replied. “We’re going to feature chocolate-scented and chocolate colored plants!”

A little shed houses the nursery sales area

Marie Lincoln shows off her plants to garden designer Stacie Crooks

Marie and Bill started the Chocolate Flower Farm in 2005 to grow and promote dark-colored plants. 

The display beds and nursery area have expanded around their 1923 farmhouse and outbuildings (sheds!) to the former horse pasture.

As the “hot chocolate” trend grew, the couple searched for even more plants on the dark end of the spectrum, selecting unusual sports to propagate and sell as exclusive named cultivars. Marie jokes that her nursery reflects “a collision of two passions,” as it introduces new and veteran gardeners to the beauty of chocolatey colors in the landscape (not to mention a few very special chocolate-scented plants that invoke memories of grandmother’s Nestle Toll House cookies coming out of the oven).

READ MORE…

The move from Southern California to Seattle is underway.

We are up to our ears in boxes, cleaning supplies, disassembled X-box game systems, piles of things to take to the Goodwill, and four years of memories.

Today, for a moment, I decided to hit the pause button and enjoy my backyard. I discovered that watching pollinators move from nectar source to nectar source is the very best therapy for an overly-tired body and soul.

Here is a little show, from me to you:
httpv://www.youtube.com/watch?v=DR7vytPzWBU