Sometimes all you need are a few pretty leaves to conjure up a gorgeous tabletop arrangement or centerpiece. I have my talented friend Susan Appleget-Hurst, former senior associate garden editor for Better Homes & Gardens, to thank for producing a story that illustrates this idea (with several cool designs).

Susan, who now blogs at Cake in the Garden (check it out!) designed the lovely, leafy bouquets and co-produced the story with art director Scott Johnson. Then I was lucky enough to be asked to create the accompanying text. Pick up this month’s BH&G or click here for a peek at the story.

The idea of using leaves as cut flower ingredients is nothing new. But it’s always nice to see someone else’s twist on the technique. One of the things I love about Susan’s designs is her use of white vases in several different sizes. The white really offsets the leaves and focuses the viewer’s interest on the form, texture and scale of the various cut foliage. I also loved the monochromatic and contrasting combinations of leaves.

After writing the text, I kind of forgot about this story until I opened up the June issue and saw how beautifully it turned out. I decided to try my own version of this floral design project (I can’t get more “seasonal, local and sustainable” than my own backyard!).

Looking around my landscape, I realized how many awesome succulent plants grow here. Even when a sedum, aeonium or crassula stem breaks off of the plant or gets bumped when someone pushes a chair out from the patio table, I try to “rescue” the severed piece and put it in water. Inevitably, a few roots will emerge and I can plant that cutting. So clipping a few succulent pieces for the designs you see above didn’t kill me. Once these pieces root, in water, they will be returned to the potting soil or garden bed.

My idea: To showcase the amazing color diversity of succulents. For each of three color schemes – silver-blue, maroon, and lime green – I looked for perennial foliage to match with the companion succulent. Unlike Susan’s white vases, I tried to pair the foliage hues with my slender colored-glass bud vases. I have owned this trio in green, tangerine and turquoise glass for several years. I think they came from IKEA.

These designs look sweet displayed on my block-printed cotton table cloth (it’s nice that each picks up on the botanical pattern and palette).

Here is what I included in each:

The Orange Glass contrasts beautifully with three silvery-blue ingredients. The succulent element is called Senecio mandraliscae. Here in Southern California, people grow this shrubby, South African succulent as a groundcover. I actually have some in a pot and I love its slightly curved blue-gray leaves. Softer textures come from my other fave silvery garden plants. First is Artemisia ‘Powis Castle’, which has lacy foliage. I clipped the taller stems from Westringia fruticosa, also called coast rosemary. It’s from Australia, has a rosemary-like texture, and looks just gorgeous growing at the base of my fruitless olive tree.  

The Green Glass is a perfect foil for the deep purple-maroon ingredients. My succulent starting point was to add two small Aeonium rosettes. Not sure of the cultivar because I inherited this plant when we moved here in 2006.  Almost like a touch of embroidery, the dark plum version of sweet potato vine (Ipomoea batatas) spills from the neck of the slender vase.

The Turquoise Glass gets a fresh accent from lime green and chartreuse stems. I started with an un-named lemon-lime sempervivum that has pretty pointed leaves. These bold forms have a fluffy collar of chartreuse dead nettle (Lamium galeobdolon).

My challenge to you is to walk outside, clippers in hand, and create a foliage bouquet with what you have growing in your garden. Don’t overlook the unexpected ingredients. Hey – maybe that awesome artichoke leaf in the vegetable patch is worthy of a starring role in a vase. Or perhaps the conifers could stand in for my succulent ingredients. Have some fun! The best part? It means you have a lovely centerpiece for free!

The back story

My nearly four years in Los Angeles have been quite amazing. We arrived here in late August, 2006, not really excited about leaving our beloved Seattle, but trying hard to embrace our “new” life here in SoCal. 

The mood around our household has changed dramatically in 2010. The boy who was entering high school when we moved here has just graduated and is college-bound. The child who came here as a 4th grader is now a teenager, ready for 8th grade. The husband who came here for a pretty great job lost it during the financial meltdown. But in the interim, he earned an MBA from UCLA and joined an amazing new company NOT in financial services – one that uses his combination of legal and business talents for a compelling new business strategy.  

 As for me, well, this four-year California chapter has been quite an adventure. I have grown professionally, honed my design sensibilities and in many ways gained more confidence (guess that comes with turn 50 anyway, right?). I have met and interviewed incredible people – designers of homes and gardens, artists, actors, directors, producers, animators – famous people and unusual characters alike, all of whom embody this beautiful spot on the planet. Writing about the homes and gardens they possess has been a privilege. Seeing those stories appear in some of the most well-respected publications has been quite satisfying. 

So now, we are moving again. And while I have alluded for months to our plans to relocate to Pittsburgh, the surprise ending of our California chapter is that we are actually returning to Seattle. 

