Debra Prinzing

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Flowers, friends and fun in Colorado

Thursday, May 26th, 2011

Here I am with Arthur Williams, talented floral designer from Babylon Floral in Denver.

Where have I been lately? Last week, I hopped on an airplane and flew to Denver, which surprisingly is only 2-1/4 hours away from Seattle.

At the invitation of the Denver Botanic Gardens, my collaborator David Perry and I spent three lovely days giving talks and workshops about some of our favorite topics. We met some wonderful new friends and were inspired by the DBG’s beauty as a public space for all of Denver to enjoy.

Last Wednesday evening, I spoke about the “Personal Outdoor Dwelling,” aka “stylish sheds,” featuring many of Bill Wright’s gorgeous photos from our book Stylish Sheds and Elegant Hideaways.

Then on Thursday, David and I made a joint presentation on “A Year in Flowers: Seasonal, Local and Sustainable Ingredients.” We split the talk into two parts, an illustrated lecture and a flower design demonstration.

My arrangement from the demonstration, featuring Colorado-grown flowers and choke-cherry foliage from the Denver Botanic Gardens.

I was so fortunate that Denver floral artist and designer Arthur Williams, of Babylon Floral, helped procure locally-grown cut flowers for me to work with. Not only that, but he lent me some vases to use. We so enjoyed meeting Arthur and visiting his colorful shop (he’s pretty colorful, too – check out his arms!).

The following morning, Dave taught a hands-on photo workshop that wowed his students with new-found skills for their point-and-shoot digital cameras.

David's photography talk included practical, hands-on training at the botanic garden.

While Dave was with his students, I wandered along the Botanic Garden paths and through the various themed displays, taking in early Rocky Mountain spring day.

We found that the pace of spring’s unfolding in Denver is quite similar to Seattle’s this year. In other words, cooler than normal and later than normal. You’ll see what I mean in the photos I took.

On Friday, we spent a delightful afternoon with my friend and former editor Marlene Blessing. Marlene was my editor on The Abundant Garden and she also created the Pacific Northwest Garden Survival Guide and asked me to write it in 2004. She is an awesome writing coach and an encouraging advisor from whom I learned a lot about storytelling and book creation. I gained much confidence as a writer while working with this dear woman.

Marlene is presently the editor-in-chief of Interweave Press Books. After all the hue and cry about the publishing world falling apart, we took great comfort in the inspired, aggressive and confident approach to niche publishing embodied by this Loveland, Colorado-based imprint. With an emphasis on fiber arts and craft books, Interweave is led by a highly creative and innovative group, including Marlene. You can only imagine the compelling topics we covered during dinner later that evening. Marlene calls Interweave Press founder and creative director Linda Ligon her “Sensei,” but we kinda want to call Marlene our very own Sensei — what a breath of fresh air in a world of book-making!

Chet Anderson (center), with his mom Belle (left) and wife Kristy (right) at their Boulder County Farmer's Market booth.

After eating a delicious meal at Sugarbeet, a hip Longmont restaurant, we retired rather late and incredibly satisfied with our productive day. Bright and early Saturday morning, I picked Dave up at his hotel and we drove about 30 minutes to Boulder. There, we met up with Chet and Kristy Anderson, owners of The Fresh Herb Co., at their Boulder County Farmer’s Market booth.

Chet and Kristy’s farm is actually in Longmont, and they sell most of what they grow through Whole Foods and other retail outlets, but they still bring herb plants, hanging baskets and cut flowers to this market every Saturday. It is the only market in this part of Colorado that requires its vendors to sell what they produce. No dealers or re-sellers here. You meet the growers, purveyors and farmers who have raised or produced their goods – from amazing mushrooms to colorful Easter egg-colored radishes, to beautiful bouquets and more.

Rows and rows of luscious lilies fill 15,000-square-feet of covered growing area at The Fresh Herb Co.

It was fun to walk the market with Chet, who, I swear, could easily be called the “mayor” of the Boulder County Farmer’s Market. His popularity seems second only to his mother Belle’s popularity. She is there every week, helping at The Fresh Herb Co. booth, talking with new and returning customers, and greeting other vendors as longtime friends. It was fun to meet her!

David, Leesly Leon from the Denver Botanic Garden, me, Kristy and Chet Anderson - a group portrait at The Fresh Herb Co.

We followed Chet back to the family’s homestead and farm so that David could do some photography before a tour group from Denver Botanic Garden arrived. Leesly Leon, the DBG’s adult program coordinator, lined up the field trip so that some of the students in our workshops could have a first-hand visit to a flower farm. Chet and Kristy are very successful at what they do, but they are also passionate and humble about their role in bringing flowers from their fields to the customer’s vase.

 “When you know and meet the grower, and when the flowers are fresh and locally grown, there’s no better flower bargain,” Chet told the group. We couldn’t agree more!

Here are some more photographs from our trip – I loved every moment, every visual impression, and the great people we met.

