Debra Prinzing

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Episode 469: Blending an artistic practice and commercial floristry, with Kat Claar of From Blossoms

Wednesday, September 2nd, 2020
Floral artist and designer Kat Claar (c) Tell the Bees Photography (left); a paper-and-floral-sculpture (right)

Several months ago, Kathleen “Kat” Claar of From Blossoms reached out to reconnect. We originally met in March 2019 at the Philadelphia Flower & Garden Show when I shared a meal with a few Slow Flowers members and other locally-focused flower farmers and designers.

Kat wanted to share how she was coping with Pennsylvania’s then stay-at-home order, which imposed constraints on her floral work. Instead of feeling limited, though, Kat began to film video tutorials which she says allowed her “to succinctly and effectively share her creative process.” Well, I watched those sweet videos and was hooked on Kat’s highly personal style combining floral design with custom-cut paper shapes that result in contemporary abstract works of art.

As she told me, “I would love for more people to consider and notice a daffodil in a new way through my work, but I also think it would be applicable as a project that people could do themselves with something as easily-accessible as a colored piece of paper and a couple stems of flowers from their yard.”
Kat says this recent video is her highest production with puppets, silk flowers and shapes

“My goal is to draw attention to seasonal flowers, ones that are available to anyone really, and to help people see those flowers in new ways by playing with our perception of them.”

In addition to her own studio art practice, Kat is a wedding and event designer for a Philadelphia-based shop called Vault and Vine. We discuss how she balances the two sides of her floral career and how the commercial design work blends with a fine art practice.

Kat’s gold-metal award for floral design entry “Seeing Flowers” at the 2019 Philadelphia Flower Show really wowed me (pictured below with images (c) Love Me Do Photography).

I spent several days at the show and every time I walked past her display I stopped in my tracks, got out my camera and photographed the piece. There are definitely elements – albeit more detailed – of her paper cutout technique. 

Above: Kat’s floral entry at the 2020 Philadelphia Flower & Garden Show, featuring plexiglass shapes by Roxana Azar (c) Tell the Bees Photography.
A kids’ video with “Beedy” the puppet

Thanks so much for joining me today for my conversation with Kat Claar. I hope you take a moment to respond to those creative sparks or lightening bolts when they hit you!

Find and follow Kat at From Blossoms on Instagram

See the full video collection on Kat’s IGTV feed here.

September 2nd in my #slowflowerscuttinggarden

It’s the beginning of a new month and like me, you’re probably turning attention to September and beyond. The days here in Seattle are still quite warm, but I can feel the chill of autumn in the morning air and I have mixed feelings about it. I normally love autumn. With COVID limiting our indoor gatherings, we’ve been so reliant on time outdoors. What comes with the changing of the seasons? Some friends of mine just invested in an infrared heater for their deck, to extend their outdoor time as long as they can. I’m seriously ready to order head-to-toe rain gear from REI, to make sure I can be quasi-comfortable when I want to continue gardening during our typically wet season. We’re all adept by now at online everything, and my top wardrobe has expanded while I continue to basically wear the same black yoga pants that you’ll never see on a Zoom call. This is an endless season of change. I sincerely hope the Slow Flowers Podcast has been a source of companionship and encouragement to you — from a distance, as always. This show has been downloaded more than 637,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

Thank you to our sponsors

This podcast is brought to you by, the free, nationwide online directory to florists, shops, and studios who design with American-grown flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

And thank you to Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. Read our stories at

More thanks goes to Longfield Gardens, which provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at Longfield Gardens at

Rooted Farmers, which works exclusively with local growers to put the highest-quality specialty cut flowers in floral customers’ hands. When you partner with Rooted Farmers, you are investing in your community, and you can expect a commitment to excellence in return. Learn more at

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at

(c) Mary Grace Long photography

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at

Music Credits:

Turning on the Lights; Children of Lemuel; Gaena
by Blue Dot Sessions

Lovely by Tryad

In The Field