Bruce’s company – at what feels like the eleventh hour – has shifted strategy and is moving its corporate HQ to Seattle. Manna from heaven, I say. A small part of me thought the Pittsburgh thing would be a fun adventure (actually, after what we’ve been through on the unemployment front, I would have willingly moved to Siberia). I have a few acquaintances in Pittsburgh – through Garden Writers Association – and I was interested in spending more time there getting to know them better. That optimism was combined with anxiety about having to garden in Zone 4 or 5; whatever low temperatures Pittsburgh experiences in the winter, at the very least I know it has snow – lots of it.  

So here we are, on the threshold of yet another move. But one that brings us full-circle back to the city where Bruce and I first met, lived as were newlyweds, gave birth to and raised two wonderful sons, became first-time homeowners, and even built our dream house, living a life surrounded by so many cherished family and friends.  

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As a follow-up to my last post about round objects in the landscape, I thought I’d show off a few more of my spherical works of art, from my backyard. You can see how appealing it is to start with a shape and then repeat it often. Some of the orbs in my garden are more obvious than others. One of the round forms is quite subtle. It is part of a sculpture called “Tempest” by my friend Jennifer Asher and her collaborator-fabricator Mario Lopez.

Jennifer owns TerraSculpture with Karen Neill Tarnowski  and the two women never cease to amaze me at their innovation and talent. These pieces fill a void in the outdoor sculpture world – bringing contemporary sculpture to the residential setting at far below the huge price tags you usually see.

TerraSculpture originally created Tempest in a powder-coated bright orange finish. My husband Bruce was interested in the piece but suggested that we have Jennifer and Mario make the base in weathered steel, which somehow fits our style better.

I love the shape of the base – three “arms” join together and then gradually open to cradle a stainless steel mesh ball. The weathered steel (some might call it “rust”) echoes the dark burgundy-rust blades of my garden’s New Zealand flax and Cordyline plants. There’s something really wonderful about the piece’s see-through quality, too. Upon seeing “Tempest” standing in our garden, visitors are likely to utter a gasp of delight, followed by the immediate question: Where did you find that awesome piece?

More steel – also rusted – appears in the 24-inch orb I purchased from my friends Annette Gutierrez and Mary Gray of Pot-ted in Los Angeles. I’ve shown earlier pics of their tangerine and aqua-finished objects.

For me, the weathered steel works well with everything else in my garden. See how pretty this piece looks on the “California Gold” crushed gravel? On the other hand, if Annette and Mary ever decide to make their metal orb series in lime green, I will be the first in line to snag a small-medium-large trio!

And what about those awesome Bauer balls? I think I have six of them (it’s an ever-changing number). Here are two of them, looking nice and settled-in at the base of a New Zealand flax. These Bauer glazes are called Lime Green (15 inch size) and French Blue (8-inch size).

The glossy finish and classic round forms add up to nothing short of stunning, especially when surrounded by foliage, flowers and ornamental grass plumes.

I have a thing for floating glass balls, too. Here is a little cluster of them, floating in the fountain on our entry porch. There are several glass artists who make these decorative balls. You can usually find the artists and their wares at major flower shows.

One of my favorite sources is Glass Gardens NW. Owner-artist Barbara Sanderson makes a rainbow of glass floats and orbs, as well as larger sculpture pieces for the garden. Check her out!

Finally, the garden has curves of a more organic nature – and that is in the outline of two crescent-shaped perennial beds. With so much linear geometry in my backyard (the horizontal lines of the house, patio, pergola, wall and pathways) it’s nice to visually break up these forms with sinuous curves.

In the July 2010 issue of Better Homes & Gardens, I wrote a short item for my “Debra’s Garden” column called “Curves Ahead.” It could also have been titled “Three Cheers for the Circle.”

I am obsessed with round shapes — balls, spheres and orbs — and I love to dot the garden with these forms. This design trick relates to one of those basic lessons anyone who studies the art of landscape design is taught: Choose an idea and repeat it frequently.

My eye is naturally drawn to orbs and globes. They are so pleasing to me – in fact, I wrote about this passion previously – in an earlier blog post, “Zen of the Circle.”

Ornamental globes, obelisks and balls have taken up residence here in my Southern California backyard — check out the photograph below.

And it’s not just the three-dimensional geometry that puts a smile on my face. Curved outlines, such as the edge of a perennial border, patch of lawn or a turn in the path echo the orbs and reappear as arcs or crescents in the garden.

My interest in the sexy, organic globe shape has come “full circle” (pun intended) from a single idea to a cohesive design theme and a nice way to use ornamentation. Look around your own garden. Wherever you see a bare spot, perhaps it’s calling out for an orb or two.

I included a post-script note in my BH&G piece, promising to share my gallery of rounded and curved design ideas with our readers. Here it is – enjoy! Please send me your own photos and I’ll include the best ideas here, too. Check the bottom of this post for some of my favorite shopping resources.

