Debra Prinzing

Get the Email Newsletter!

Leslie Codina’s Garden Sculpture at LA County Arboretum

Thursday, August 6th, 2009
Leslie's Autumn-inspired piece is topped by a fabulous flame

Leslie's Autumn-inspired piece is topped by a fabulous flame

There’s new artwork at the Los Angeles County Arboretum & Botanic Garden  and it’s as colorful as the peacocks strolling around the grounds.

Four sculptural “towers,” designed, crafted and donated by artist Leslie Codina, celebrate winter, spring, summer and fall. The installation complements a 10,000-square-foot display of ornamental and edible plants called “Garden for All Seasons.”

Codina, who lives and works in Ontario, creates whimsical stacked towers of color, pattern and form. Her hand-built earthenware “beads” are fired in vibrant glazes, eye-catching patterns, and exaggerated organic shapes that suggest thorns, leaves, flowers, tendrils and bugs. Each piece has a hole at its center so it can be slid over a metal rod in whimsical, mix-and-match designs.

“They are my crazy interpretation of what’s already in the garden,” she says.

The artist sells her $400-$650 garden sculptures at local fairs, including the Arboretum’s L.A. Garden Show each spring. She proposed donating a permanent, site-specific sculpture several years ago, but it wasn’t until after renovations on “Garden for All Seasons” started in 2007 that Tim Phillips, the Arboretum’s acting CEO, agreed and suggested the site. Codina worked with garden curator Darlene Kelly to come up with the four-season theme and determine where the pieces would be installed.

The four spires represent the garden's beauty in all four seasons

The four spires represent the garden's beauty in all four seasons

At 9 to 15 feet high, the quartet of spires has more than 50 individual “beads” and is larger than Codina’s typical work.  “The scale is huge – the base shapes are the size of a beach ball,” she says. “When we put them all together, they look hugely impressive. They complement the garden and the garden complements the sculpture.”

The sculptures follow the seasons, both in size and color. “They gain height as they ‘grow’ from winter through the rest of the year,” Codina says. Purple-and-sage designs symbolize winter; spring is a full spectrum of green colors; summer has hot pinks, oranges and greens; and fall is depicted with mustard yellow, olive green and red hues.

Unlike Codina’s smaller pieces, which often have branch-like armatures, the sculptures at the Arboretum are made of mostly cylindrical shapes. “I made them very peacock-safe,” says the artist. “I didn’t want to give the peacocks any place to perch.”

PHOTOS: courtesy Gene Sasse Photography

Los Angeles Garden Show Highlights

Friday, May 1st, 2009
Garden celebrity Shirley Bovshow and I posed on a bench in Nick Williams's garden

Garden celebrity Shirley Bovshow and I posed on a bench in Nick Williams's garden

The theme of this year’s LA Garden Show, “A Festival of Flavors,” is timely and delectable. The show is produced by the Los Angeles County Arboretum and Botanical Garden in Arcadia (just east of Pasadena), a 127-acre destination with a diverse plant collection, inspiring display gardens and natural habitat-inspired landscapes. The three-day flower show runs through Sunday, May 3rd. The event’s honorary chairs are Clara and Jacob Maarse of the famous Pasadena rose nursery and florist, and Rosalind Creasy, garden writer and pioneer in edible landscaping.

Edible gardening expert Rosalind Creasy

Edible gardening expert Rosalind Creasy

Most of the flower shows I’ve participated in have been indoor shows, so when I arrived last night to attend the preview gala, I was reminded of how alluring an open-air flower show can be. There’s nothing like the sky overhead, the sounds of screeching peacocks that wander the Arboretum grounds, the fragrances and textures of plants from every continent — and the conviviality of friendships — to put me in a perfect festive mood.

Upon entering the Arboretum, we first stopped off at the “marketplace” of plant vendors, garden artists and purveyors of cool stuff, which occupies the lower lawn adjacent to Baldwin Lake. The collection of white tents, topped with jaunty flags, put a smile on my face. I felt as if I was in Europe rather than Los Angeles. The two hours allotted to previewing the sales area was barely enough – but no worry, because I’ll be back there on Sunday to do some more damage to the checkbook (That’s after my 11 a.m. “Garden Chat” ).

Plant vendors, garden artists and more

Plant vendors, garden artists and more

As I strolled along the grassy pathways between each tent, poked my head inside several to check out the offerings, and chatted with fellow party-goers, I said to myself: These are my people!

I was surrounded by kindred spirits who love gardens, plants, ornamentation, vintage finds, and more.

Vintage gals, Libby and Nancie

Vintage gals, Libby and Nancie

A couple of highlights included visiting with Libby Simon of Libby’s Vintage Home & Garden and her friend Nancie Piser, fellow collectors of salvage, old linens, elderly gardening books, retro dishes and glassware, anything tin, rusted or galvanized, and more!

Oh, and Libby also specializes in unusual cactuses – I came home with a nifty specimen (Euphorbia handiensis) that I quickly re-potted in a turquoise-glazed pot for my garden.

My friend Paula Panich and I had a few acquisitive moments, inspired by all the unique finds these two women featured in their tent. I came home with an old garden spray-nozzle and some awesome vintage books, including an almost-mint 1932 edition of The Fragrant Path: A book about sweet scented flowers and leaves, By Louise Beebe Wilder (perfect for a friend’s upcoming birthday). Here’s what Miss Beebe Wilder writes in her opening lines:

A garden full of sweet odours is a garden full of charm, a most precious kind of charm not to be implanted by mere skill in horticulture or power of purse, and which is beyond explaining. It is born of sensitive and very personal preferences yet its appeal is almost universal.

Here is a map of The Arboretum and the Garden Show features:

lagardenshowmap001

Leslie Codina's art: A joyful explosion of color and form

Leslie Codina's art: A joyful explosion of color and form

Playful, fanciful, nature-inspired sculpture

Playful, fanciful, nature-inspired sculpture

Inspired, my eyes drifted over to the next tent over, which was filled with lively ceramic spires pleasing to the visual senses. Leslie Codina, a local Los Angeles area artist, creates whimsical stacked towers of color, pattern and form. The 5- to 7-foot-tall sculptural creations are formed first in Leslie’s imagination as she “interprets the shapes and colors of nature into her garden sculpture.”

Leslie renders individual elements in clay, then shapes, curves, twists, carves and rolls the medium into fantastical armitures, balls, finials and wing-like shapes.

Firing and glazing steps follow, featuring a mix-and-match palette of lime, plum, apricot, red, orange, blue, aqua and lavender.

Artist and sculptor Leslie Codina, with peacock strolling by

Artist and sculptor Leslie Codina, with peacock strolling by

I first learned of Leslie from photographer pal Gene Sasse, who has done much of the photography that appears on her web site. He urged me to seek Leslie out – and boy am I glad I finally did.

Leslie has just donated a grouping of four 8- to 12-foot tall sculptures as a permanent installation at the Arboretum. The collection appears in the “Garden for All Seasons” display, which represents each phase of the year.

After shopping and browsing, several of us moved to the “Designer Lawn” area of the Arboretum, where the cocktail reception was underway.

The displays, created by talented area landscape firms and individuals, brings together the idea of “edible” and “ornamental” worlds co-existing in the garden. Here are a few of the innovative ideas showcased:

“Punctuation in the Garden: A Gallery of Edible Container Gardens,” created by the local members of the Association of Professional Landscape Designers (APLD):

I’ve admired and been privileged to write about the design work of several APLD members, both in the Washington State chapter and now in the California chapter. The group of a dozen folks who created eye-catching edible focal points has come up with some pretty fun interpretations of an “edible container.”

READ MORE…