Debra Prinzing

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Art as Inspiration for Floral Design

Saturday, September 20th, 2014
'Dianthus', by Jean Bradbury.

‘Dianthus’, by Jean Bradbury.

I think all artists and designers love to experiment with new media because it challenges us to think more creatively and with inventiveness.

'Zinnias', by Jean Bradbury

‘Zinnias’, by Jean Bradbury

And that’s what makes me so excited about the upcoming class I’ll be teaching on Saturday, October 4th (1-3 p.m.). “From Art to Vase” is a hands-on floral workshop that takes inspiration from the Inflorescence exhibition at Kirkland Art Center, just across Lake Washington, east of Seattle.


Friday night's opening of INFLORESCENCE at Kirkland Arts Center.

Friday night’s opening of INFLORESCENCE at Kirkland Arts Center.

Inflorescence is a terrific new show that opened on September 19th at KAC, curated by Seattle artist Susan Melrath.You can see the show now through November 25th. Click here for gallery hours and address and please note that KAC is closed on Sundays and Mondays.

Three of Susan Melrath's pieces, arranged in a verdant triptych.

Three of Susan Melrath’s pieces, arranged in a verdant triptych.

'Green Theory', by Susan Melrath.

‘Green Theory’, by Susan Melrath.

An incredibly gifted artist (and the daughter of a florist) who loves to play with color, texture and scale, Susan dreamed up this show and invited six other Northwest artists to exhibit their works in response to the show’s title. Inflorescence features the work of Jean Bradbury, Lisa Conway, Patty Haller, Stephanie Hargrave, Fred Lisaius and Liz Tran, in addition to Susan Melrath.

So what is “Inflorescence”?

Liz Tran's exuberant still-life's of flowers in their vase.

Liz Tran’s exuberant still-life’s of flowers in their vase.

Think back to your high school botany or college hort science class. Many of you know of the term as it describes a blooming part of a plant. For the purposes of the KAC show Susan uses this definition: “A group or cluster of flowers growing from a common stem in a characteristic arrangement.”

A lovely piece by landscape artist Patty Haller.

A lovely piece by landscape artist Patty Haller.

I love the idea that each work of art in this beautifully curated show is a part of the whole, just like the cluster of flowers that may emerge from a single stem.

Patty Haller's painting  'Whidbey Yarrow' (left); Fred Lisaius painting 'Mossy Log' (right).

Patty Haller’s painting
‘Whidbey Yarrow’ (left); Fred Lisaius painting ‘Mossy Log’ (right).

Each artist is collectively of like mind while also incredibly individual. They use what is seen and experienced through nature as well as the botanical beauty of plants (real or imagined) to express themselves creatively.

When I say the show is beautifully curated, I’m referring to the harmonious way Susan has grouped and hung or placed pieces throughout KAC’s gallery. The works speak to one another with a pleasing rhythm — through various palettes, forms and canvas sizes. Please consider a day trip to Kirkland to observe and admire these works.

Lisa Conway ceramic piece (left) Stephanie Hargrave paintings (right).

Lisa Conway ceramic piece (left) Stephanie Hargrave encaustics (right).

So where do I come in? More than a year ago, Susan sent me a note asking if I would be willing to teach a floral arranging workshop in conjunction with the show she was pulling together.

Inflorescence Postcard Front 1When I said “sure,” she wrote back:  

I spoke with the Exhibitions Coordinator today and she loved the idea of an education component that wasn’t just another painting class. Floral arranging will bring a new crowd into the arts center. 

And here I have to take a little commercial break for the way social media can bring people together. I met Susan briefly in 2012 when my friend Lorene Edwards Forkner brought me with her to see a prior exhibit featuring Susan’s paintings (and I’m not even sure I know how the two of them originally connected).

We had a brief conversation with the artist, exchanged cards and then began to follow each other on Facebook. I loved seeing Susan’s work via her period newsletters and I suspect she was the recipient of my newsletters. Funny how that works. And I’m so thrilled to be a small part of this amazing show that she dreamed up in her fabulous imagination.

Now it is a reality. I hope you can see how perfect these pieces are for a starting point to create arrangements that express one’s response to the pigments, inks, glazes and washes of color.

More gorgeous forms by ceramic artist Lisa Conway.

More gorgeous forms by ceramic artist Lisa Conway.

There’s still room in the workshop. I’m going to provide all the flowers and instruction. All you have to do is bring a vase, clippers, and an open mind.

Each participant will select a specific work of art as a starting point for their creative arranging. You’ll find just the right piece to inform your floral palette, structure/scale and proportion/form. It’s Art for the Vase!

Cost: $50 Pre-registration required here.