Creating and capturing movement in the landscape

Monday, November 16th, 2009

AGnucov1AA version of this piece originally appeared in my 2005 book, The Abundant Garden (Cool Springs Press), photographed by Barbara J. Denk, a gifted Bainbridge Island-based photographer. 

I recently updated the text as an article that appears in the current Southern California Horticultural Society newsletter.

RHYTHM AND MOTION

In landscape design, you can create a visual flow through the garden with the dynamic element of rhythm.

As a beat is to music, as choreographed steps are to a dance, rhythm animates a garden. Even if the wind doesn’t blow, your garden can look and feel infused with energy.

Raspberry-red spikes of aptly named Persicaria amplexicaulis 'Firetail' erupt in this singular performance of color and form. (Barbara J. Denk photograph)

Raspberry-red spikes of aptly named Persicaria amplexicaulis 'Firetail' erupt in this singular performance of color and form. (Barbara J. Denk photograph)

MOTION:  We experience a physical sensation when something rustles or sways in the garden. We pause to appreciate movements, subtle or dramatic – flowing water, rippling leaves, a billowing banner, or clanging chimes – because they signal life’s evanescent qualities. Such movements resonate as the garden responds to the earth’s vital elements.

By the very act of creating a garden, we embrace the external forces of nature, most of which are out of our control. In addition to rays of sunlight and rain showers, the kinetic presence of wind and breeze in our landscapes is important to channel – as movement – in a planting scheme.

The ball-shaped seed heads of Allium 'Globemaster' are showcased against a rhythmic display of Calamagrostis x acutiflora 'Karl Foerster', velvety Russian sage (Perovskia atriplicifolia) and Sedum 'Autumn Joy' (Barbara J. Denk photograph)

The ball-shaped seed heads of Allium 'Globemaster' are showcased against a rhythmic display of Calamagrostis x acutiflora 'Karl Foerster', velvety Russian sage (Perovskia atriplicifolia) and Sedum 'Autumn Joy' (Barbara J. Denk photograph)

It’s rewarding to see how climatic changes affect the garden, something we can’t help but notice, whether there are extreme gusts or light flurries flowing through branches and stems. When we intentionally design the garden to capture these movements, we infuse an otherwise commonplace landscape with vitality.

The choices of plants that can catch the airflow, gently dance, or furiously shake are endless. Perennials with tall, slender stems ripple like the fringe on a canopy (think of a vibrant stand of daylilies or a swath of lavender).

Fluffy inflorescences of maiden grass undulate above its finely-textured blades – and the overall effect is a seductive rhythm. The leaves of a California pepper tree shimmer like sequins on an evening gown. Agapanthus seedpods rattle and whisper as autumn arrives. The natural symphony energizes any landscape.

RHYTHM:  Beyond individual plants, the visual suggestion of animation or motion can also be incorporated into the overall template of a garden. The repetition of organic forms, the course of a sinuous path, or the sensual outlines of beds and borders suggest movement. Alternating shapes – the gradual widening or narrowing of a space, the regular spacing of trees – do as well.

Calm white and intense blue join for a duet of gentle movement. A border of creamy white Lysimachia clethroides relates well with a stand of blue-flowering Caryopteris x clandonensis.

Calm white and intense blue join for a duet of gentle movement. A border of creamy white Lysimachia clethroides relates well with a stand of blue-flowering Caryopteris x clandonensis (Barbara J. Denk photograph)

When the tiny stones in a Zen garden are raked into concentric circles, movement appears. When a “stream” of large, smooth, river rocks fills a gully or trench, the sense of running water is implied. The sequence of stepping stones spaced through a cushioned ground cover of fragrant thyme invigorates the scene and helps direct the viewer’s eye through the garden. The scene is emotionally alive and visually pleasing.

Movement in a garden is essential. It’s the organic rhythm, the fluid characteristic that every garden needs in order to come to life for those who enjoy it.

Here are some tips for “animating” your garden:

  • Develop a repertoire of plants:
A glass bowl - a modern birdbath - is showcased against a coppery stand of Karl Foerster grass - an exquisite choice for "motion" in the garden (Barbara J. Denk photograph)

A glass bowl - a modern birdbath - is showcased against a coppery stand of Karl Foerster grass - an exquisite choice for "motion" in the garden (Barbara J. Denk photograph)

Base your plant selection on the scale of your house and the natural setting around it. Once you’ve selected the primary plants – those that provide structure and have multiseason interest, such as ornamental grasses – you can choose a second wave of plants to “star” in specific seasons.

  • Create a basic framework for design:

Choose a template and follow it consistently throughout the garden. One method is to mirror dominant lines of your house, such as repeating key architectural shapes in the landscape. Use these as a guide for shaping pathways and planting beds. For example, a home’s arched windows and doorways might be echoed in the contour of a border or patio. Alternately, you can borrow a framework for design from nature, such as the irregular rhythm of distant hills. 