Best resources for spherical garden ornamentation:

Pot-ted Store: Three graduated sizes of balls made from steel strapping will lend a lovely moment of architecture to the landscape. I have the medium-sized one in weathered steel (my preferred material). Annette and Mary, owners of Los Angeles-based Pot-ted, now sell a series finished with bright orange and turquoise powder-coating – their fav hues. Oops – I mean “aqua” and “tangerine.” Inquire about custom colors! Prices: $98 (18-inches); $139 (24-inches); and $169 (30 inches). Shipping available.

Bauer Pottery Garden Orbs: My friend Janek Boniecki has revived the classic California earthenware known as Bauer Pottery. In addition to making reproduction urns, dishes and serving pieces (in that awesome, sun-drenched palette), Janek and crew also create ceramic garden orbs glazed in Bauer colors. Yellow, dove gray, French blue, Federal blue, chartreuse, lime green, midnight blue, parrot green, turquoise, white, black and aqua (for some reason, the Bauer orange pieces are slightly more expensive, perhaps because of the glazing involved).

I am a bit addicted to these “globally admired” orbs, thanks to the company’s occasional factory outlet sales in Los Angeles. I have five or six of these gumball-shaped objects, which look tres-bien in and among foliage, flowers, blades and stems. Prices: $75-$82 (8-inch); $100-$110 (12-inch); and $150-$165 (15-inch). If you think you’ll be in the Los Angeles area sometime, make sure to check the Bauer web site to see the warehouse sale schedule. You will definitely find great prices and maybe even an orb or two (if I don’t get there first!).

Clare Dohna, Mosaic Artist:  Based on Vashon Island, Wash., artist Clare Dohna makes vibrant mosaic tiles in dazzling botanical shapes (flowers, bugs, leaves and more). She uses these tiles to adorn the surfaces of all sorts of wonderful garden sculpture and art, such as bird baths, bird houses, egg shapes and — my favorite – mosaic spheres. You can see one of her pieces at the top of this page; it plays nicely with the solid-colored Bauer orbs. Contact Clare directly (from her web site) to inquire about color schemes and prices.

If you pick up the June issue of Sunset magazine – the one with skewers of salmon on a cobalt blue plate on the cover – turn to pages 51 and 52.

There, you will see a short (and I mean short!) story by moi. It started out much longer, but is now not much more than the length of a photo caption.

As these things go, I can’t complain. Thanks to the way we communicate these days, full-length magazine articles now read like Cliff Notes versions of themselves. The photo tells most of the story and then a few captions and call-outs do the rest of the heavy lifting.

In this case, the story called “Lush Look, Low Water” was inspired by a rooftop garden owned by Mike McDonald and Jill Martenson, a visionary young couple who built Margarido House, the first LEED-H Platinum home in Northern California.

The “green” home and its eco-friendly landscape have received a lot of press, but the Sunset story really gives readers the specifics on designer Lauren Schneider’s approach to the roof garden. A special thank you goes to Sunset’s Julie Chai for shepherding this story from our initial conversation to the final publication.

Surprisingly dreamy, soft and fluid, despite its exposure to the harshest of elements (wind, sun, saltwater, for example), Lauren Schneider’s design can be replicated in similar rooftop or in-ground conditions. The photos you see here are mine. I included the original full-length story in my articles section.

Eight hardworking native and Mediterranean plants create the central elements of Lauren’s design:

Echinocactus grusonii, Golden barrel cactus

Lewisia cotyledon ‘Sunset Strain’

Nassella tenuissima, Mexican feather grass

Sedum spathulifolium ‘Cape Blanco’

Lavandula multifida, Fernleaf lavender

Libertia perigrinans

Sedum rupestre ‘Angelina’

Sedum spurium ‘Voodoo’

Take a seat. A succulent seat, that is.

If you’ve ever admired the charm and whimsy of a planted chair, you’re not alone. I’ve always liked plants combined as a design element with furniture. When my mom passed along Grandma’s 1940s wicker porch set, I knew that the slightly unraveled rocking chair was destined for a new role in my garden. So two weekends ago, on Mother’s Day, I started creating a sedum seat for the cherished rocker.

After giving Grandma’s wicker chair a fresh coat of herbal green paint, I was ready to turn the family hand-me-down into an ornamental garden feature. Here’s Part Two of my Mother’s Day gardening project, which illustrates how to prepare and plant the chair. 

Step One

Step One: Using a sheet of 1/4-inch wire mesh and a pair of wire clippers, I cut out a seat-sized section to fit into the chair’s base. A staple gun came in handy to secure the mesh to the piece of wood bracing.

Step Two: I layered sections of dry Angel Moss over the mesh. A highly-absorbent variety of sphagnum moss, Angel moss is a nifty product that I discovered last month while teaching four container and hanging basket design classes for Gardening How-To magazine. The moss hails from the bogs of New Zealand and, because of the way it is farmed and harvested, is considered a renewable resource. You can purchase pre-formed liners to fit into wire hanging baskets or flat sheets to use for projects such as mine.

As dry as a piece of brittle cardboard, Angel moss changes its character dramatically when exposed to water. It’s a fabulous medium for baskets, window boxes and the mesh seat of my wicker chair because the moss proves itself to be an excellent material for holding soil and plants. It doesn’t dry out as quickly as the kind of coco-fibre or woodland moss we’re used to here in North America.

Step Three: On top of the Angel moss I spread approximately 3 inches of my planting medium. I’ve learned that the best environment for growing succulents (especially in containers) is to mix equal parts organic potting soil with cactus mix. Erin Taylor, owner of Botanik, a great garden emporium in Summerland (near Santa Barbara) taught me this recipe soon after I moved to Southern California. One look at her shop’s awesome succulent containers and I knew she was speaking from experience.

Step Four: My friend Jean Zaputil, who I call my garden muse for the 25 years of design, horticulture and landscaping knowledge she’s shared with me, was visiting from Seattle last weekend (along with our mutual friend Jan Hendrickson).

We had a little free time on Sunday morning so Jean offered to do the planting layout for my chair. She worked with about 14-16 small succulent plants of varying colors (ranging from silvery-white to lime green to red-burgundy).

Before planting the “seat,” we tackled the tricky gap in one of the chair’s rolled arms.

A total negative from my mother’s point of view (the shredded wicker arm reminded her that a childhood dog had gnawed on the arm and practically ruined it for comfortable use), I decided to use the gaping void as a spot for more succulents.

Jean fashioned a shallow tray with the 1/4-inch wire mesh sheeting. We fit it under the arm and wired it into place. Just as with the seat, we inserted some pieces of Angel moss and poured in some soil. The chewed-away openings now hold three succulents, including the very pretty Sedum rupestre ‘Angelina’. Its chartreuse-color and fluffy form will drape over the arm and soon obscure the mesh tray.

Jean arranged the sedums, sempervivums and other succulents to create the planted seat.

Even though the root space appears shallow, these plants will do just fine. They are ideally suited for my project – able to withstand extended periods of drought.  A quick “shower” every week or so will give the plants enough moisture to take root in the soil/Angel moss and begin to spread, eventually filling in the seat.

And pretty soon, I’ll have a lush, succulent “cushion” for my grandmother’s wicker chair.

Now I’m looking at a modern wicker chair – a Pier One version with leg bent from too many teenagers leaning back in it while playing X-box games – and thinking about giving that chaise a new life in the garden. It’s currently natural colored, but maybe a coat of paint and a new planting theme will give it the necessary style to move outside.

Wonder what plants belong in that chair? Maybe I’ll paint it peacock blue and do an all-white flowering scheme! Stay tuned.

Joanne White leads the way along the rose-laden path in Marylyn Ginsberg and Chuck Klaus’s garden

I have spent many moments this past week reliving the wonderful experience of leading the Northwest Horticultural Society’s “LA Garden Tour” last weekend.  

It was a lot of work for the group’s tour co-chairs Gillian Mathews and Renee Montgelas and me, but we agree that the four-day excursion was a huge success (well, we won’t discuss the bus fiasco on Saturday night – no fault of our own!).  

I said “yes” to planning and leading the tour after several years during which Gillian and I fantasized about putting together a weekend trip.  

Gillian and I have known each other since 2000 or 2001 when I was still reporting on retail trends for Puget Sound/Eastside Business Journals in Seattle and she had just launched her garden emporium, Ravenna Gardens. From there, we not only helped each other with our respective auction projects, but we became friends. Gillian, in fact, is responsible for me assuming the editorial duties for the horticultural society’s Garden Notes, a quarterly newsletter that I edited for a few years on two occasions.  

We first worked on a tour together in 2005 when I led an autumn weekend to Eastern Washington/Yakima area. And only three weeks after I first arrived in Southern California in late August 2006, it was serendipitous that Gillian and Renee brought an NHS group to Santa Barbara and Pasadena. I joined them for much of that tour and honestly feel that it was my happy introduction to Southern California horticulture and landscape design. When I visited some of Santa Barbara’s great public and private gardens and nurseries with the group, I thought to myself: “I am going to be okay down here.”  

Gillian may not realize how directly and indirectly she has influenced and encouraged the course of my career to leave business writing and embark on garden and design writing – but she has!  

Fast forward 3-1/2 years and it was my turn to show off LA to many old and several new NHS friends. Here’s a recap and some photos to introduce the awesome design style of LA’s gardens:

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