  • Consider the vertical dimension:
Hardscape, such as this fabulous pebble "river" running through a flagstone patio, can animate and energize the landscape. This was designed and installed by my Yakima friends Linda Knutson and Ron Sell (Debra Prinzing photograph)

Hardscape, such as this fabulous pebble "river" running through a flagstone patio, can animate and energize the landscape. This was designed and installed by my Yakima friends Linda Knutson and Ron Sell (Debra Prinzing photograph)

Backlighting is magical, even in my own backyard. I love the morning sun as it illuminates and highlights the various blades, stems and leaves (Debra Prinzing photo).

Backlighting is magical, even in my own backyard. I love the morning sun as it illuminates and highlights the various blades, stems and leaves (Debra Prinzing photo).

Select plants that bring height, energy, and motion into the garden, and vary their placement for impact.

Even if surrounded by buildings on every side, your garden will respond to daily and seasonal climate changes. Watch how breezes move through the garden, and capture that energy by placing fluid plants where currents flow. Notice where the sun rises and sets in relation to your landscape, and choose trees, shrubs, grasses, and other perennials that will reflect the morning light or absorb sunset’s glow. Red and purple foliage turns flame-like when backlit. As the sun’s rays shine through fringed tassels of fountain grass or pampas grass, the garden will shimmer in response.

North Carolina in September: Gardens Galore; even more Garden Writers

Monday, September 28th, 2009
"A buckeye in your pocket for good luck"

"A buckeye in your pocket for good luck"

The 61st annual Garden Writers Association annual symposium took place this past week, hosted by a fabulous group of Raleigh garden communicators who put together a great lineup of uncommon gardens, mouthwatering menus and Southern hospitality. The occasion drew 655 registrants, the second-largest gathering ever in GWA’s history after Philadelphia/Brandywine Valley in 2006.

More than our profession’s top event for education, inspiration and networking, the symposium is an affirmation that what we do every day is connect people with the natural world and the environment of plants, water, soil, sun, and animals through stories and photographs. Garden writers communicate information and share inspiration, so that’s why I love and value how I spend my life.

This week on Shedstyle, I will feature a day-by-day recap of my week in North Carolina. I’ll start with Monday & Tuesday:

with my new garden friends, Charlie and Lois Brummitt

with my new garden friends, Charlie and Lois Brummitt

I flew to Greensboro, NC, to be welcomed as a guest speaker for the Guilford County Horticultural Society. Because my lecture was scheduled for Monday evening, I arrived very late Sunday and was met by Lois and Charlie Brummitt, two gracious garden hosts.

They gave me a cozy, quiet place to stay, let me sleep in on Monday, made sure I had a mug of English breakfast tea and a scone (along with Internet service to do a little writing in the AM). Lois and her friend Nanny took me out to lunch at Undercurrent, a lovely restaurant (spinach salad for me; oysters and quail salad, respectively, for them – Southern specialties!).

Graham Ray (center), showing Lois Brummit (right) and friend Mary Halyburton his dwarf conifer collection

Graham Ray (center), showing Lois Brummit (right) and friend Mary Halyburton his dwarf conifer collection

We then toured some of Greensboro’s great private, residential gardens, including the gracious Southern gardens of landscape designer and historian Chuck Callaway and the expansive backyard spread created by Diane Flint. Then we headed for Graham Ray’s woodland landscape.

Graham has devoted 40 years to cultivating his property using a plantsman’s keen intuition to design harmonious compositions of excellent plants in just the right setting. Some of these photos will just have to speak for themselves.

The “buckeye” shown at the top of this page is Aesculus pavia or Red Buckeye, native to the Eastern U.S. and a relative of the Common Horse Chestnut often seen in Seattle (Aesculus hippocastanum). It grows in Graham’s garden and he gave me a pocketful of several to carry home with me. I hope they bring me good fortune!

The Greensboro audience gets ready for my slide show - a great turnout

The Greensboro audience gets ready for my slide show - a great turnout

We arrived at the local Natural Science Center in time for me to set up my slides and meet Lynda Waldrep, who made it all possible as the society’s program coordinator. A special thanks to Lee and Larry Newlin of Garden Discovery Tours for suggesting me and my talk on The Abundant Garden (“Lush and Layered”).

My audience was superb and generous. We had fun conversing about design, plants, and ornamentation in the landscape. And surprisingly, there’s much that North Carolina and Western Washington gardens have in common, including the predominant green palette.

PS, a late dinner of Italian red wine and gourmet pizza, back at Charlie and Lois’s house, was a perfect capper to my 24 hours in Greensboro. We went out to see their garden at night and Charlie pointed out Venus in the sky – magical.

Before I left the next morning, I battled a few mosquitoes to stroll through and snap a few photos of their landscape. It’s a place I hope to return to in the future, to be with new friends and kindred spirits.

 

 

Thank you, everyone in Greensboro!

Next . . . Garden Writers Invade Raleigh. What’s better, the food or the plants?!